Naga, Nagan, Instrumental Music of Prostitute Religion

Farmer's Branch: "These Greek words in the Septuagint (The Greek Old Testament) stand for the Hebrew words "zamar", to make music vocally and instrumentally, and "nagan", to touch or play a stringed instrument, corresponding to "psallo"; and "mitzmor", the sound of a harp, then, words sung to the sound of harp, i. e., a song, corresponding to "psalmos".

"The triumphal hymn of Moses had unquestionably a religious character about it; but the employment of music in religious services, though idolatrous, is more distinctly marked in the festivities which attended the erection of the golden calf." (Smith's Bible Dictionary, Music, p. 589).

"Do not be idolaters as some of them were; as it is written, 'The people sat down to eat and drink and rose up to dance (play)'" (1 Cor. 10:7).

See how Charismatic is universally connected to homosexuality in thek Gree world.

But a psalm sung to the accompaniment of an instrument would be called a psalmOIDA. A guitar player would be a guitarIST. All of these endings speak of pagan religions where the idea was a charismatic orgy with no intention of teaching the Word as it has been taught. At the same time, one who told a story or praised would chant his song and if a tone such as EEEEEE is extended, the violin sound would be identical to the spoken voice to reinforce it and keep the chanter on the note. One who sang charismatically with a "musical" accompaniment would have to be drunk or perverted.

That is why MUSICA or CANTUS or PSALLO have the effects of creating fear or abrading the nerves to create the spiritual anxiety or labor for which Jesus died. Charismatic would most often be connected to sodomy as one of the ACTS. Most often this would be pederastty.

WE have reviewed the "White Paper" from the leadership of Farmer's Branch Church of Christ. In this paper they simply quote passages which contain--say playing a harp--and conclude that this is authority for instrumental music in the worship of a Spirit God. However, if one does not look at the message by looking at the entire context then the harp might be to the beat of the ROD as God drives the Assyrians (Egyptians, Babylonians, Israel and Sodomites) into captivity and death as the instruments surely prove in Isaiah 30. Or the warrior Levitite "musicians" may be comforting the priests as they slaughter and burn thousands of animals. This was the TYPE of the Levitical Warriors and Judas trying to panic Jesus with music as prophesied in Psalm 41 and clearly defined by the translation from the Dead Sea.

The Levitical "sounders" doing HARD BONDAGE and not spiritual worship were OUTSIDE of the Holy Place as carnal type of the church of Christ. Therefore, neither professional SINGERS OR MUSICIANS could not get into the type of the church without being executed.

If you get nothing else please grasp that not among the Jews nor in the most vile pagan temples did the musicians enter into the Holy Places. Among the Jews, the Holy Place is a carnal type of the spiritual body of Christ. No Levitical musician could enter into this type of the church of Christ even to clean out the garbage.

The temple musicians in a "religious sense" (grouped with prostitutes in pagan religions) were in the court making a loud mocking noise during the sacrifice and burning of animals. This is why scholars mark it down, not as spiritual worship, but exorcism.

In fulfilment of the prophetic type, it was prophesied in Psalm 41 and fulfilled in the Dead Sea Scroll translation that Judas and the military musicians would attempt to turn Jesus into a coward with music. Click for some examples.

We COULD look at ZAMAR which is rooted in the idea of "trimming the vine" to take the inheritance. It is similar to the word CHALAL which can define "take ones inheritance, play the flute, pollute or prostitute."

DEFENDING the FERTILITY RITUAL by quoting DEVIL WORDS which define all music and musical instruments in the Old Testament. Both the word Zamar and Nagan have sexual meanings connected to the WINE VAT filling up the NEW WINESKIN and with "playing" the harp.

Homer speaks of the Hermes and Apollo characters. In the book of Revelation they are Abaddon or Apollyon or Satan

From now on bring it confidently to the rich feast and lovely dance and glorious revel, a joy by night and by day. Whoso with wit and wisdom enquires of it cunningly, him

it teaches through its sound all manner of things that delight the mind, being easily played with gentle familiarities,

for it abhors toilsome drudgery; but whoso in ignorance enquires of it violently, to him it chatters mere vanity and foolishness. But you are able to learn whatever you please.

So then, I will give you this lyre, glorious son of Zeus, while I for my part will graze down with wild-roving cattle the pastures on hill and horse-feeding plain:

so shall the cows covered by the bulls calve abundantly both males and females. And now there is no need for you, bargainer though you are, to be furiously angry.'

Farmer's Branch Church of Christ: These Greek words in the Septuagint (The Greek Old Testament) stand for the Hebrew words "zamar", to make music vocally and instrumentally, and "nagan", to touch or play a stringed instrument, corresponding to "psallo"; and "mitzmor", the sound of a harp, then, words sung to the sound of harp, i. e., a song, corresponding to "psalmos". The Hebrew word "mitzmor" is the word for the Psalms of the Old Testament. (Note: References to the Septuagint, which was the Greek Old Testament, are important because it was the 'bible" of the first century Christians.)

See some notes on Psallo in the Septuagint. To disprove this false teaching.

The word ZAMAR is related to "trimming the vine" or taking the inheritance rather than MAKE MUSIC. NAGA gets you right back to the FALL in the garden of Eden with leadership approval. Similar words such as Halal make it clear that "taking your inheritance" while PLAYING THE FLUTE was to polllute or prostitute you. Nagan comes from the vineyard at GATH where the naked grape stompers played their harps and PLAYED with one another.

The temple Levites were under "the king and the commanders of the army" and never under the priests. Nor did any of them ever enter the holy places as a type of the church of Christ.

The Levites told the official representatives (the people's congregation was not there) to fall on their face which was the MEANING of WORSHIP as hard bondage. This was also the message of the BABYLON religion:

Zemar (h2170) zem-awr'; from a root corresp. to 2167; instrumental music: - musick.

That at what time ye hear the sound of the cornet, flute, harp, sackbut, psaltery, dulcimer, and all kinds of musick, ye fall down and worship the golden image that Nebuchadnezzar the king hath set up: Da.3:5

If you count the instruments named you will see the number 666.

The golden image was a non-functional pillar so popular coming out of the Jubilee. Even supporting buildings the pillars were often phallic symbols. To Bow to Baal had a perverse meaning.

Zamar (h2168) zaw-mar'; a prim. root [comp. 2167, 5568, 6785]; to trim (a vine): - prune.

Most instrument names are derived from a destructive act. For instance.

Chalal (h2490) khaw-lal'; to wound, to dissolve; fig. to profane (a person, place or thing), to break (one's word), to begin (as if by an "opening wedge"); denom. (from 2485) to play (the flute): gather the grape thereof, take inheritance, pipe, player on instruments, pollute, (cast as) profane (self), prostitute, slay (slain), sorrow, stain, wound.

Asap is:

Acaph (h622) aw-saf'; a prim. root; to gather for any purpose; hence to receive, take away, i. e. remove (destroy, leave behind, put up, restore, etc.): - assemble, bring, consume, destroy, fetch, gather (in, together, up again), * generally, get (him), lose, put all together, receive, recover [another from leprosy], (be) rereward, * surely, take (away, into, up), * utterly, withdraw.

MOREOVER David and the captains of the host separated to the service of the sons of Asaph, and of Heman, and of Jeduthun, who should prophesy with harps, with psalteries, and with cymbals: and the number of the workmen according to their service was: 1Chr.25:1

Service is:

Abodah (h5656) ab-o-daw'; or abowdah ab-o-daw'; from 5647; work of any kind: - act, bondage, / bondservant, effect, labour, ministering (-try), office, service (-ile, -itude), tillage, use, work, wrought

Abad (h5647) aw-bad'; a prim. root; to work (in any sense); by impl. to serve, till, (caus.) enslave, etc.: - *be, keep in bondage, be bondmen, bond-service, compel, do, dress, ear, execute, / husbandman, keep, labour (-ing man), bring to pass, (cause to, make to) serve (-ing, self), (be, become) servant (-s), do (use) service, till (-er), transgress [from margin], (set a) work, be wrought, worshipper.

Abad (h6) aw-bad'; a prim. root; prop. to wander away, i. e. lose oneself; by impl. to perish (caus. destroy): - break, destroy (- uction), / not escape, fail, lose, (cause to, make) perish, spend, * and surely, take, be undone, * utterly, be void of, have no way to flee.

Abaddown (h11) ab-ad-done'; intens. from 6; abstr. a perishing; concr. Hades: - destruction.

Moreover Hezekiah the king and the princes commanded the Levites to sing praise unto the Lord with the words of David, and of Asaph the seer. And they sang praises with gladness, and they bowed their heads and worshipped. 2Chr.29:30

Acaph (h623) aw-sawf'; from 622; collector; Asaph, the name of three Isr., and of the family of the first: - Asaph.

Again: Acaph (h622) aw-saf'; a prim. root; to gather for any purpose; hence to receive, take away, i. e. remove (destroy, leave behind, put up, restore, etc.): - assemble, bring, consume, destroy, fetch, gather (in, together, up again), * generally, get (him), lose, put all together, receive, recover [another from leprosy], (be) rereward, * surely, take (away, into, up), * utterly, withdraw.

The noise of a multitude in the mountains, like as of a great people; a tumultuous noise of the kingdoms of nations gathered together: the Lord of hosts mustereth the host of the battle. Is.13:4

For the statutes of Omri are kept, and all the works of the house of Ahab, and ye walk in their counsels; that I should make thee a desolation, and the inhabitants thereof an hissing: therefore ye shall bear the reproach of my people. Mic 6:16

WOE is me for I am as when they have gathered the summer fruits, as the grapegleanings of the vintage: there is no cluster to eat: my soul desired the firstripe fruit. Mic 7:1

Oseph (h625) o'-sef; from 622; a collection (of fruits): - gathering.

Acephah (h626) as-ay-faw'; from 622; a collection of people (only adv.): - * together.

And they shall be gathered together, as prisoners are gathered in the pit, and shall be shut up in the prison, and after many days shall they be visited. Is.24:22

We need to repeat the stuff to refute the proof text above "play a stringed instrument, corresponding to "psallo"; and "mitzmor." Believe it, all of the musical words and names of instruments in the Old Testament are Satan- derived or carry the meaning of to POLLUTE OR PROSTITUTE you to THRUST IN THE PRUNING HOOK and steal your SPIRITUAL INHERITANCE using poor souls as puppets just like the SERPENT in the garden of Eden was a "musical enchanter."

The word for PRUNING- HOOK

Mazmerah (h4211) maz-may-raw'; from 2167; a pruning-knife: - pruning-hook.

Zamar (h2167) zaw-mar'; a prim. root [perh. ident. with 2168 through the idea of striking with the fingers]; prop. to touch the strings or parts of a musical instrument, i. e. play upon it; to make music, accompanied by the voice

The Greek Psallo is also a wafare term from twanging the bow string to send a singing arrow. Therefore, it is highly restrictive: it can only be used in TWITCHING a harp string with the finger and NEVER with the plectrum/. Therefore, these "musical" terms would make a piano or any other instrument excluded.

Camar (h5568) saw-mar'; a prim. root; to be erect, i. e. bristle as hair: - stand up, tremble.

Then a spirit passed before my face; the hair of my flesh stood up: Job 4:15
My flesh trembleth for fear of thee; and I am afraid of thy judgments. Ps.119:120

Mazmerah is derived from:

Mizmowr (h4210) miz-more'; from 2167; prop. instrumental music; by impl. a poem set to notes: - psalm.

For afore the harvest, when the bud is perfect, and the sour grape is ripening in the flower,

he shall both cut off the sprigs with pruning hooks, and
take away and cut down the branches. Is.18:5

They shall be left together unto the fowls of the mountains, and to the beasts of the earth: and the fowls shall summer upon them, and all the beasts of the earth shall winter upon them. Isa 18:6

Is Satan can PRUNE YOUR VINES or TAKE YOUR INHERITANCE before the final harvest then you are in the clutches of SATURN'S SICKLE: his number in Chaldee is 666.

And I will lay it waste: it shall not be pruned, nor digged; but there shall come up briers and thorns: I will also command the clouds that they rain no rain upon it. Is.5:6

When Eve was speaking of the TREES in the garden, she was talking about evil agents as the Assyrians were "the tallest trees in Eden." ezekiel 31 just before he speaks of the prostitute worshipers in Ezekiel 33.

Then Farmer's Branch just quotes the MUSICAL terms in the Old Testament and decides that they MUST MEAN they were used for the worship of God. In fact, all musical terms and names of instruments are derived from pagan, Satanic or totally destructive roots.

The MUSIC word is not associated with worship in either the Old or New Testament. Therefore, someone is fooling someone as prophesied.

TOUCHING the harp and TOUCHING a woman were always twins in pagan worship rituals.

It is important to understand that superstitious praise singing originated with the WIMBERS in the Vineyard imitated by the Wineskins movements. And didn't someone come up to Nashville to preach about the LATTER REIGN.

Rick Atchley and Chris Seidman: "Praying for Reign: What Happens When Churches Ask for the Kingdom to Come"

Without wanting to be unfair, in light of the Change Agent's methodology, the perhaps-stolen language and giggling about secret code words, we have a right to ask: "Is this for latter rain, or what? Was Jesus mistaken again? He thought that the kingdom was brought near with His physical presence and His continuing Spiritual presence. Click Here to see the enabling of Christ's kingdom.

And when he was demanded of the Pharisees, when the kingdom of God should come, he answered them and said, The kingdom of God cometh not with observation: Luke 17:20

Neither shall they say, Lo here or, lo there! for, behold, the kingdom of God is within you. Luke 17:21

Paul agreed and insisted that we have been translated into a spiritual kingdom which has no need of the carnal methods and materials of the fragile earth:

Who hath delivered us from the power of darkness, and hath translated us into the kingdom of his dear Son: Colossians 1:13

Make no mistake about it, the prophets of Vineyard or Wineskins and Latter Reign DO NOT believe that the Jesus who "did not come fully in the flesh" according to John Mark Hicks speaking of Max Lucado and Rubel Shelly. Therefore, perhaps in fulfilment of the Babylon Whore of Revelation 18 they intend to forcee Jesus to come by PREPARING the earthly kingdom so that He will not fail this time. The INCARNATIONAL view of these people fulfills the definition of anti-Christ.

The second major factor was the Kansas City conference in 1977. That was when the three streams of pentecostalism - the neo-pentecostals, the classical pentecostals and the Catholic pentecostals - united into a powerful force.

"This conference was held because of a directive to unite Christianity supposedly received from the Lord during a 1974 Catholic charismatic gathering. With these streams representing one charismatic movement within all the denominations,

and through the breakdown of doctrine, the Church became more experience-based than Biblically-based.

Borrowing Kung's words again: 'Even though it is not the kingdom of God which is to come, it is already under the reign of God which has begun'; the church anticipates the kingdom by being 'its voice, its announcer, its herald.'" (Shelly/Harris, Second Incarnation, p. 75) 

Buddy Bell: INTENSIVE1: Developing a Successful Small Group Ministry

According to the Mother of the Vineyard, using music to reach a sexual like climax with God was to be followed by "giving of means." This is consistent with all music AS worship.

Therefore, one wonders if the appeal to NAGAN is just being ignorant of the entire Bible and history or if the MUSIC CULT is practicing the confessed game of "infiltrating and diverting" to change church from school of the Bible into a theater for "holy" entertainment?

Click to read Carol Wimber's proposal and the clear VOODOO component which, from the beginning, filtered OUT OF AFRICA into Babylon.

ALL musical instruments and musical terms are rooted in destructive words which has led scholars to agree that they are ALL THE DEVILS INSTRUMENTS.

The word NAGA comes out of India and is associated with serpent worship or charming (enchanting). The Assyrians were the TALLEST TREE in Eden and Eve knew when she saw HIM that she should not TOUCH (naga) him. But Paul said that he WHOLLY SEDUCED her. See more data on NAGA.

NAGA (H5060) naw-gah'; a prim. root; prop. to touch, i. e. lay the hand upon (for any purpose; euphem., to lie with a woman); by impl. to reach (fig. to arrive, acquire); violently, to strike (punish, defeat, destroy, etc.): - beat, (* be able to) bring (down), cast, come (nigh), draw near (nigh), get up, happen, join, near, plague, reach (up), smite, strike, touch.

With these terms of violence you can see that MUSIC is a weapon closely associated with sending Apollo's bow into your literal harp to "make melody of it."

Why would Christ the Spirit pick such a destructive word to speak of spiritual worship? Why not pick some words not already universally associated in the Near East with destruction and sexuality? Why would we then pick these destructive words and try to give them a "second incarnation" as something spiritual?

But of the fruit of the tree which is in the midst of the garden, God hath said, Ye shall not eat of it, neither shall ye touch it, lest ye die. Ge.3:3

And the Lord plagued Pharaoh and his house with great plagues because of Sarai Abrams wife. Ge.12:17

Paul connected sexual seduction to the work of Satan in the garden of Eden:

For I am jealous over you with godly jealousy: for I have espoused you to one husband, that I may present you as a chaste virgin to Christ. 2 Cor 11:2

But I fear, lest by any means, as the serpent beguiled Eve through his subtilty, so your minds should be corrupted from the simplicity that is in Christ. 2 Cor 11:3

Ecapatao (g1818) ex-ap-at-ah'-o; from 1537 and 538; to seduce wholly: - beguile, deceive.

NAGA (h5061) neh'-gah; from 5060; a blow (fig. infliction); also (by impl.) a spot (concr. a leprous person or dress): - plague, sore, stricken, stripe, stroke, wound.

My lovers and my friends stand aloof from my sore; and my kinsmen stand afar off. Ps.38:11

He was taken from prison and from judgment: and who shall declare his generation? for he was cut off out of the land of the living: for the transgression of my people was he stricken. Is.53:8

The NAGA throughout the area were the ADEPTS or users of music and the serpents. The word NAGASH is related to the NAGA and he was not a snake but a MUSICAL ENCHANTERS in the garden who sexually perverted Eve by deception and Adam who "was not deceived."

NAGA

"Udyana, in modern Pakistan, was famous for its water dragons. This is a story of one of those dragons. The Naga are thought to be semi-divine snakes with human faces and serpents tails. It is in the Patala, a watery region under the earth that they reside.

See our collection on SERPENT WORSHIP.

The Britannica notes that:

"The Nagas of Indian mythology were a race of serpent demons. There name means 'those who do not walk, who creep.' Most often they manifested themselves as beasts with bodies that were half-man, half-serpent, although sometimes they assumed the shape of a dragon, or simply appeared in the guise of a cobra.

A precious gem was embedded in their throats or skulls, and this emdowed them with great magical powers.

"They haunted lakes and rivers, but their true domain was a vast, idyllic region below the sea. In Patala, their underwater habitat, they hoarded great amounts of jewels and precious metals.

Here the demons dwelt with their seductive mates, the Naginis who, ike mermaids, seduced mortals into the briny depths.

Nagini. India, state of Bihar, ca. 100. Gray terra-cotta. Lent by the collection of Anupam and Rajika Puri.

But Naas is the serpent from whom, i.e., from the word Naas, (the Naassene) says, are all that under heaven are denominated temples (Naos). Resource

The Nachash is also seen as a COBRA whose spread head is like a BRASS trumpet. Many older resources also identify the serpent as a SIMIAN such as the Baboon which has great power of articulation. See Adam Clark.

Of the king of Tyre as a type of Lucifer was prepared as an opponent of God and Righteousness with these stones and musical instruments:

Son of man, take up a lamentation upon the king of Tyrus, and say unto him, Thus saith the Lord God; Thou sealest up the sum, full of wisdom, and perfect in beauty. Ezek 28:12

Thou hast been in Eden the garden of God; every precious stone was thy covering, the sardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and gold:

the workmanship of thy tabrets and of
thy pipes was prepared in thee in the day that thou wast created. Ezek 28:13

Satan tried to steal worship from God and even to "mount up" and usurp God's role. Music was his key WEAPON in seducing people away from a spiritual or mental association with a Spirit and immaterial God. By appealing to the "lust of the ears" and eyes he truly led many angelic beings into rebellion.

Negiynah (h5058) neg-ee-naw'; or nÿgynath neg- ee- nath'; from 5059; prop. instrumental music; by impl. a stringed instrument; by extens. a poem set to music; spec. an epigram: - stringed instrument, musick, Neginoth [plur.], song

And now am I their song, yea, I am their byword. Jb.30:9
And now their sons mock me in song; I have become a byword among them. Jb 30:9NIV
They that sit in the gate speak against me; and I was the song of the drunkards. Ps. 69:12
I was a derision to all my people; and their song all the day. Lam.3:14

Hezekiah did this in the temple while his kingdom and Manasseh was turning to human sacrifice.

As the king/queen of Babylon and the end-time Babylonian Whore of Lucifer Isaiah wrote:

Thy pomp is brought down to the grave, and the noise of thy viols: the worm is spread under thee, and the worms (maggots) cover thee. Isa 14:11

Pomp is an attempt to RISE UP before God:

Gaavah (h1346) gah-av-aw'; from 1342; arrogance or majesty; by impl. (concr.) ornament: - excellency, haughtiness, highness, pride, proudly, swelling.

Geuwth (h1348) gay-ooth'; from 1342; the same as 1346: - excellent things, lifting up, majesty, pride, proudly, raging.

Therefore, Lucifer or Satan is the Mother of:

Percussion instruments related to Topheth or Hell: the place of unending fires.

The Pipes or flutes which are identified by words meaning "play the flute, pollute or prostitute." Judas would try to panic Jesus with wind instruments according to Psalm 41.

String instruments or harps. The Nebel has the same meaning as the witch of Endor's "FAMILIAR SPIRIT" and the Booming gongs of 1 Corinthians 13. The nebel is derived from a word meaning stupid, vile person, disgrace. David MADE HIMSELF VILE in the HALAL form of polluting "praise."

NAGAN is interchangeable with CHALAL which can mean: "Play the flute, pollute or prostitute." All music was always sexual. See how both SINGING and PLAYING are related to "polluting or prostituting" and to the SERPENT or musical enchanter in the garden of Eden and Lucifer, the "harp-playing prostitute."

Here are just a few of the connections:

If Farmer's Branch sees that as AUTHORITY to worship with instrumental music then someone has a huge problem.

No one ever did this as SINGING and PLAYING instruments as an act of worship even though David comments it.

Lucifer is a Latin word derived from the HALAL or making self vile PRAISE. SHE or HE was the NAGASH in the garden of Eden and was known throughout the languages as a Musical Enchanter stealing the Word and worship of God. Personified as the king/queen of Trye. Here are two key passages

And it shall come to pass in that day, that Tyre shall be forgotten seventy years, according to the days of one king: after the end of seventy years shall Tyre SING as an HARLOT. Isa 23:15

HERE IS THE SONG OF THE PROSTITUTE:

Take an harp, go about the city, thou HARLOT that hast been forgotten; make sweet MELODY (nagan), sing many songs, that thou mayest be remembered. Isaiah 23:16

SEEING GOD AND EZEKIEL AS SUSCEPTIBLE TO MUSICAL PROSTITUTES:

The word NAGAN issued here which associates music with seeing God and Ezekiel as musical prostitutes or Seeker Cult preachers:

And they come unto thee as the people cometh, and they sit before thee as my people, and they hear thy words, but they will not do them:
........... for with their mouth they shew much love (sexual),
........... but their heart goeth after their covetousness. Ezek 33:31

And, lo, thou art unto them as a very lovely song of one that hath a pleasant voice,
........... and can play (Nagan) well on an instrument:
........... for they hear thy words, but they DO THEM NOT. Ezek 33:32

"The sound of the flute, for example, is widely associated with love magic. Among many tribes, young men played the flute to serenade young women. Flutes and flute music empower sexual initiation. In some cultures, instrument symbolism is highly developed. In South America:

The whistling of a flute connotes sexual invitation,

while vibration, represented by such instruments as the clarinet and the bull-roarer, symbolizes a warning or threat. (Nagash, the hissing sound of the serpent incarnated into musical instruments)

This love is:

Egeb (h5690) eh'-gheb, from 5689; love (concr.), i. e. amative words: - much love, very lovely.

It is related to the organ Jubal played "WITHOUT GOD'S APPROVAL"

Music works because it stimulates a SEXUAL response which the ignorant or evil SELL as a spiritual feeling.

Music and musicians carry the message in the history of the world of literal perversion as Lucifer in the garden WHOLLY seduced Eve while ADAM did it willingly.

Lucifer was the HARP-PLAYING PROSTITUTE IN THE GARDEN OF EDEN. Jubal HANDLED the harp WITHOUT AUTHORITY:

The word HANDLE applied to Jubal is the Hebrew:

Taphas (h8610) taw-fas'; a prim. root; to manipulate, i. e. seize; chiefly to capture, wield; spec. to overlay; fig. to use unwarrantably: - catch, handle, (lay, take) hold (on, over), stop, * surely, surprise, take.

This word is related to the TAMBOURINE and to TOPHETH which began as Solomon's "musica grove" of idolatry and ended as a type of HELL ITSELF.

And his ORGAN was:

Uwgab (h5748) oo-gawb'; or uggab oog-gawb'; from 5689 in the orig. sense of breathing; a reed-instrument of music: - organ

Jubal and family are discussed in literature such as The Book of Enoch, The Book of Jubilees, The Books of Adam and Even and in many of the church Fathers. The story is that SATAN used the youth to steal people out of the presence of the LIVING WORD.

This handling WITHOUT AUTHORITY is related to the tambourine and to TOPHETH which stands for hell itself.

And both the LOVE SONGS or modern erotic praise songs AND the organ or flute means spiritual and literal ADULTERY.

The wind instrument or organ Jubal used "without authority" was the Uwgab which is from Agab which can mean:

Agab (h5689) aw-gab'; a prim. root; to breathe after, i. e. to love (sensually): - dote, lover.

And Aholah played the harlot when she was mine; and she doted on her lovers, on the Assyrians her neighbours, Eze.23:5

Music works because it stimulates a SEXUAL response which the ignorant or evil SELL as a spiritual feeling.

Music and musicians carry the message in the history of the world of literal perversion as Lucifer in the garden WHOLLY seduced Eve while ADAM did it willingly.

It is a powerful fact that God never lets false agents get to you without giving you ample warning if you STAY AWAKE AND KEEP YOUR CLOTHES WITH YOU.

In Hebrew or the Septuagint, the MELODY word NEVER includes an instrument UNLESS it is defined. Because the HUMAN VOICE is the first instrument of choice, no would would pick up an instrument if you told them to make melody.

The word God used is never music but NOISE:

Take thou away from me the noise of thy songs; for I will not hear the melody (h2172) of thy viols. Am.5:23

Zimrah (h2172) zim-raw'; from 2167; a musical piece or song to be accompanied by an instrument: - melody, psalm.

When we say SONG we never insist on an instrument. That is, an instrument does not inhere in the word SONG. A SONG can be read silently, recited, chanted, sung or sung with an instrument.

That this is the RULE rather than the exception, Scripture does not INCLUDE an instrument in the words for MELODY unless that instrument is named.

Lucifer (ZOE) as the serpent or musical enchanter in the garden of Eden is personified by the king/queen of Babylon even in the end-time musical, harlot worship (Rev 18). As the king queen of Tyre he is identified as the harp-playing PROSTITUTE. Notice how melody is defined:

And it shall come to pass in that day, that Tyre shall be forgotten seventy years, according to the days of one king: after the end of seventy years shall Tyre sing as an harlot. Isa 23:15
........... Take an harp, go about the city, thou harlot that hast been forgotten;
........... ........... make sweet melody,
........... ........... sing many songs, that thou mayest be remembered. Isa 23:16

The same Lucifer (Zoe) is the end time Babylonian Prostitute who USES music and musicians to TAKE AWAY THE WORD.

ABSOLUTE LAW: when a mechanical instrument is INTENDED it is NAMED. Paul named the human voice and heart as the first INSTRUMENTS of choice. That excludes the HARP as every scholar for 1850 years confessed.

And Lucifer as the king/queen of Tyre the word NAGAN means MELODY (polluting, prostituting, blowing the flute)

Comparing Nagan With Psallo: Note that the primary meaning is to beat or twitch or twang which then came to stand for TWANGING on a musical instrument of the MINSTREL who was the traveller available for sex and sodomy:

5065 speaks more of the grinding or oppressing including that of Jesus:

Nagas (h5065) naw-gas'; a prim. root; to drive (an animal, a workman, a debtor, an army); by impl. to tax, harass, tyrannize: - distress, driver, exact (-or), oppress (-or), * raiser of taxes, taskmaster.

That thou shalt take up this proverb against the king of Babylon, and say, How hath the oppressor ceased! the golden city ceased! Is.14:4

He was oppressed, and he was afflicted, yet he opened not his mouth: he is brought as a lamb to the slaughter, and as a sheep before her shearers is dumb, so he openeth not his mouth. Is.53:7

Wherefore have we fasted, say they, and thou seest not? wherefore have we afflicted our soul, and thou takest no knowledge? Behold, in the day of your fast ye find pleasure, and exact all your labours. Is.58:3

Lucian of Samosata states the UNIVERSAL principle: musicians could NEVER go into the Holy Place which was a type of the church of Christ. Therefore, there is nothing even in the history of the most VILE paganism which would dare suggest that you bring your musicians and music INTO THE PRESENCE OF THE GODS.

50 - And on set days the multitude assembles in the sanctuary, and many Galloi (emasculated) and the religious men that I spoke of perform their ceremonies; and they cut their own arms and beat one another on the back.

And many stand there playing flutes and beating timbrels, and others sing inspired and holy songs.
........... This is done outside the temple,
........... and they who perform it do not come into the temple.

Only the End-Time BABYLON WHORE religion has every been so ARROGANT as to bring the musicians into the HOLY PLACE (the church). The Shellyite dogma even teaches that the musical worship team is the MEDIATOR in being able to "bring the worshipers into the presence of God."

And consistent with the pattern she does it like Apollo (Abaddon, Apollyon) Seeker-Centers. Apollo and Hermes were the "father of shooting arrows, musical instruments, liars and thieves." Apollo changed himself into a dolphin like an angel of light and seduced "ministers" into his Seeker Service with musical instruments.

As the Babylonian musicians and instruments went into Sheol to rot on a bed of maggots:

And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; Rev 18:22

The "grinders" in Hebrew were the concubines or prostitutes who did double duty as they ground the grain into a fine powder: they psalloed it.

In the day when the keepers of the house shall tremble, and the strong men shall bow themselves, and the grinders cease because they are few, and those that look out of the windows be darkened, Eccl 12:3

The keepers are the guardians of the house. Trembling is fearfulness of those RISING UP AGAINST the leaders.

To bow is from the Hebrew:

Avath (h5791) aw-vath'; a prim. root; to wrest: - bow self, (make) crooked, falsifying, overthrow, deal perversely, pervert, subvert, turn upside down.

The Grinders are:

Tachan (h2912)taw-khan'; a prim. root; to grind meal; hence to be a concubine (that being their employment): - grind (-er).

What mean ye that ye beat my people to pieces, and grind the faces of the poor? saith the Lord God of hosts. Is.3:15

COME down, and sit in the dust, O virgin daughter of Babylon, sit on the ground: there is no throne, O daughter of the Chaldeans: for thou shalt no more be called tender and delicate. Isa 47:1

Take the millstones, and grind meal: uncover thy locks, make bare the leg, uncover the thigh, pass over the rivers. Is.47:2

Thy nakedness shall be uncovered, yea, thy shame shall be seen: I will take vengeance, and I will not meet thee as a man. Isa 47:3

As for our redeemer, the Lord of hosts is his name, the Holy One of Israel. Isa 47:4

Sit thou silent, and get thee into darkness (ignorance) , O daughter of the Chaldeans: for thou shalt no more be called, The lady of kingdoms. Isa 47:5

I was wroth with my people, I have polluted mine inheritance, and given them into thine hand: thou didst shew them no mercy; upon the ancient hast thou very heavily laid thy yoke. Isa 47:6

The Hebrew word for POLLUTE shows HOW God will take their inheritance:

Chalal (h2490) khaw-lal'; a prim. root [comp. 2470]; prop. to bore, i. e. (by impl.) to wound, fig. to profane (a person, place or thing), to break (one's word), to begin (as if by an "opening wedge"); denom. (from 2485) to play (the flute): ... gather the grape thereof, take inheritance, pipe, player on instruments, pollute, (cast as) profane (self), prostitute,

The word HALAL has much the same meaning to include "making people vile." The word LUCIFER has the meaning of HALAL.

This is how God POLLUTES His inheritance when they ignore the WORD:

Must ye always rejoice, and go into my holy places continually, as they that keep a feast? and must ye go with a pipe, as those that rejoice into the mountain of the Lord, to the God of Israel Isaiah 30:29 LXX

Qodesh (h6944) ko'-desh; from 6942; a sacred place or thing; rarely abstr. sanctity: - consecrated (thing), dedicated (thing), hallowed (thing), holiness, (* most) holy (* day, portion, thing), saint, sanctuary.

And the priests brought in the ark of the covenant of the Lord unto his place, to the oracle of the house, into the most holy place, even under the wings of the cherubims: 2 Chron 5:7

Assyria, Babylon, Egypt and Jerusalem were lumped together as quite the same as Sodom. As this speaks of the Assyrians it includes Egypt and Jerusalem.

and the Lord shall make his glorious voice to be heard and the wrath of his arm, to make a display with wrath and anger and devouring flame: he shall lighten terribly, and his wrath shall be as water and violent hail. Isaiah 30:30 LXX

For by the voice of the Lord the Assyrians shall be overcome, even by the stroke where with he shall smite them. Isaiah 30:31 LXX

And it shall happen to him from every side, that they from whom their hope of assistance was, in which he trusted, themselves shall war against him in turn with drums and with harp. Isaiah 30:32 LXX

For thou shalt be required before thy time: has it been prepared for thee also to reign? nay, God has prepared for thee a deep trench, wood piled fire and much wood: the wrath of the Lord shall be as a trench kindled with sulphur. Isaiah 30:33 LXX

Of the king of Babylon as a type of Lucifer,

Thy pomp is brought down to the grave, and the noise of thy viols: the worm is spread under thee, and the worms (maggots) cover thee. Isa 14:11

How art thou fallen from heaven, O Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations! Isa 14:12

For thou hast said in thine heart, I will ascend into heaven, I will exalt my throne above the stars of God: I will sit also upon the mount of the congregation, in the sides of the north: Isa 14:13

I will ascend above the heights of the clouds; I will be like the most High. Isa 14:14

Yet thou shalt be brought down to hell, to the sides of the pit. Isa 14:15

Of the king of Tyre as a type of Lucifer:

Thou hast been in Eden the garden of God; every precious stone was thy covering, the sardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and gold: the workmanship of thy tabrets and of thy pipes was prepared in thee in the day that thou wast created. Eze.28:13

At that time Tyre will be forgotten for seventy years, the span of a king's life. But at the end of these seventy years, it will happen to Tyre as in the song of the prostitute: Is.23:15

Take up a harp, walk through the city, O prostitute forgotten; play (h5059) the harp well, sing many a song, so that you will be remembered." Is.23:16

At the end of seventy years, the LORD will deal with Tyre. She will return to her hire as a prostitute and will ply her trade with all the kingdoms on the face of the earth. Is.23:17

And so will it be with all Babylon- Harlot Worship and the Chaldeans:

And thou saidst, I shall be a lady (Master) for ever: so that thou didst not lay these things to thy heart, neither didst remember the latter end of it. Isa 47:7

Therefore hear now this, thou that art given to pleasures, that dwellest carelessly, that sayest in thine heart, I am, and none else beside me; I shall not sit as a widow, neither shall I know the loss of children: Isa 47:8

But these two things shall come to thee in a moment in one day, the loss of children, and widowhood: they shall come upon thee in their perfection for the multitude of thy sorceries, and for the great abundance of thine enchantments. Isa 47:9

For thou hast trusted in thy wickedness: thou hast said, None seeth me. Thy wisdom and thy knowledge, it hath perverted thee; and thou hast said in thine heart, I am, and none else beside me. Isa 47:10

Stand now with thine enchantments, and with the multitude of thy sorceries, wherein thou hast laboured from thy youth; if so be thou shalt be able to profit, if so be thou mayest prevail. Isa 47:12

Thou art wearied in the multitude of thy counsels. Let now the astrologers, the stargazers, the monthly prognosticators, stand up, and save thee from these things that shall come upon thee. Isa 47:13

Gad who conveyed the way to STOP THE PLAGUE To David was not a true prophet but a STARGAZER.

This prophesied how Judah, Egypt, the Assyrians and Sodomites came to an end. And John did say:

And their dead bodies shall lie in the street of the great city, which spiritually is called Sodom and Egypt, where also our Lord was crucified. Re.11:8

Jerusalem, Sodom, Egypt, Assyria or Babylon represents any PROSTITUTE religion which produces IGNORANCE of God's Word by the use of Music (Amos 5, 6 and 8; Isaiah 5).

God sends them a STRONG DELUDER to cause them to believe a lie and be damned because they were self- blinded to the WORD and Jesus speaks to them only with parables to fool the fools (Matthew 13).

As the king of Tyre as Lucifer was the "harp- playing prostitute" and as the king/queen of Babylon went into SHEOL with his/her harps and musicians, the end- time Babylon Prostitute fulfills the types of Isaiah 47.

And the fruits that thy soul lusted after are departed from thee, and all things which were dainty and goodly are departed from thee, and thou shalt find them no more at all. Re.18:14

Epithumia (g1939) ep-ee-thoo-mee'-ah; from 1937; a longing (espec. for what is forbidden): - concupiscence, desire, lust (after).

And a mighty angel took up a stone like a great millstone, and cast it into the sea, saying, Thus with violence (suddeness) shall that great city Babylon be thrown down, and shall be found no more at all. Rev 18:21

Zeus and Dionysus were worshiped in the Jerusalem Temple as part of the ABOMINATION OF DESOLATION. You can check out the PERVERTED details of the early and end-time connections between MUSIC trying to worship a SPIRIT GOD and the PERVERTED Dionysus whom the Jews associated with Jesus. Hesiod, Shield of Heracles (ll. 270-285) Next, there was a city of men with goodly towers; and seven gates of gold, fitted to the lintels, guarded it. The men were making merry with festivities and dances; some were bringing home a bride to her husband on a well-wheeled car (chariot), while the bridal-song swelled high, and the glow of blazing torches held by handmaidens rolled in waves afar. And these maidens went before, delighting in the festival; and after them came frolicsome choirs, the youths singing soft-mouthed to the sound of shrill pipes, while the echo was shivered around them, ........... and the girls led on the lovely dance to the sound of lyres. Then again on the other side was a rout of young men revelling, ........... with flutes playing; some frolicking with dance and song, and ........... others were going forward in time with a flute player and laughing. ........... The whole town was filled with mirth and dance and festivity. [280] and the girls led on the lovely dance to the sound of lyres. Then again on the other side was a rout of young men revelling, with flutes playing; some frolicking with dance and song, and others were going forward in time with a flute player and laughing. The whole town was filled with mirth and dance and festivity. Beside them was a row of vines [297] in gold, the splendid work of cunning Hephaestus: [299] it had shivering leaves and stakes of silver [300] and was laden with grapes which turned black. And there were men treading out the grapes and others drawing off the liquor. Also there were men boxing and wrestling, and huntsmen chasing swift hares with a leash of sharp-toothed dogs before them, they eager to catch the hares, and the hares eager to escape. See Mike Cope and the breaking down walls, dogs and chasing hares. Achish was the king of Gath which was the place of the wine vats and the women playing on musical instruments as all were naked to bring on fertility: Gath (h1660) gath; prob. from 5059 (in the sense of treading out grapes); a wine-press (or vat for holding the grapes in pressing them): - (wine-) press (fat).   Nagan (h5059) naw-gan'; a prim. root; prop. to thrum, i. e. beat a tune with the fingers; espec. to play on a stringed instrument; hence (gen.) to make music: - player on instruments, sing to the stringed instruments, melody, ministrel, play (-er, -ing.. Sorry, but this is the universal symbol of new wineskins and music. Treading out judgment to the beat of instrumental music is God's job. Psalm 68:25 and Psalm 87:7 show that Nagan and Chalal or halal can mean the same thing: to play on musical instruments which was associated with treading out new wine and symbolic of God's treading out His wrath as He has the commics in sore derision. And he changed his behaviour before them, and feigned himself mad (halal) in their hands, and drummed on the doors of the gate, and let his spittle fall down upon his beard. 1 Sam 21:13 However, susceptible the Hebrews were to magical, charismatic music, the king of Gath knew that the "spirit" came out of the vats: Have I (Achish) need of mad men, that ye have brought this fellow to play (rave like) the mad man in my presence? shall this fellow come into my house? 1Sam 21:15   No! Don't let him in.   The days of visitation are come, the days of recompence are come; Israel shall know it: the prophet is a fool, the spiritual man is mad, for the multitude of thine iniquity, and the great hatred. Ho.9:7   The Lord hath made thee priest in the stead of Jehoiada the priest, that ye should be officers in the house of the Lord, for every man that is mad, and maketh himself a prophet, that thou shouldest put him in prison, and in the stocks. Je.29:26 If David's halal praise would not admit him into the company of Achish do you think it could "bring the worshipers into the presence of God?" Nevertheless, the people who hire them think that the froth from gone-wild, charismatic speaking is the holy spirit oozing out: Pachazuwth (h6350) pakh-az-ooth'; from 6348; frivolity: - lightness. Pachaz (h6349) pakh'-az; from 6348; ebullition, i. e. froth (fig. lust): - unstable   Pachaz (h6348) paw-khaz'; a prim. root; to bubble up or froth (as boiling water), i. e. (fig.) to be unimportant: - light. These are exactly the terms used in Ephesians 4 and 5 before he warned against the buffons and demanded that the Spirit come from the Words of Christ and be the only source of teaching. Her prophets are light and treacherous persons: her priests have polluted the sanctuary, they have done violence (Chamac) to the law. Zeph 3:4 To pollute a place or thing is to deprive it of its rightful role. These false prophets always used music and did great damage to the Law of God. Pollute is: Chalal (h2490) khaw-lal'; a prim. root [comp. 2470]; prop. to bore, i. e. (by impl.) to wound, to dissolve; figurativ. to profane (a person, place or thing), to break (one's word), to begin (as if by an "opening wedge"); denom. (from 2485) to play (the flute): defile, break, defile, eat (as common things), gather the grape thereof, take inheritance, pipe, player on instruments, pollute, (cast as) profane (self), prostitute, slay (slain), sorrow, stain, wound.

Remember that in Hebrew the grinders were prostitutes.

City is a group of people making a walled- in mass. It is from polemos or WARFARE. This is ARMAGEDDON which is a battle of those MARKED by Lucifer's MUSIC against the WORD- MARKED people. It is a battle of WORDS and not a battle of the WORLDS. It is a battle of little hills trying to ascend above the plains to become a BIG MOUNTAIN. And the only way to march into the end-time battle between the WORD MARKED and the HARLOT MUSIC MARKED is to USE the warrior musicians representing the Levitical musicians defeating the animal sacrifice as the end-time mockers will try to defeat Jesus Christ and His WORDS. They use MUSIC to LIFT UP to God while as premillenialists denying that Christ came fully in the flesh and is not returning to establish a SECULAR KINGDOM over which the LATTER REIGN kings can rule.

And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; Rev 18:22

These are the same pipers or minstrels of Isaiah. They will ultimately be silenced because they just GRIND the Word MARKED believers "into a fine powder" as the word for external MELODY makes clear.

The CANDLESTICK was in the Holy Place and the latter day "worship ministers" are STANDING IN THE HOLY PLACE claiming to be God in that they claim to LIFT UP or lead the worshipers into the presence of God.

When the MUSICIANS enter into the Holy Place or church of Christ this is a MARK that the word is so worthless that it can be USED by turning truth into lies.

When the MUSICIANS enter into the Holy Place or church of Christ the CANDLESTICK is removed from a church and IT CANNOT ever again see the truth of the Words of Christ:

And the light of a cansdle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. Re.18:23

Does this mean "no more MUSICAL worship services called WEDDINGS"? The mercants or TRADERS (or Canaanites) are removed as prophesied. The harp- playing prostitute was TYRE as Lucifer (ZOE)

Who hath taken this counsel against Tyre, the crowning city, whose merchants are princes, whose traffickers are the honourable of the earth? Is.23:8

Thou hast defiled (Chalal, h2490 play flute, prostitute) thy sanctuaries (holy places) by the multitude of thine iniquities, (perversity) by the iniquity of thy traffick; therefore will I bring forth a fire from the midst of thee, it shall devour (Eat) thee, and I will bring thee to ashes upon the earth in the sight of all them that behold thee. Eze.28:18

All human leaders become irresponsible. In the book of Enoch and many other ancient documents, the enemy is identified by the name of a beast. For instance, the serpent is actually the Chaldean soothsayer: he is a musician. Isaiah noted:

All ye beasts (merry congregation, or multitude, singing and dancing) of the field, come to devour, yea, all ye beasts in the forest. Isaiah 56:9

His watchmen are blind: they are all ignorant, they are all dumb dogs (keleb = male prostitutes), they cannot bark; sleeping, lying down, loving to slumber. Isaiah 56: 10

Yea, they are greedy dogs which can never have enough, and they are shepherds that cannot understand: they all look to their own way, every one for his gain, from his quarter. Isaiah 56: 11

Come ye, say they, I will fetch wine, and we will fill ourselves with strong drink; and to morrow shall be as this day, and much more abundant. Isaiah 56: 12

But draw near hither, ye sons of the sorceress, the seed of the adulterer and the whore. Isaiah 57:3

Against whom do ye sport (effeminate play) yourselves? against whom make ye a wide mouth, and draw out the tongue? are ye not children of transgression, a seed of falsehood, Isaiah 57:4

Sport: Anag (g6028) aw-nag'; a prim. root; to be soft or pliable, i. e. (fig.) effeminate or luxurious: - delicate (-ness), (have) delight (self), sport self.

Shaga (h7696) shaw-gah'; a prim. root; to rave through insanity: - (be, play the) mad (man). (Isa 21:14)

The Jewish clergy are identified as children of the Devil who "spoke of himself" and as "seed of the vipers."

At Mount Sinai: Cachaq (g6711) tsaw-khak'; a prim. root; to laugh outright (in merriment or scorn); by impl. to sport: - laugh, mock, play, make sport.

David: Sachaq (h7832) saw-khak'; a prim. root; to laugh (in pleasure or detraction); by impl. to play: - deride, have in derision, laugh, make merry, mock (-er), play, rejoice, (laugh to) scorn, be in (make) sport.

Samson shows that these are identical words.

The End time Babylon Harlot will have theatrical performers in all of the 'holy places' of the churches.

And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. Rev 18:24

AND after these things I heard a great voice of much people in heaven, saying, Alleluia; Salvation, and glory, and honour, and power, unto the Lord our God: Rev 19:1

For true and righteous are his judgments; for he hath judged the great whore (idolater), which did corrupt the earth with her fornication, and hath avenged the blood of his servants at her hand. Rev 19:2

Porne (g4204) por'-nay; fem. of 4205; a strumpet; fig. an idolater: - harlot, whore.

Pornos (g4205) por'-nos; from pernemi , (to sell; akin to the base of 4097); a (male) prostitute (as venal), i.e. (by anal.) a debauchee (libertine): - fornicator, whoremonger

For without are dogs (male prostitutes), and sorcerers, and whoremongers, and murderers, and idolaters, and whosoever loveth and maketh a lie. Re.22:15

Piprasko (g4097) pip-ras'-ko; a redupl. and prol. form of prao +tx prah'-o (which occurs only as an alt. in cert. tenses); contr. from perao, (to traverse; from the base of 4008); to traffic (by travelling), i.e. dispose of as merchandise or into slavery (lit. or fig.): - sell

Peran (g4008) per'-an; appar. acc. of an obsol. der. of peiro, (to "pierce"; through (as adv. or prep.), i.e. across: - beyond, farther (other) side, over

To corrupt is similar to CHALAL or HALAL meaning to play the flute, pollute, prostitute or make yourself vile.

Phtheiro (g5351) fthi'-ro; prob. strength. from phthio, (to pine or waste): prop. to shrivel or wither, i.e. to spoil (by any process) or (gen.) to ruin (espec. fig. by mor. influences, to deprave): - corrupt (self), defile, destroy

Phthoggos (g5353) fthong'-gos; from 5350; utterance, i.e. a musical note (vocal or instrumental): - sound.

Phtheggomai (g5350) ftheng'-gom-ahee; prob. akin to 5338 and thus to 5346: to utter a clear sound, i.e. (gen.) to proclaim: - speak.

In the Greek text, at the place of the word "sound", the word phthoggos is used. "Phthoggos" stems from the verb "phtheggomai: To utter a clear and distinct sound, to proclaim. This verb is akin to the word "pheggos": brilliancy, light (phos ).

This is much like the "making self vile praise" in Hebrew:

Halal (h1984) haw-lal'; a prim. root; to be clear (orig. of sound, but usually of color); to shine; hence to make a show....

Lucifer is also Phos

Heylel (h1966) hay-lale'; from 1984 (in the sense of brightness); the morning-star: - lucifer.

And he cried mightily with a strong voice, saying, Babylon the great is fallen, is fallen, and is become the habitation of devils, and the hold of every foul spirit, and a cage of every unclean and hateful bird. Rev 18:2

Phone (g5456) fo-nay'; prob. akin to 5316 through the idea of disclosure; a tone (articulate, bestial or artificial); by impl. an address (for any purpose), saying or language: - noise, sound, voice.

Phaino (g5316) fah'ee-no; prol. for the base of 5457; to lighten (shine), i.e. show (trans. or intrans., lit. or fig.): - appear, seem, be seen, shine, * think.

Phos (g5457) foce; from an obsol. phao, (to shine or make manifest, espec. by rays; comp. 5316, 5346); luminousness (in the widest application, nat. or artificial, abstr. or concr., lit. or fig.): - fire, ligh

Lucifer was the NACHASH or serpent or "musical enchanter" in the garden who wholly seduced Eve and, traditionally, sodomized Adam by being able to be an apparition or quick change artist or bisexual:

Thou hast been in Eden the garden of God; every precious stone was thy covering, the sardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and gold: the workmanship of thy tabrets and of thy pipes was prepared in thee in the day that thou wast created. Eze.28:13

It's a fact that these "definitions" are just the ways Hebrew and Greek words are translated in the Bible. But, that is about the extent of SCHOLARSHIP. If we have unfairly shown that music and sexuality goes together in the Bible and all of history then the SOWERS OF DISCORD should grasp that the IMPLICATIONS are founded on 100% of the evidence. Therefore, no one would accidentally Sow Discord by trying to turn truth upside down with "narrative theology." The watching world has no evidence stronger than the claim to some kind of supernatural knowledge able to invalidate the totality of evidence.

Without some miracle to prove that God "didn't really mean it" all Musical Worship Teams as mediators or instrumental music must be viewed as the end-time but momentary hostile takeover of APOLLO or Abaddon or Apollyon.

As Apollo was the father of musical harmony, twanging bowstrings sending singing arrows, thieves and liars, his job was not to totally SUBVERT the true church of Christ. Rather, by unleashing a swarm of locusts with stings in their "tails" God intends to separate those with the MUSICAL MARK from those MARKED with the words of Christ in songs and sermons.

Going beyond the Jewish musicians and the vilest pagan temples, the TRAMPLING of the musical "Levites" into the Holy Place claiming to be God by claiming to be mediators, the sudden, assuredly MIRACLE-WORKING but hostile "infiltrating and diverting" churches of Christ and others proves that you had better decide whether you will take the blinders off or follow the blind guides.

We simply cannot make judgments but the UNIVERSAL meaning of SINGERS and PLAYERS in the Ancient Near East, the classics, the Bible, the church Fathers and the modern world of PERFORMING ART is that the image is NOT spiritual but speaks of idolatry and or literal prostitution or sodomy. It is a fact that the Jerusalem clergy wanted both John the Babtist and Jesus to engage in the INITIATION ceremony of Bacchus or Dionysus worship while the PIPED where the Hebrew HALAL or Greek for CORRUPT means to "blow the flute or pipe, pollute and prostitute."

This means that the MARK of singers and musicians in the Holy Place or church of Christ is proof positive that they are MARKED and therefore, based on the defeat in Isaiah 30, God is driving them into captivity to the beat of musical instruments.

Look at Serpent worship to see the connection between the NACHASH (serpents) and LACHASH (speaking in tongues) and the NAGA of India who gave their name to the musical instruments. All musical instruments and terms in the Bible have negative, destructive roots.

It is the 600th Jubilee and YOU ARE THERE.

Total review of Farmer's Branch Distortion of the Entire Bible on Instrumental Music.

See our collection of Research on Instrumental Music as both Satanic and Pagan.

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Ken Sublett

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