Rick Atchley-Chris Seidman
Instrumental Music Delusion
Kenneth Sublett: Jesus testified 3 years about
the Prophetic Pattern for 3.5 years before He
was CUT OFF. He allowed Piney.Com to
testify with over 4000 documents beginning with
Clay Tablets for 23 years. Jude says that
those who repeat the Mount Sinai Instrumental -
Trinitarian-Perverted musical idolatry will have
been FOREORDAINED and cannot come to the
LIGHT. It is impossible and no Scripture
to WORSHIP by "preaching, listening, singing,
playing instruments (mocking Jesus), acting or
PAY FOR PLAY by lying about tithes and
offerings.
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Jesus
defined Holy Scripture as the Prophets and other
Prophecies "concerning Me." Ephesians 2:20
a church, by definition, will be built upon or
educated by the Prophets and Apostles: that is
the absolute one-piece pattern from the
wilderness onward. 1 Peter 1:20 outlawed "private
interpretation" or "Further expounding." False
prophets and false preachers "go beyond that
which is written for our LEARNING. Peter and the
Spirit speaking throuth Isaiah 55 says that
those who do anything else proves that they are
false teachers. Isaiah 55 equates Spirit
and Word and shows that any kind of
performance (rhetoric or music) proves that "There
is no Light In Them."
This is a quick look at Psalm 75, which like Numbers 10
defines the synagogue or Church of Christ in the
wilderness which EXCLUDED vocal or instrumental
rejoicing. NO ONE PLAYS A Harp in the WORSHIP
SENSE in all of Scripture and most Church History.
Worship means to FALL ON YOUR FACE. Worship
otherwise is of Apollyon, Beast, 666 and his
female-effeminate "fruits" in Revelation 18 called
SORCERERS who will be or ARE being CAST ALIVE INTO THE LAKE OF FIRE.
John
Mark Hicks: While Revelation 4 focused on
the worth of the Creator who sits on the throne,
Revelation 5 turns
our attention to the dramatic investiture
of the one who is
worthy to break the seals and unroll the scroll.
Revelation 4 portrays the reality of the heavenly throne
room where the sovereign God,
sitting on the
throne, receives worship as the great benefactor
of the cosmos–the one by whom all creation exists and to
whom belong all creation’s gratitude. Revelation 5
portrays the story of redemption as the one who is worthy
to open the book is worshipped because that one has
redeemed creation from the powers of evil
that enslave it. In essence we move from creation to
redemption, from the sovereign enthroned one who invests
another with redemptive authority, honor and power.
John
Mark Hicks, Chris Seidman handled by David Faust to
transistion to instrumental Idolatry.
If we had any doubt whom the twenty-four elders
represented, what they hold in their hands removes
it.
Enthroned around the
throne, they hold harps (kithara) and bowls
of incense.
They perpetually worshipped
the one who sits on the throne,
and their worship
includes musical praise (symbolized by
the instruments) and prayer.
The kitharas
and bowls of incense remind us of temple worship
in Israel as they were part of the liturgical cultus (cf.
Psalms 33:2-3; 141:2; 147:7; 150:3-5), and this worship
continues in the heavenlies. The twenty-f0ur elders are
gathered in the Holy of Holies to worship God. They embody
Israel’s temple worship in which the twenty-four (both
Israel and the church) participate.
Plutarch Marcus
Antonius: Antonius living merrily and quietly
abroad), he easily fell again to his old LICENTIOUS life.
For straight, one Anaxenor, a player of the cithern
,
Strab. 14.1 Magodi;84
Cleomachus the pugilist, who was enamoured of a certain cinædus,
and a female servant, who was maintained by the cinædus,
imitated the sort of dialect and the manners of the
cinædi.The theatres had raised the reputation of Anaxenor,
the player on the cithara, but Antony elevated him as high
as possible, by appointing him receiver of the tribute
from four cities, and by giving him a guard of soldiers
for the protection of his person
Xoutus, a player of the flute,
Metrodorus a tumbler, and such
a rabble of minstrels and fit ministers for the pleasures of Asia
(who in fineness and flattery passed all the other
PLAGUES he brought with him out of Italy), all these
flocked in his court, and bare the whole sway: and after
that all went awry. For
every one gave themselves to riot and excess, when they
saw he delighted in it: and all Asia was like to the city
Sophocles speaketh of in one of his tragedies:
Was full of sweet perfumes and pleasant
songs,
With
woeful weeping mingled there-amongs.
For in the city of Ephesus,
women, attired as they go in the feasts and sacrifice of Bacchus, came out to
meet him with such solemnities and ceremonies as are then
used:
with men and children
disguised like fauns and satyrs.
Moreover, the city was
full of ivy, and darts wreathed about with ivy,
psalterions
flutes, and howboyes;
The melodious noyse of
trumpets and howboyes;
The musicall instruments
of schalmes, howboyes and sicklyk;
and in their songs they called him
Bacchus, father of mirth,
courteous and gentle:
and so was he unto some,
but to the most part
of men cruel and extreme.
For he robbed noblemen and gentlemen of their goods,
to give it unto vile
flatterers: who oftentimes begged living men's goods,
as though they had been dead,
and would enter their
houses by force.
As he gave a
citizen's house of Magnesia unto a cook, because (as it is
reported) he dressed him a fine supper.
In the end he doubled
the taxation, and imposed a second upon Asia
Aristotle, P:olitics: -[1339b] Instead of learning
to enjoy it rightly and be able to judge it when they
hear others performing, as the Spartans do? for the
Spartans although they do not learn to perform can
nevertheless judge good and bad music correctly, so it is
said.
And the same argument applies also
if music is to be employed for refined enjoyment and entertainment; why need people learn to perform
themselves instead of enjoying music played by others?
And we may consider
the conception that we have about the gods: Zeus does not
sing and harp to the poets
himself.
But professional musicians we speak of as vulgar
people,
and indeed we think it not
manly to perform music,
except when drunk or for fun.
But perhaps
these points will have to be considered afterwards; our
first inquiry is whether music ought not or ought to be included
in education, and what
is its efficacy among the three uses of it that have
been discussed--does it serve for education
or amusement or entertainment?
It is
reasonable to reckon it under all of these heads, and it
appears to participate in them all.
Amusement is for the sake of relaxation,
and relaxation must necessarily be pleasant,
for it is a way of curing the pain due to laborious work;
also entertainment ought admittedly to be not only honorable
but also pleasant, for happiness is derived from both
honor and pleasure; but we all pronounce music to be one of
the pleasantest things, whether instrumental
or instrumental and vocal music together, at least
Musaeus says, 'Song is man's sweetest joy,' and
that is why people with good reason introduce it at parties and
entertainments, for its exhilarating effect, so that for this reason also one might suppose
that the younger
men ought to be educated in music.
For all
harmless pleasures are not only suitable for the ultimate
object but also for relaxation; and as it but rarely
happens for men to reach their ultimate object,
whereas they often relax and pursue amusement
not so much with some
ulterior object but because of the pleasure of it,
it would be
serviceable to let them relax at intervals in the
pleasures derived from music. But it has come about that
men make amusements an end;
for the end also
perhaps contains a certain pleasure, but not any
ordinary pleasure,
and seeking this they
take the other as being this
because it has a certain
resemblance
to the achievement of the end of their undertakings. There
was never a church at Cenchrea: The Ekklesia was a Civil
assembly which PUT LAWS FROM A HIGHER AUTHORITY IN EFFECT.
Phoebe was the lady who made certain that traveling preachers
claiming to speak for god be escorted to the next sheep
leaving port. Greek civilized society did not tolerate
speakers, singers, instrument players or actors who tried to
SELL their parasitic trade: they escorted him across "County
Line."
JESUS SAID THAT RICK ATCHLEY
NOR ANY MEGA PERSONS ARE NOT DISCIPLES OF CHRIST OR
CHRISTIANS.
THEOLOGY IS THE MARK OF
APOLLYON, LEADER OF THE LOCUSTS OR HIS MUSICAL WORSHIP
TEAM
Theolog-eō
,
A.discourse on the gods
and cosmology,
Arist. Metaph.983b29;
“
peri
tinōn”c.;
Dia
auton
ton
Phaethonta
[Jupiter, son of Apollon]
Theolog-os
A.one who discourses of the gods, of poets
such as Hesiod and Orpheus [one of the sects
silenced in Rome] Arist.Metaph.1000a9,
cosmologists“theologoi
kai
poiētai”
[poet, singers you make yourself] of diviners
and prophets, “th.
kai
manties”
Philol.14; hoi
Delphōn
[APOLLYONS
ORACLE]
MANTIES were the Mad Women of Corinth: manti^s
female witchcraft of Spiritual Formation. ho
mantis
mantin
ekpraxas
eme,
of Apollo and Cassandra,“ho
Thrēxi
m.”
E.Hec.1267
(of Dionysus), That Thracian or Threskia as IMPURE religion.
2. metaph., presager, foreboder,
II. a kind of grasshopper, the praying
mantis, Mantis religiosa, Theoc.10.18,
THEOLOGIANS BUILDING
COMMERCIAL "WORSHIPING" PERFORMERS ARE THE LEGALIST.
Matt. 22:35 Then one of them, which was a lawyer,
asked him a question, tempting him, and saying,
Nom-ikos
after the manner of law, i.e. in a
broad, general way,
forensic agōnes,
Opposite
logikoi,
ēthikoi,
learned in the law,
Titus 3.9 but shun foolish questionings,
genealogies, strife, and disputes about the law; for they
are unprofitable and vain.
agōn gathering,
assembl, exō
agōnos
assembly met to see games. out of the lists
or course, i.e. beside the mark,
II. assembly of the Greeks at the
national games, contest for a prize at the
games, a.
gumnikos,
hippikos,
mousikos,
4. speech delivered in court or
before an assembly or ruler, 6. mental
struggle, anxiety, b. of speakers, vehemence,
power,
GOD
IS HIS WORD OR LOGOS, IN THE SAME CLASS AS HE IS
SPIRIT, LIGHT, LIFE, WISDOM.
SPIRIT IS FIGURATIVE OR A PARABLE MEANING "GOD PUTS HIS
WORD INTO THE MOUTH OF JESUS OF NAZARETH FOR
THE LAST TIME.
Jesus said that God HIDES from the wise or Sophists:
Preachers beyond the WORD, Singers, instrument players, actors
or any self-exhibition always a gender problem.
logi^k-os
, ē,
on,
(logos)
A.of or for speaking or speech,
merē
l.
the organs of speech,
speech, OPPOSITE.
mousikē,
sullogismoi,
OPPOSITE.
rhētorikoi
mousi^kē (sc. tekhnē),
hē,
A.any art over which the Muses presided,
esp. poetry sung to music,
[Defined as PARASITES] Pi.O.1.15,
Hdt.6.129;
“mousikēs
agōn”
Th.3.104,
pros aulon
ē
luron sing to LYRE “hup'
aulois
FLUTE
tis hē
tekhnē,
hēs
to
kitharizein
kai
to
adein kai
to
embainein
orthōs;
“mousikēn
moi
dokeis
legein”II.
generally, art or letters, “mousikē
kai
pasē
philosophia
proskhrōmenos”
PROOF ONE: WHY RICK ATCHLEY AND THE POST-BIBLICAL
THEOLOGIANS CANNOT BE CHRISTIANS.
John 8:28 Then
said Jesus unto them,
When ye have
lifted up the SON OF MAN
then shall ye know
that I am he,
and that I do NOTHING of MYSELF;
but as my Father hath TAUGHT
me,
I speak these
things.
John 6:63 It is the SPIRIT that
quickeneth;
the FLESH profiteth
nothing:
Rick Atchley-Chris Seidman rhetoric,
listening, singing, playing intsruments,
acting, PAY FOR
PLAY is ANTICHRISTIAN JESUS command
example, or
remote inference.
John 5:24 Verily, verily, I say unto
you,
He that
heareth my WORD,
and believeth
on him that sent me,
hath
everlasting life, and shall not come into
condemnation;
but is passed
from death unto life
Acts 2:41 Then they that gladly received his WORD were baptized:
and the same
day there were added unto them
about three
thousand souls.
the WORDS that I SPEAK [never sung] unto you,
they are SPIRIT, [Rick Atchleys's words are FLESH]
and they are LIFE.
John 6:64 But there are
some of you that believe not.
For Jesus knew
from the beginning
who they were
that believed not,
and who should
betray him.
John 8:29 And he that sent me is with me:
the Father hath
not left me alone;
for I do always
those things that please him.
Rick Atchley MOCKS Him
John 8:30 As he spake these words, many
believed on him.
John 8:31 Then said Jesus to those Jews which BELIEVED on him,
IF ye continue in
my WORD,
THEN are
ye my DISCIPLES
indeed;
pist-euō
2. COMPLY, hōs
oukh
hupeixōn
oude
pisteusōn
legeis;
S.OT625,
cf. 646 ; opp. apisteō,
Id.Tr.1228.
hupeik-ō
, Ep. hupoeikō
, with impf. hupoeikon,
Il.16.305:
WITHDRAW, let Jesus get the first word
yield, give way, comply, ib.211; “theoisin
hupeixeai
athanatoisi
PROOF WHY RICK ATCHLEY AND THE WHOLE
SPAWN OF LATTER-DAY THEOLOGIANS ARE NOT CHRISTIANS.
Acts.17.25.God.Not.Worshipped.Mens.Hands.html
Acts 17:23 For as I passed by, and beheld your devotions, I
found an altar with this inscription,
TO THE UNKNOWN GOD.
Whom therefore ye ignorantly worship, him declare I unto you.
Acts 17:24 God that made the world and all things therein,
seeing that he is Lord
of heaven and earth,
dwelleth not in
temples made with hands;
Acts 17:25 Neither is WORSHIPPED with MEN'S
HANDS hands,
as though he NEEDED any
thing, seeing he giveth to all life, and breath,
and all things;
g2323. THERAPEUO,
ther-ap-yoo´-o; from the same as 2324; to wait upon
menially, i.e. (figuratively) to adore (God), or (specially)
to relieve (of disease): — cure, heal, worship.
-therap-ōn henchman,
attendant “Mousaōn
therapontes” music, song stu^ger-os
, Muses (Rev 18) as Apollon's Worshiip Team were known as
hated prostitutes, 2. gen. hadou
[ein'
Aidao
domoisi
in the nether world, with nouns in adjectival sense,
devilish, “thuousan
ha.
mēter'”
Erōs
Aphroditēs
th
thera^p-euō
to be an attendant, do service, Dionuson,
Mousas,
E.Ba.82
“daimona
, etc.; “daimona”
Pi.P.3.109;
, IT1105(lyr.); th.
Phoibou
naous
serve them, Id.Ion111 (anap.):
abs., worship,
Mousa
II. mousa,
as Appellat., music, song, “m.
stugera”
A.Eu.308
(anap.); “euphamos”
Id.Supp.695
(lyr.); “kanakhan
. . theias
antiluron
mousas
Dios
aigiokhoio
thugateres
[Daughters of Zeus whatever the sex]
2. service done to gain
favour, paying court,
worshipper, “Apollōnos”
Pi.O. 3.16,
cf. Pl.Phd.85a
“Mousaōn
“kanakhan
[clanging brass, gnashing of teeth, . . theias
antiluron
mousas”
aulōn
sound of flutes, of the lyre,
theias
etheiazon
obtained inspiration through ritual
A.to
be inspired, frenzied
Apollō,
Apollon
was the god of MELODY: he carried the LYRE to seduce
male or female. He carried the Bow to make the strings TWANG
to send a SINGING arrow into male or female who did not
submit. He is the only personified SPIRITUS and He
was, from Egypt onward, the Leader of the Muses. His
musical worship team were known as LOCUSTS and dirty
adulteresses.
PARASITE is a Greek Word for Sacrificial Systems which had
been debunked: they still ATE without WORKING. Pastor of a
Religious Institution is a PARASITE and CULT leader if the
group is anythinb but an Ekklesia or Synagoge neither of which
had a HIRED STAFF. Preacher or Kurux is a HERALD and
does not have an OFFICE: he gets paid on the SENDING end,
cannot open the gospel or "good news" to an official.
http://www.piney.com/Acts.8.Preaching.for.Pay.and.Simony.html
http://www.pineycom.com/Rick.Atchley.Law.of.Silence.html
http://www.pineycom.com/Christian.Standard.Interview.With.Rick.Atchley.html
http://www.pineycom.com/Rick-Atchley-Music.html
http://www.pineycom.com/DeaconessElders.html
Rick
Atchley Defends Instrumental Praise Based on the
Jacob-cursed and God-Abandoned infant burning Levites.
12.03.15 Instrumental and Trinitarian
idolatry at Mount Sinai was a sin beyond redemption because
the people ascribed to The Book of The Covenant but rose up
in PLAY. Acts 7, Romans 10 and 1 Corinthians 10 is the
EXAMPLE or PATTERN against the worship of Demons. Apis the
golden calf was the symbol of the Egyptian and other
trinities repudiated by all of Scripture
God
saw this Musical Worship Team and abandoned them to
Babylonianism at the temple God did not command
Below: God
say this just BEFORE and just AFTER Hezekiah's Plague
Stopping Exorcism. This is recorded in 2 Chronicles
29: it is the PATTERN a "spirit" commanded Rick Atchley
etal to impose "instrumental praise". Spiritus in
Latin defines the personified spirit as that of Apollon or
Abbadon. He is the ruler of the locusts to readers is
defined as the leader of the Muses or the adulterous
musicians. In Revelation 18 they are defined as sorcerers
who HAD deceived the wholeworld.
The practice
in the wilderness, tyre and Jerusalem
Mark.10.They.Shall.Mock.Him.With.Music
Judas was
a thief: his bag or box was
always attached to the spotted flute case.
He is defined as the familiar friend of
Jesus in Psalm 41. He would try to ALARM or TRIUMPH over
Jesus: this is a MARK. It was outlawed in the Church of Christ
in the Wilderness as vocal or instrumental rejoicing or any
speaking beyond the Word
And God WATCHED
the prophesied and fulfilled Musical Worship Team
Trumpet, drums, flute, cymbals and castinets with buffoons
Psallo permits ONLY smiting a string with your
FINGERS: not a plectrum
Psallo and SOP have the same root meaning.
Revelation 18F: they are all called
Sorcerers who HAD once deceived the whole world.
They WILL BE CAST ALIVE INTO
THE LAKE OF FIRE.
Drums or Percussion instruments such as the TABRET has
the same root as TOPHETH
Jay
Guin Ephesians 5:19 and Psalms
When people lie TO God and ABOUT God He sends strong delusions
that you believe your own lies. Lying wonders are religious
observations (to which the
Kingdom does not come). None of the Purpose Driven to
Discord can grasp that
God turned the Jews over to worship the starry hosts and
they had "a covenant with death and hell". Jesus
died to give us rest FROM the laded burdens and the BURDEN
LADERS. For
instance PARASITE
speaks of religious craftsmen who claim some special
skill (Scribes and Pharisees): especially the Jacob-Cursed and
God-Abandoned Levites as an old Egyptian
Infant-burning sect.
Paul and the rest
of the New Testament is ANTITHETICAL to the Jews
and modern sowers of discord "Covenant with Death
and with Hell."
The Spirit OF
Christ warned about the Lying Pen of the Scribes
and Jesus called the Scribes and Pharasees, hypocrites: in
Ezekiel 33 version He named speakers for hire
(HIRELINGS), singers and instrument
players. The MARK was of neither
preacher nor fleeced audience had any intention
of obeying the Word of God. Word or
Logos is God's REGULATIVE PRINCIPLE
about which all of the Scribes
and Pharisees or "doctors of
the law lie" because
Paul in Ephesians 4 says
that the cunning craftsmen
or SOPHISTS (speakers,
singers, instrument
players) were LYING IN
WAIT TO DECEIVE.
They are predestinated
because they are OF the World for which
Jesus doesn't pray.
In Revelation 18 as
"lusted after
fruits" they are
called sorcerers
who HAD DECEIVED
THE WHOLE WORLD.
The Ghebers of Hebron 2 Hoaea,
xii. 4 derives the name Israel from Sarah to contend, to
fight, and El = God of Fire. — Gen. xxxii.
'28. Asarians, Asriel, Israel, a name
of the War god {Exodus, xiii. 21, 22, xiv. 25), Saturn
and the Sun. The Fire-god Azar was the
God of war, and M'irs was the Sun. —
Macrob. I. xvii. OS
Exodus 13:21 And the LORD went before
them by day in a pillar of a cloud, to lead them the way;
and by night in a pillar of fire, to give them
light; to go by day and night:
Exodus 13:22 He took not away the pillar of the
cloud by day, nor the pillar of fire by night, from before
the people.
The Ghebers of Hebron The Jews
blew the trumpet on the newmoon, poured out
libations and offered burnt sacrifices. And for this
duty the Lobii, Luim or Levites
were assigned to do just what the Brahmans did in India.
They ministered to la'hoh, Lord of Life, according to Exodus,
iii. 14 ; xxxviii. 21; xl. 15; Jeremiah, xxxiii. 18. Hence the
Jews were the Brahmaus of Palestine, as
Josephus said, worshipping
Brahma, whom, for their own political purposes,
they chose to regard as Ab (Father) Ram (Most
High) which title is not unsuitable to the Most High of the Hindu
Gods. King states that the words brahrna and abrahm
have the same numerical value.
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Must
ye
always rejoice, and go into my holy places
continually, as they that keep a feast? and must ye go with a
pipe, as those that rejoice
into the mountain of the Lord, to the God of Israel
Isaiah 30:29 LXX
and
the
Lord shall make his glorious voice to be heard and the wrath of his arm, to make a display with wrath and anger and devouring flame: he shall lighten terribly, and his
wrath shall
be
as water and violent hail. Isaiah 30:30 LXX
For
by
the voice of the Lord the Assyrians shall be overcome,
even by
the
stroke where with he shall smite them.
Isaiah 30:31 LXX
And
it
shall happen to him from every side, that they from
whom their hope of assistance was, in which he
trusted, themselves shall war against him in turn with drums and with harp. Isaiah 30:32 LXX
For
thou
shalt be required before thy time: has it been prepared for thee
also to reign? nay, God has prepared for thee a deep trench, wood piled fire and much wood: the wrath of the Lord shall be
as a trench kindled with sulphur. Isaiah 30:33 LXX
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Paul CORRECTED the Jewish and Abilene Kingdom folly by
proving that the ONLY Spiritual Covenant made by God in Christ
was made to ABRAHAM
2 Maccabees 1
1 - The
Jewish brethren in Jerusalem and those in the land of
Judea, To their Jewish brethren in Egypt,
Greeting, and good peace.
2 - May God do good to
you, and may he remember his covenant with
Abraham and Isaac and Jacob, his faithful
servants.
3 - May he give you all a
heart to worship him and to do his will
with a strong heart and a willing spirit
Psalms
105:9 Which covenant he made with Abraham, and his
oath unto Isaac;
Acts 3:25 Ye are the children of the prophets,
and of the covenant
which God made with our fathers,
saying unto Abraham,
And in thy seed shall all the kindreds of the earth be
blessed.
Acts 3:25 Ye are the children of the prophets,
and of the covenant
which God made with our fathers,
saying unto Abraham,
And in thy seed shall all the kindreds of the earth be
blessed.
Rick Atchley probably from father John T. Willis says that 2
Chronicles 29 as Hezekiah's Plague Stopping Exorcism to cast out
the "instruments" of the Assyrians substituted BURNT GOATS
(which God did not command) with the Loud Noise to warn any
godly person that they would be executed if they came
near. They burned infants just before Hezekiah substituted
the Cappellas and resumed just after Hezekiah died.
General
postings of false teachers and false teachers
Doctors
of the Law, Universities and Staff the Cycle of Simony
See
our look at Rick Atchley's Seven
Churches in Revelation. Rick does not build
on the foundation or the text and therefore misses the point
that sowing discord with musical instruments--called sorcery
in Revelation 18--is exactly what John warned us to mark and
avoid
- If you say that Churches of Christ which
did not use INSTRUMENTS during the School of the
Word from the Wilderness onwwars was just and evil
tradition.
- And from Genesis to Revelation musical
machines are said to have been brought by Lucifer (ZOE)
into the garden of Eden and resulted in some sexual
hanky panky to REVELATION when the Babylon mother of
harlot rises again and ALL of her religious STAFF
are called sorcerers and will be cast alive into the
Lake of Fire.
- Then Christ
in Jeremiah 23 says that you despise
the Word and the Latin word is BLASPHEME
THE SPIRIT OF CHRIST DEFINED THE
END-TIME EFFEMINATE RELIGIONISM
Isaiah 3:4 And I will give children to be
their princes, and babes shall rule over them.
Isaiah
3:4 et dabo pueros principes eorum et effeminati dominabuntur eis
dominabuntur Ruler, MARK
Women or the Effeminate as oratio,
MARK
Women or effeminate who are consilium the
person who forms the purpose,
MARK Women or the
effeminate who Teach Over aedĭfĭco
in a religious sense, to build
up, instruct, edify.
Isaiah 3:12 As for my people, children
are their oppressors, and women rule over them.
O my people, they
that lead thee cause thee to err, and destroy the way of
thy paths.
Mŭlĭer
as a term of reproach, a woman, i. e. a
coward, poltroon: arbĭtror
to make a decision, give judgment or sentence:
OR mŭlĭĕro,
to make womanish, render effeminate
Boys: -Effemino
II. Trop., to make womanish,
effeminate, to enervate: “fortitudinis
praecepta
“illa
elocutio
res
ipsas
effeminat,”
Quint. 8 prooëm. § 20.—
A. Womanish, effeminate (cf.: “mollis,
luxuriosus,
dissolutus):
ne
quid
effeminatum
aut
molle
sit,”
Cic. Off. 1, 35, 129;
cf. id. Tusc. 4, 30:
“intolerabile
est
servire
impuro,
impudico,
effeminato,
“furialis
illa
vox,
religiosis
altaribus
effeminata,”
Cic. Planc. 35, 86
—B. In mal. part., that submits to unnatural
lust: “pathicus,”
Suet. Aug. 68;
Cic.
Planc. 35.86 When no one knew what were the
feelings of those men who by means of their armies, and
their arms, and their riches, were the most powerful
men in the state, then that voice,
rendered insane
by its infamous debaucheries,
made
effeminate by its
attendance on holy altars,
kept crying
out [carmen]
in a most ferocious
manner
that both
these men
and the
consuls were acting
in concert with him.
Needy men were armed against
the rich, abandoned men against the good, slaves
against their masters.
--rĕlĭgĭōsus Eccl.
Lat., of or belonging to the clergy,
clerical (opp. saecularis)
--per-sŏno
A. To sound through and through, to resound:
“cum
domus
cantu et
cymbalis personaret,”
Cic. Pis. 10, 22:
“ut
cotidiano
cantu vocum
et
nervorum
et
tibiarum nocturnisque
conviviis
tota
vicinitas
personet,”
A. To fill with sound
or noise, to make resound
B. To make a sound on a musical
instrument, to sound, play:
“citharā
Iopas
Personat,”
Verg. A. 1, 741:
“cymbalis,”
Vulg. 1 Par. 16, 5:
“buccinis,”
id. Jos. 6, 13.—
C.
To sound or blow
upon an instrument (post-class.): “personavit
classicum,”
gave the signal for attack,
Histrio, stage-player, actor,
mimus, II. Transf., a boaster:
“histrionis
est
parvam
rem
attollere,”
ragoediarum
histrionis, Hilarus
comoediarum
histrio,
Scaena, 1. Of a place
like a scene of a theatre Verg. A. 1, 164.—,
display of eloquence.
FULFILLING
PROPHECY FOR THE FIRST AND LAST ADVENT
Luke 18:32 For he shall be delivered unto the Gentiles,
and shall be mocked,
and spitefully entreated, and spitted
on:
Paizo dance, play a game, 4. play
on a musical instrument, h.Ap.206:
c. acc., Pan ho kalamo phthongapaizôn [played on a reed]
Ar.Ra.230 ; dance and sing, Pi.
O.1.16.
5. play amorously,
prosallêlous X.Smp.9.2
Xen.
Sym. 9.2 “Gentlemen, Ariadne will now enter the
chamber set apart for her and Dionysus; after that, Dionysus,
a little flushed with wine drunk at a banquet of the gods,
will come to join her; and then they will disport
themselves together.”
herpeton
II. creeping thing, reptile,
esp. snake, kinad-os
, eos,
hence, cunning rogue, dog, catamite.
epi-triptos
thērion,
psōmo-kolax
, a^kos,
ho,
A.flatterer for morsels of bread, parasite
2. hē
nun
e.
kai
kateaguia
mousikē
the disreputable and effeminate music
of to-day, oulomenos
II.
ruined, lost: hence, unhappy, wretched: pharmakon
preachers, singers,
instrument players
SORCERERS to be cast alive int the lake of fire.
thērion
The Beast is a new style of
music or drama including satyric dramas. THE MARK of
the beast is to PLAY or mock Jesus
The Serpent in the Garden of Eden was a Musical
Enchanter(ess) since real men don't do that. Christ defined the
Kings of Babylon and Tyre (ditto Jerusalem) as
"a singing and harp-playing prostitute."
Serpo
II. Trop., to creep, crawl;
to extend gradually or imperceptibly; to
spread abroad, increase, prevail
(a favorite trope of Cic.): occulto
Of a low, grovelling poetic style: “(poëta)
Serpit
humi
tutus,”
crawls along the earth, Hor. A. P. 28
(cf.: “sermones
Repentes
per
humum,”
“sapor,”
Verg. G. 3, 397:
b. Of persons, close, reserved, secret,
not opendissembling his hate,
Canam,
qui
leniter
... placidis
per
vada
serpis
aquis,”
creepest, windest along,
occŭlo
(obc-
) In partic., to cover up, hide, conceal
puncta
argumentorum,”
Cic. de Or. 2, 41, 77:
“narratum
ab
iis,”
to keep secret, conceal, Tac. A. 3, 16:
“occulta
conjurationis
retexere,”
id. ib. 15, 74: “occulta
cordis,”
Vulg. 1 Cor. 14, 25:
Săpor
, 1. Of style: “vernaculus,”
i.e. taste, elegance, Cic. Brut. 46, 172;
Arn. 3, p. 108: “Atticus,”
Quint. 12, 10, 75;
cf. id. 6, 4, 107:
“sermo
non
publici
saporis,”
of uncommon elegance, Petr. 3, 1
PAUL
SILENCES THE DIVERSITY SO THERE CAN BE UNITY
People may
fall beyond redemption when they grasp that God
sends strong delusions to anyone who does not obey
the singular pattern: to PREACH the WORD
by READING
the Word for Comfort and doctrine. Jesus
said that God HIDES from the wise or Sophists:
sophists are preaching beyond the Word for hire, singing,
playing instruments, acting or massing a
STAFF defined in all religions as
PARASITES. Since you can fool most of
the people most of the time these false
teachers just laugh when you tell them
that the
"kings have no clothes."
Ephesians 4:14 That we henceforth be no more children,
tossed to and
fro, and carried about with every wind of
doctrine,
by the sleight
of men, and cunning craftiness, whereby they lie in wait to
deceive;
Panourgia (g3834) pan-oorg-ee'-ah;
from 3835; adroitness, i.e. (in a bad sense) trickery
or sophistry: - (cunning) craftiness,
subtilty.
-Panourg-êma
A. knavish trick, villainy, S.El.1387
(lyr.), LXX Si.1.6 (v.l.); sophistry,
Gal.5.251; cf. panourgeuma.
Cunning craftiness
has the same meaning as SOPHOS:
1Cor. 3:18 Let
no man deceive himself. If any man among you
seemeth to be
wise [sophos] in this world,
let him become
a fool, that he may be wise.
1Cor. 3:19 For
the wisdom of this world is foolishness with
God.
For it is
written,
He taketh the
wise sophia
in their own craftiness.
pa^nourg-ia
Luke 10:21 In that hour
Jesus rejoiced in spirit, and said, I thank thee, O
Father, Lord of heaven and earth, that thou hast hid
these things from the wise and prudent, and hast
revealed them unto babes: even so, Father; for so it
seemed good in thy sight.
1Cor. 3:20 And again,
The Lord knoweth the thoughts
of the wise, sophōn
that they are vain.
matai-os
-Sophia A. cleverness
or skill in handicraft and art, as in
carpentry, tektonos,
hos
rha
te
pasēs
eu
eidē
s.
Il.15.412; of the
Telchines, Pi.O.7.53;
hē
entekhnos
s.,
of Hephaestus and Athena, Pl.Prt.32 1d; of Daedalus
and Palamedes, X.Mem.4.2.33,
cf. 1.4.2; in music
and singing, tekhnē
kai
s.
h.Merc.483,
cf. 511; in poetry,
Sol.13.52, Pi.O.1.117
1Cor. 3:18 Let no man deceive himself. If any man
among you
seemeth to be wise
[sophos] in this world,
let him become a fool,
that he may be wise.
1Cor. 3:19 For the wisdom of this world is
foolishness with God.
For it is written,
He taketh the wise
sophia
in their own craftiness.
pa^nourg-ia
1Cor. 3:20 And again,
The Lord knoweth the thoughts
of the wise, sophōn
that they are vain.
matai-os
THIS PAPER WILL HELP
YOU FLEE BABYLON whose Mother of Harlots (Revelation 17) uses "lusted after
fruits" (Same as in Isaiah 8) as self-speakers, singers, instrument
players and ALL religious craftsmen who were called
PARASITES.
LINKS TO A FEW STEPS TO THE LAKE OF
FIRE; FIXED LINKS 12.30
"RELIGION"
REPLACING "SCHOOL OF CHRIST" AND: WORSHIP ANDROGYNY THE
PAGAN SEXUAL IDEAL
TRIBULATION
PROMISED FROM WITHIN: BUT, DAVID YOUNG AND THE ELDERS
SAY------
THE COMMAND IS TO
SPEAK: THERE IS NO COMMAND TO SING AS PERFORMANCE
HOW
RECORDED HISTORY NOTES THAT SINGING AS AN ACT WAS
IMPOSED AFTER CONSTANTINE AND WAS DIVISIVE
THE
COMMAND: SPEAK THAT WHICH IS WRITTEN. NOTHING
WRITTEN BY THE SPIRIT IS METRICAL OR TUNEFUL
ANATHEMA
is to be ACCURSED for preaching a GOSPEL of Rhetoric,
Singing, Playing Instruments, Acting or DECORATING a place
as a WORSHIP CENTER
ISAIAH 3 CHRIST'S PROPHETIC
TYPE: CLICK
BELOW FOR CHRIST'S WARNING ISAIAH 3:
RELIGION" REPLACING "SCHOOL OF CHRIST" AND: WORSHIP
ANDROGYNY THE PAGAN SEXUAL IDEA
ROMANS 15:
CLICK FOR PAUL'S REVEALING THE PROPHETIC MADE MORE
CERTAIN FOR OUR EXAMPLE
ISAIAH 8 WHEN
EMMANUEL COMES TO YOUR SCHOOL OF CHRIST YOU WILL
NOT--CANNOT--PEEP AND MUTTER
CHRIST'S PURPOSE DRIVEN
CHURCH DOES NOT BOAST ABOUT ITSELF.
ISAIAH 14 CHRIST'S WARNING OF THE
SINGING AND HARP-PLAYING PROSTIITUTES CAST
INTO "HELL"
A HUNDRED YEARS OF ATTACKS
AGAINST CHURCHES OF CHRIST WHICH WILL
NEVER IMPOSE INSTRUMENTAL IDOLATRY.
PROOF THAT ALL INSTRUMENTALISTS ATTACKS
ARE BASED ON LIES OR IGNORANCE.
NUMBERS 11 THE
REST OF THE STORY
ABOUT MUTTERING AND
MURMURING:
Violates Christ's outlawing
vocal or instrument
rejoicing or speaing your
own words in Numbers 10
DAVID
YOUNG STILL SAYS THAT ALL
THINGS ARE LAWFUL?
THE
"LEADERSHIP" IS PURPOSE-DRIVEN
TO SOW MASSIVE DISCORD WHICH
GOD HATES.
ELDERS
AND DEACONS ARE THE
ONLY VOCATIONAL
"STAFF" IN A CHURCH OF
CHRIST
The role
of PREACHER as SENT
Evangelist
ISAIAH 8: THOSE
WHO DON'T PREACH THAT WHICH HAS
BEEN PROVIDED ARE MARKED AS BEING
WITHOUT LIGHT.
THE
MARKS OF THE FINAL
SHAKING AND THE END-TIME
SHAKER.
The
MARKS of the BEASTS (Zoe) and
the INSECTS-PARASITES
(LOCUSTS or musical worship
teams)
THE FIREY
DESTINY OF THOSE WHO SOW
MUSICAL OR RHETORICAL
DISCORD
Keith Brenton New Wineskins Magazine series promoting
Instrumental music: Jay Guin's interview with Rick Atchley and
Chris Seidman Confess the calculated conspiracy to strip
all truth about instruments from sermons and Youth
Gatherings. This Purpose Driven Church deliberately
rejects the truth of the Word and church history but MARKS
itself as the end-time agents of the Babylon mother of harlots
using lusted after fruits. John calls them sorcerers
and marks them to be delivered alive (now) into the lak of
fire. That fits the prophecy of Christ throughout Scripture
but especially Isaiah 30.
Read the added lower notes
that proves that this is rank paganism. Rick
and David Faust have Mark Henderson at Quail Springs doing
catch up with a lot of sowing of discord.
Rick Atchley and Chris Seidman
manifesting Strong Delusions
See
Mike Cope
on A Cappella Music defending his friend Rick
Atchley
See Mike Cope promoting
women worship leaders
See
Mike Cope using Rick Atchley at the Pepperdine
2012 lectureship A New Beginning in Revelation 21
LEAVES BEHIND the Abominable and Sorcerers
(speakers, singers, instrument players)
Rick Atchley: The era of the progressive Church
of Christ is over.
Back in
the 80’s you could go to any major city, especially in
the South, and you could find a progressive
Church of Christ — and if they would preach grace,
and if they would put words on a screen, and
if they would let divorced people place
membership, they would grow.
The
generation of Boomers has enough denominational
loyalty that they’re going to find the least
legalistic
Well, we
discipled the children of those
progressive churches
for a whole
generation to grow past us Boomers.
They never
heard the sermons we heard.
They never
heard the rationale for a cappella
music.
We sent
them to youth rallies and Church of
Christ events
with some of
the finest Christian bands in the
world.
We discipled our children to
leave our Movement!
8.07.12 The Spirit OF
Christ denied that God commanded king, kingdom, Temple,
priests, animal sacrifices or Levites who were
SOOTHSAYERS with instrumental noise (never music).
God's true command was that the Levites "stand in ranks"
ready to execute any civillian or any Levite who came
near any "holy" thing or into any "holy" place.
They were under the Kings and Commanders of the Army.
If you say that God commanded something He did not
command The Spirit OF Christ in Jeremiah
He calls it despising or Blasphemy.
The word "psallo" upon which
instrumental churches are built and ANTI-non instrumental people
sow discord means PLUCK: primarily a bow string.
The word never in recorded history meant to Play a Harp
much less Play a Melody upon a Harp.
To lead people into trying to silence the mouth of the
"victim" based on the PLUCKING word with the same root
as SOP further insists that The Spirit of Christ, the
inspired writers and recorded history prior to the
Disciples were TERMINALLY IGNORANT.
A
literate Holy Spirit or Paul or anyone worthy of being a
disciple of Christ given A holy spirit or A
good conscience to be able to read BLACK text on BROWN
paper would know two sets of facts:
First, since psallo never at any time or place in
recorded history MEANT more than pluck or smite a string
with your FINGERS and never with a PLECTRUM
they would know that pluck had and has absolutely no
"musical" content. That is why there is no
recorded Bible or literary example of being able to
instruct someone to pluck a string with
one word. If you tell someone PLUCK there is no telling
what would happen to you. The same is true in
English and all languages.
Second, if you want to tell someone to PLUCK an
INSTRUMENT there are compound words for
all named instruments and STYLES of plucking.
Third, you blaspheme the Spirit of Christ by saying
that:
- He was too ignorant not to use TWO words
such as PSALLO Plus A Harp.
- He was
too ignorant not to use one compound
word which meant play a harp
- He just
wanted to throw in stumble words for those who have
not been washed with water INTO the Word or
school of Christ or
- He
intentionally wanted to sow massive discord since
singing as an ACT was first imposed in the
hear 373.
Even if "psallo" meant play a harp
it could NEVER be used to justify a guitar pick, a flute
or drums
Playing the part of those
deliberately sowing discord and blaspheming, let's
assume that the Spirit of Christ or Paul or anyone prior
to 1878 was too illiterate to know about all of the
compound words. For instance.
Anti-psallô, A.play a stringed instrument in
accompaniment of song, a. elegois phorminga
{Apollo, Abaddon, Apollyon's instrument]
Epi-psallō,
A. play the lyre,
S.Fr.60,
Poll.4.58（Pass.); “
melesi kai rhuthmois”
SING,
“
tous humnous”
LXX 2 Ma.1.30:
Then the priests sang the hymns.
Melos
A. limb, in early writers
always in pl.is corrupt for kata
meros
2.
metaphor., “esmen
. . allēlōn
melē”
Ep.Rom.12.5,
cf. 1 Ep.Cor.6.15.
meros
, A. share,
portion, 2. with Preps., ana
meros
in turn, successively,
III. the
part one takes in a thing
B. Especially musical member,
phrase: hence, song, strain, first in h.Hom.19.16
lyric poetry,
choral songs, Opposite Epic or Dramatic
verse
HH
19 To Pan:1 Muse, tell me about Pan,
the dear son of Hermes, with his goat's
feet and two horns —a lover of merry noise.
Through wooded glades he wanders with dancing nymphs
who foot it on some sheer cliff's edge, [5] calling upon
Pan, the shepherd-god, long-haired, unkempt.... Often he
courses through the glistening high mountains, and often
on the shouldered hills he speeds along slaying wild
beasts, this keen-eyed god. Only at evening, [15]
as he returns from the chase,
he sounds his
note,
playing sweet
and low on his pipes of reed:
not even she could
excel him in melody —
that bird who in flower-laden
spring pouring forth her lament utters honey-voiced song
amid the leaves....
Then all the immortals were glad in heart and Bacchic
Dionysus in especial; and they called the boy Pan
because he delighted all their hearts.
2. music to which a song is set, tune,
Arist.Po.1450a14;
Melos is Opposite.
rhuthmos,
metron,
Pl.Grg. 502c;
Melos is Opposite metron
, II. metre, Ar.Nu.638,
641,
etc.;
Aristoph.
Cl. 638 Soc.
In the first place, to be clever at an entertainment,
understanding what rhythm is for the war-dance,
and what, again, according to the dactyle.
Again "meter" is the opposite of melos
or melody and rhythm.
Opposite
melos (music) and rhuthmos
(time), Pl.Grg.502c
Melos
is Opposite. rhuthmos,
rhēma,
Id.Lg.656c;
Melos is Opposite rhēma
(erō)
A. that which is said or spoken,
word, saying,
Ero
I. I will say or speak,
II. I will tell, proclaim, 2. to
be specified, agreed, promised
II.2. to be specified, agreed,
promised
sullegō
II. of persons, collect, get together,
“stasiōtas” Hdt.1.59;
“egkhōrious” E.IT303;
“khoron” Antipho 6.11;
“ekklēsian”
—Pass., come together, assemble, “rhēmata kai logous”
mustered, Gathered
1Corinthians 14:23 If therefore the whole church
be come together into one place, and all
speak with tongues, and there come in those
that are unlearned, or unbelievers, will they not
say that ye are mad?
1
Cor 14: 23 Ean oun sunelthē
hē ekklēsia holē epi to auto kai pantes lalōsin glōssais, eiselthōsin de idiōtai ē apistoi, ouk erousin hoti mainesthe;
Sunerkhomai II.
come together, assemble, meet “sunelthe pros Theōna”
La^l-eō ,Mark
of the Locusts
III. of musical sounds,
“aulō [flute] laleō” Theoc.20.29;
of trees, v.supr.1.2; “di'aulou [flute] ē salpiggos l.”[trumpet]
Arist. Aud.801a29;
of Echo, magadin lalein sound
the magadis, [double
flute]
3.
subject of speech, matter, Hebraism
cf. rhētos
rhēt-os
on stated terms, on certain conditions,
according to covenant
IV.
to
rh.
the precise, literal contents of a
document, the letter of the law,
expressly, distinctly,
Plb.3.23.5,
rhētos
literal, Opposite. allegorical, Ph.1.69, al.
Opposite Allēgor-eō
, (agoreuō) 2.
abs., speak figuratively or
metaphorically,
4. allēgor-ētēs
, ou, ho, allegorical
expounder,
agoreuō agora 1.
to speak in the assembly, harangue, speak
of the kērux in the
Ecclesia, tis agoreuein bouletai; who
wishes to address the people?
Since melos or
melody is the opposite of rhema or speaking
about the covenant and law, it is impossible to both
sing AND make melody at the same time with or without
an instrument. The "logos" forms of speech are also
the opposite of poetry or music.
YES, CHRIST IN THE PROPHETS WARNED US SO ALMOST ALL
CONGREGATIONS HAVE REPUDIATED THE NACC hostile takeover
working with ONCE Christian colleges.
Isaiah 28:14 Wherefore hear the word of
the LORD,
ye scornful
men, that rule this people which is in Jerusalem.
Isaiah 28:15 Because ye have said,
We have made a covenant
[cutting, smiting]with death,
and with hell
are we at agreement;
when the
overflowing scourge shall pass through,
it shall not come unto us:
for we have made
lies [mendacium
myths, fable, poetry] our refuge,
and under falsehood
have we hid ourselves:
Isaiah
28.15 dixistis enim percussimus foedus cum morte et cum inferno fecimus pactum flagelluminundans cum transierit non veniet super nos quia posuimus mendacium spem nostram et mendacioprotecti sumus
All "playing" or "plucking" a musical instrument words are
derived from and often used to pluck or smite a person.
The Levites musically mocked Jesus as He was crucified:
Percutio1. (With
the notion of the per predominating.) To
strike through and through,
to thrust or
pierce through (syn.: percello, transfigo).
a vein is opened, blood is let
b. To strike, play a musical
instrument (poet.): “lyram,” Ov. Am. 3, 12, 40;
Val. Fl. 5, 100.—
1. To smite, strike, visit
with calamity of any kind (class.): “percussus calamitate,” Cic. Mur. 24, 49:
“percussus fortunae vulnere,” id. Ac. 1, 3, 11: “ruina,” Vulg. Zach. 14, 18:
anathemate. id. Mal. 4, 6:
“plaga,” id. 1 Macc. 1, 32:
“in stuporem,” id. Zach. 12, 4.—
2. To strike,
shock, make an impression upon, affect
deeply, move, astound (class.): “percussisti me de oratione prolatā,”
Muthos , o(, 7.
talk of men, rumour, “aggelian . . tan ho megas m. aexei” S.Aj.226
(lyr.), cf. 188 (lyr.,
pl.), E.IA72;
report, message, S.Tr.67
(pl.), E.Ion 1340.
2. fiction (Opposite logos, historic truth),
Pi.O.1.29
(pl.), N.7.23
(pl.), Pl.Phd.61b,
Prt.320c,
324d, etc.
epos , words, speeches,
1. song or lay accompanied by music,
8.91,17.519.
Opposite Epagoge
2. bringing in to one's aid,
introduction
b. incantation,
spell, in pl., Pl.R.364c,
Lg.933d;
Hekatēs phaskōn epagōgēn gegonena ispell, Thphr.Char.16.7.
7. leading away into
captivity, captivity, LXX Is.14.17:
generally, distress, misery,Si.23.14
Hsch. saying that
Hecate had put it under a ib.
Isaiah 4:3 And it shall come to pass, that he that is left
in Zion, and he that remaineth in Jerusalem,
shall be called holy,
even every one that is written among the living in Jerusalem:
Isaiah 4:4 When the Lord shall have washed away the filth
of the daughters of Zion,
Jesus cast out the musical
minstrels "more or less violently, like dung."
And the Lord will again
wait, that he may pity you, and will therefore be exalted
that he may have mercy upon vou because the Lord your God
is a judge blessed are they that stay themselves upon him. Isaiah 30:l8 LXX
For the holy people shall dwell in Sion and whereas Jerusalem has wept bitterly saying, Pity me; he shall pity thee when he perceived the voice
of thy cry he hearkened to thee. Isaiah 30:19 LXX
And though the Lord
shall give you the bread of affliction and sent water,
yet
they that cause thee to err shall no more at all draw
nigh to thee,
for thine eyes shall see those
that cause thee to err Isaiah 30:20 LXX
and thine ears shall hear the words of them that went after thee to lead
thee astray,
who say, This is the way, let us walk in it, whether to
the right or to the left. Isaiah 30:21 LXX
And thou shalt pollute the plated idols,
and thou shalt grind to powder (like "melody" in Greek) the gilt ones,
and shalt scatter them as the water of a removed
woman,
and thou shalt thrust them forth as dung. Isaiah 30:22 LXX
and shall have purged the blood of Jerusalem
from the midst thereof
by the spirit of judgment, and by the spirit
of burning.
Alăpa , ae, f. akin to
-cello, to smite, as if calapa; cf. kolaphos,
I. a stroke or blow upon the cheek
with the open hand, a box on the ear: “ducere gravem alapam alicui,” to give, Phaedr. 5, 3:
“ministri eum alipis caedebant,” Vulg. Marc. 14, 65;
ib. Joan. 18, 22;
19, 3; esp. among actors,
for the purpose of exciting a laugh among their auditors,
* Juv. 8, 192;
* Mart. 5, 61, 11.—When a
slave was emancipated, his master gave him an alapa; hence, poet.:
“multo majoris alapae mecum veneunt,” i. e. with me
freedom is much more dearly purchased, Phaedr. 2, 5, 25.
ălăpus , i, m. alapa, I.
a parasite, who submitted to the box on
the ear for gold,
Inpia blasphemi cecidit domus ecce Caiphae,
in qua pulsata est alapis facies sacra Christi,
hic peccatores manet exitus, obruta quorum 160
vita ruinosis tumulis sine fine iacebit.
The
universal root: Pulso , I. inf.
parag. pulsarier, Lucr. 4, 931),
1, v. freq. a. id., to push, strike,
beat (cf.: tundo, ferio, pello).
Of all musical instruments: Of
musical instruments: “chordas digitis et pectine eburno,” to strike,
play upon, Verg. A. 6, 647:
“chelyn,” Val. Fl. 1, 139:
“pectine nervos,” Sil.
5, 463: “cymbala,” Juv. 9, 62.—Of
things: “pulsant arva ligones,” Ov. Am. 3, 10, 31;
id. M. 11, 529:
“nervo pulsante sagittae,” Verg. G. 4, 313.—
Caedo , 1. To
cut, hew, lop, cut down,
fell, cut off, cut to pieces:
caesa abiegna trabes,
2. In gen., to strike upon something, to
knock at, to beat, strike, cudgel,
etc.: “ut lapidem ferro quom caedimus evolat ignis,
II. Trop.: caedere
sermones, a Grecism, acc. to Prisc. 18,
p. 1118 P., = koptein ta rhēmata, to chop words,
chat, talk, converse, Ter. Heaut. 2, 3, 1;
hărundo F. A
reed pipe, shepherd's pipe, Pan-pipes,
= surigx (an instrument made of
several reeds, fastened together with wax, each successive
reed somewhat shorter than the preceding): “junctisque canendo vincere arundinibus servantia lumina temptat,” Ov. M. 1, 684;
cf. id. ib. 1, 707
sq.; “11, 154: agrestem tenui meditabor harundine Musam,” Verg. E. 6, 8;
cf.: “compacta solitum modulatur harundine carmen,” id.
Cul. 100: “nec crepuit fissa me propter harundine custos,” Prop. 4 (5), 7, 25.—
God won't let such people read or hear His Words: strong
delusions results in religious services focused on rhetoric,
singing and instruments. Christ identified these as the
hypocritic arts and crafts of the Scribes and Pharisees.
Therefore they missed that because they volunteered to EXECUTE
3,000 of their brethren who engaged in musical idolatry of the
Egyptian (etal) trinity at Mount Sinai.
Hezekiah knew that what God commanded was that the Levites STAND
IN RANKS at the cursed slaughter of the innocents
to execute any godly person who came near.
By using the Levites as the patternism for instrumental music
people have doomed themselves to be executed spiritually because
that's what God commanded.
Only for the BURNT OFFERING does reading 101a show that the
Levites under the king and commanders of the
army made instrumental noise. History and Christ in the
prophets knows that God never commanded sacrifices or burnt
offerings: only a select priesthood made burnt offerings and
these were to DEMONS.
This must be
deception of Biblical proportions especially since
it is based on violating all Biblical and Historical
evidence. It is not possible to be so
misinformed.
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The Serpent
Deceiver is defined as a Musical Enchanter(ess).
Christ calls Tyre. Lucifer "the singing and
harp-playing prostitute in the garden of Eden."
"According to
the system which Nimrod was the grand
instrument in introducing, men were led to believe
that a real
spiritual change of heart was unnecessary,
and that so far as change was needful,
they could be regenerated by mere external
means.
"Looking at the
subject in the light of the Bacchanalian orgies (Read
Ephesus and Corinth), which, as the reader
has seen, commemorated the history of
Nimrod, it is evident that
he led mankind to
seek their chief good in sensual enjoyment,
and showed them
how they might enjoy the pleasures of sin, without
any fear of the wrath of a holy God.
"In his
various expeditions he was always accompanied by
troops of women; and by music and song, and games (ritual
drama) and revelries, and everything
that could please the natural hearts,
he commended himself to the good graces
of mankind." (Hislop, Alexander, The Two Babylons, p. 55, Loizeaux
Brothers)
Rome:
Therefore it was brought in secretly, and
by little and little, one corruption being
introduced after another, as apostacy
proceeded, and the backsliding Church
became prepared to tolerate it,
till it has reached the gigantic height we now
see, when in almost every particular the system of
the Papacy is the very antipodes of
the system of the primitive Church.
Of the gradual
introduction of all that is now
most characteristic of Rome,
through the working of the "Mystery of
iniquity.
Aristotle: Melody Deceives: "Poets also make use of
this in inventing words, as a melody
"without strings" or "without the lyre"; for they employ
epithets from negations, a course which is approved
in proportional metaphors..
The form of
diction should be neither metrical nor without
rhythm.
If it is metrical, it lacks
persuasiveness, for it appears
artificial, and at the same
time it distracts the hearer's
attention, since it sets him
on the watch for the recurrence of such and such a
cadence..
According to
Philo, the gods of the pagans exploit this weakness of
men. For the sake of a better effect, and with the intention
of more easily cheating their devotes, that they have set
their lies to melodies, rhythms and
meters.." Click for more.
-347d
such is their lack of education—put a premium
on flute-girls
by
hiring the extraneous voice of the flute at a
high price,
and
carry on their intercourse by means of its
utterance.
But where the party consists of thorough
gentlemen who have had a proper education,
you will see
neither flute-girls nor dancing-girls nor harp-girls,
but only the
company contenting themselves with their own
conversation,
and none of
these fooleries and frolics—
each
speaking and listening decently in his turn,
Pind.
N. 7 Skillful men know the wind
that will come on the day after tomorrow,
and they do not
suffer loss through the love of gain.
The rich man and the
poor man alike travel together to the boundary of
death.
[20] And I expect that the story of Odysseus came to
exceed his experiences,
through the sweet songs of Homer,
since there is a certain
solemnity in his lies and winged artfulness,
and poetic skill
deceives, seducing us with stories,
and the heart of the mass of
men is blind.
For if [25] they had been able
to see the truth, then mighty Aias, in anger over
the arms, would never have planted in his chest
the smooth sword—Aias, who was the most
powerful in battle,
According to
Philo, the gods of the pagans exploit this weakness of men. For the sake of a
better effect, and with the intention
of more easily cheating their
devotes, that they have set their lies to melodies, rhythms and
meters.." Click for more.
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Rick Atchley: They’re not leaving
the kingdom of God, and I’m not saying that — so
please hear me say, I’m not placing the health of the
Movement above the kingdom of God — I want my
kids to love Jesus, but I do think that Churches need
to understand.
The use of musicians and music
as well as rhetoricians is the MARK that the
kingdom has not come to that lost
congregation. When a church turns to what John calls
Sorcery with Instrumental Accompaniment, that body and
the Lamps have been removed from the Kingdom of
Christ.
Jesus said the kingdom of God does not come to
"Religious Observations" or worship
services: Jesus commanded the ekklesia
or synagogue as A School of Christ (only). Too
bad. When God
sends strong delusions the Lying Wonders are religious
observations using rhetoric, singing and instruments SAYING that
they are doing God's Will.
Rick
Atchley: They
are older and smaller, and their kids are gone. Their
kids have fond memories of growing up in that church.
The church taught them about Jesus, but now they are somewhere else.
You know, when I
hear some of those old arguments about music,
because of my history, even though I disagree, at least
I can connect the dots and see how you got there. My
children don’t even have the graph paper!
The doctors of the law--who take away the key to
knowledge--and the scholars cannot grasp that at no time or
place in the entire Bible did the godly people ever assemble
to engage in congregational singing with instrumental
accompaniment. The Levites--the
patternism of the NACC--engaged in Soothsaying with
instrumental accompaniment. That was to warn any godly
person not already abandoned that they would be executed if they
came near.
Clement:
Recount to us also the useless oracles of that other
kind of divination, or rather madness, the Clarian, the Pythian,
the Didymaean, that of Amphiaraus, of Apollo, of
Amphilochus; and if you will, couple ("deprive of
their holiness," "no longer count holy." Eusebius reads: "unholy interpreters."
)
Apollo is the Biblical Abaddon or
Apollyon.
with them
the expounders of prodigies,
the augurs, and the interpreters of dreams.
And bring and place beside the Pythian those that divine
by flour, and those that divine by barley,
and the ventriloquists still held in
honour by many. Let the secret shrines of
the Egyptians and the necromancies of the
Etruscans be consigned to darkness.
Insane
devices truly are they all of unbelieving men.
Goats, too, have
been confederates in this art
of soothsaying, trained to
divination; and crows taught by
men to give oracular responses to men.
Assume that you are aware that because of musical idolatry God
turned Israel over to worship the starry host: that was the same
planetary and fire worship practiced by the Jews who were now
Egyptians.And Amos, Acts 7 and others give the NAMES to
whom God abandoned Israel and they have names associated
with the sun, moon and the known wandering stars and
planets and not the Jehovah God of Abraham.
"Hathor and Aphis, the cow and bull gods of Egypt, were representatives of sun worship. Their worship was just one
stage in the long Egyptian history of solar veneration. The golden calf at Mount
Sinai is more than sufficient evidence to prove that the
feast proclaimed was related to sun worship.
The event at Mount Sinai was just one episode in the
Satanic
apostasy
which began at the tower of Babel. The celebration of December 25th, originally proclaimed in
honor of the birth of the sun god Mithra, can only be one of the
final events in the long continuing saga of Satanic sun worship." Richard Rives, Too Long in
the Sun, Partakers Pub., 1996, pp. 129-30.
According to Jeremiah, vii. 21, 22, blood
offerings were not divinely commanded.
According to the Samaveda, says
Jacolliot,7 it is murder to shed blood except as an
offering.
In comparing the Jewish religion with the
Hindu, Leviticus, xvii. 3, 4, offers a positive testimony.
The verses show that the Hebrews were
under the sway of this chief brahman doctrine.
Porphyry The Iamblichus
"As Manetho related, they were used in
archaic times to burn living men in the city of
Ilithyia styling them Typhonian." Ashmes,
who expelled the Hyk-sos rulers, put an end to
the custom. It existed in Asiatic countries, where
Semitic worships existed, and even the Hebrews seem not
to have been an exception
yry and others of the philosophers of that period
declared distinctly that the sacrifices of living
creatures
were not for the gods at all,
but for daemons and the lower orders of spiritual
essences.
Plutarch denounced
this practice,
and declared his belief that there
was never a god that required it,
but it was only intended to avert and
appease the malice and rancor of evil spirits.
And you pick as
LEGALISTIC PATTERNISM one of the isolated slaughter of God's
animals with loud noise called exorcism for which Hezekiah had
to look back almost 300 years from its authority for "stopping
a plague."And Christ in the prophets calls these
Civil-Military-Clergy people who had rejected God's rule,
robbers and parasites.
And you say that this is the pattern for the ekklesia
or synagogue or Church of Christ which outlawed "vocal or
instrumental rejoicing" including rhetoric.We can assume that
such a person is selling himself as a brain surgeon when he
doesn't know where to cut.
None of the Bible is metrical and cannot be sung tunefully even
if they knew how, and congregational singing of radically
rewritten Psalms (only) to be sung in unison (only) never
happened until after the Reformation. We can assume that
anyone who can even hallucinate congregational singing with
instrumental accompaniment is SEEING THE UNSEEN
as LU suggests that you use your imagination which God
says is only evil continually.
It is not possible that anyone who knows that only baptized
disciples are Christiains can define the word "disciple" and
still impose by violent means a "musical worship team" to
fabricate their own text. By refusing to comply with "teaching
that which has been taught" or "that which is written for our
learning" one is violating direct commands and lying that God
has the right to command, example or infer.
My thesis is that Rick has never read
Christ's views about instrumental music. He is
reading off the NACC white paper but does not grasp
that "vocal or instrumental rejoicing" or elevated
forms of speech was OUTLAWED for the Church of Christ
in the wilderness.
Chris Seidman:
Let me say this, I don’t think whether our churches
become “hybrids” with a cappella and instrumental
services will be the difference-maker in whether
the younger generations stay with the Movement. I think
there are bigger fish to fry in their
minds. But I do think that music is a variable
in their decision.
Not
only is the instrumental genre a part of the culture,
but they are growing up with it
being used in their children’s and youth
ministries.
Yes, we knew that this was going on
and it is called "boiling the frogs" to disciple the
NEXT generation to be disloyal to the Word of God.
The kingdom of God does not come with religious
observation or with INSTRUMENTAL SERVICES: the Kingdom
of God is withing a believer. That is the only
place where one can worship in Paul's UNIQUE sense of
"giving heed to the Word of God." Paul said that they
worshipped IN THE SPIRIT as opposed to IN THE FLESH
specificially to keep the dogs, catamites or old style
praise singers called Cynics from attacking from
within.
We always understood this to be the method of
deliberately altering the minds of the
youth so they would finance people with no
Biblical role and no dole.
Chris Seidman: When they get to adulthood
and begin functioning within a local church in
our heritage, they will notice its absence. And I think
that in the long run, they won’t engage in a discussion
because,
as
Rick said, they don’t even have the graph paper to
connect the dots.
They’ll be more likely just to quietly transition to another part of
Christendom.
This is happening
right now. Between our concern for the younger
generations in the Movement and our desire to
reach those who have disengaged or never
connected with Jesus in our culture, we
think it’s worth addressing the matter.
That is whistling in the cemetary by those whose hostile
takeover has had almost no effect. In fact, as they mature
they will be disgusted by rhetorical (effeminate) preaching and
the wimpy-burger praise singers.
CLAIMING TO BE A TEACHER BUT NOT KNOWING THAT THE CHURCH OF
CHRIST IS BUILT ON THE PROPHETS AND APOSTLES IS
DANGEROUS. That is why most preachers and
"scholars" cannot read BLACK text on BROWN paper where Christ
REPUDIATES you and puts you beyond redemption:
Isa 57:3 But draw near hither,
ye sons of the sorceress, the seed of the adulterer
and the whore.
Augŭrātrix , īcis, f.
id.,I. a female soothsayer or diviner
(post-class.), Vulg. Isa. 57, 3
(as transl. of the Heb. ; but in Paul. ex Fest. p. 117, the correct
reading is argutatrix; v. Müll. ad h. l.
Clement:
Recount to us also the useless oracles of that
other kind of divination, or rather
madness, the Clarian, the
Pythian, the Didymaean, that of Amphiaraus, of Apollo, of
Amphilochus; and if you will, couple
("deprive of their holiness," "no
longer count holy." Eusebius reads: "unholy
interpreters." )
Apollo is
the Biblical Abaddon or Apollyon.
with
them the expounders of
prodigies, the augurs, and the
interpreters of
dreams. And bring and place beside the Pythian those
that divine by flour, and those that divine by barley,
and
the ventriloquists still
held in honour by many. Let the secret shrines
of the Egyptians and the necromancies of the
Etruscans be consigned to darkness.
Insane devices truly
are they all of unbelieving men.
Goats, too,
have been confederates in this
art of soothsaying,
trained to divination; and crows taught
by men to give oracular responses to men.
Soothsayers: Anan (h6049) aw-nan'; a prim.
root; to cover; used only as denom. from 6051, to cloud
over; fig. to act covertly, i. e. practise magic: - *
bring, enchanter, Meonemin,
observe (-r of) times, soothsayer,
sorcerer.
Anag (h6026) aw-nag'; a prim. root; to be soft
or pliable, i. e. (fig.) effeminate or
luxurious: - delicate (-ness), (have) delight (self),
sport self.
Empaizô
, fut. - mock at, mock, tini 3. Pass.,
to be deluded, Ev.Matt.2.16, AP10.56.2 (Pall.),
Vett.Val.16.14; to be defrauded,
of the revenues,
Cod.Just.1.34.2. II. sport in or on, hôs nebros chloerais e.
leimakos hêdonais E.Ba. 866 (lyr.); tois choroisin e. to sport in the
dance, Ar.Th.975; tôi gumnasiôi Luc.Lex.5 .
Paig-ma , atos, to,
II. 'child's play',
to toiouto p. tōn logōn
- Hêdonê A. enjoyment, pleasure, first in
Simon.71, S.l.c., Hdt.1.24, al.; prop. of sensual pleasures,
JUST AFTER
RICK ATCHLEY'S FODDER FROM THE NACC
2Chr 33:6 And he caused his children to pass through the
fire in the valley of the son of Hinnom:
also he observed times,
and used enchantments, and used witchcraft,
and dealt with a
familiar spirit, and with wizards: he wrought much
evil in the sight of the LORD,
to provoke him
to anger.
[6] transireque fecit filios suos per ignem in valle Benennon observabat somnia sectabatur auguria maleficis artibus inserviebat habebat secum magos et incantatores multaque mala operatus est coram Domino ut inritaret eum
ignis , Charis A.
(Mostly poet.) The fire or glow
of passion, in a good or bad sense; of
anger, rage, fury: “exarsere ignes animo,” Verg. A. 2, 575:
“saevos irarum concipit ignes,” Val. Fl. 1, 748
“quae simul aethereos animo conceperat ignes, ore dabat pleno carmina vera dei,” “(Dido) caeco carpitur igni,” the secret
fire of love, Verg. A. 4, 2
Carmen 1.
In gen., a tune, song, air, lay,
strain, note, sound, both vocal and instrumental
sc. Apollinem [Apollo, Abaddon] concordant carmina nervis, “barbaricum,
B. An incantation, charm,
magic song, etc.: cantusque artesque magorum.
Ov. M. 7, 195;
7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,” Verg. G. 4, 471:
“magici,
Ars ,
artis, f. v. arma,
(a). Rhetorical : “quam multa non solum praecepta in artibus, sed etiam exempla in orationibus bene dicendi reliquerunt!” Cic. Fin. 4, 3, 5:
“ipsae rhetorum artes, quae sunt totae forenses atque populares,” id. ib. 3, 1, 4: neque eo dico,
quod ejus (Hermagorae) ars mihi mendosissime scripta
videatur; nam satis in eā videtur ex antiquis artibus (from
the ancient works on rhetoric) ingeniose et diligenter
electas res collocāsse, id. Inv. 1, 6 fin.:
“illi verbis et artibus aluerunt naturae principia, hi autem institutis et legibus,” id. Rep. 3, 4, 7:
“artem scindens Theodori,” Juv. 7, 177.—
Isa 57:4 Against whom do ye sport
yourselves? against whom make ye a wide mouth, and draw out the tongue? are ye not children
of transgression, a seed
of falsehood,
This is
defined--then and now--as rising up to Play including
playing instruments and playing one with another
(Romans 1). This was a sin WITHOUT REDEMPTION.
Lūdo , ” Verg. E. 6, 1.—Esp.,
to play on an instrument of music, to make
or compose music or song: “ludere quae vellem calamo permisit agresti,” Verg. E. 1, 10:
“quod tenerae cantent, lusit tua musa, puellae,” id. Am. 3, 1, 27:
“coloni Versibus incomptis ludunt,” Verg. G. 2, 386:
“carmina pastorum,”
Musa
I. a muse, one of the goddesses
of poetry, music, and the other liberal arts.
A. A song, a poem: “musa procax,” Hor. C. 2, 1, 37:
“pedestris,” a style of
poetry bordering on prose, id. S. 2, 6, 17.—
Canto:
. Neutr., to produce melodious sounds
(by the voice or an instrument), to sound, sing,
play (class. in prose and poetry; rare in Cic.).
C. Transf., of instruments, to sound,
resound: “pastoris bucina cantat,” Pro
C. Transf.,
of
instruments,
to sound,
resound:
“
pastoris bucina cantat,”
ProI.
Lit.,
to play, play at a game of some
kind:
C. Ludere aliquem or aliquid,
to play, mock,
imitate, mimic a person or thing (only in
mockery; cf.: partes agere, etc.): civem bonum ludit,
Cael. ap.
Cic. Fam. 8, 9, 1;
cf.: “
ludere opus,”
to imitate work,
make believe work,
Sport: Anag (h6026) aw-nag'; a prim. root; to be
soft or pliable, i. e. (fig.) effeminate or
luxurious: - delicate (-ness), (have) delight (self),
sport self.Empaizô
, fut. - mock at, mock, tini 3.
Pass., to be deluded, Ev.Matt.2.16,
AP10.56.2 (Pall.), Vett.Val.16.14;
to be defrauded, of the revenues,
II. sport in or on, “hōs nebros khloerais e. leimakos hēdonais” E.Ba. 866
(lyr.); tois khoroisin e. to sport in the
dance, Ar.Th.975;
“tō gumnasiō” Luc.Lex.5.
Prophetic:
Isa 57:18 I have
seen his ways, and will heal
him:
I will
lead him also, and restore comforts unto him and to his mourners.
Isa
57:19 I create the fruit of the lips;
Peace, peace to him
that is far off, and to him that is near, saith the Lord;
and I will heal him.
Heb 13:14
For here have we no continuing city, but we seek
one to come.
Heb 13:15
By him therefore let us offer the sacrifice to God continually,
that
is, the fruit of our lips
giving
thanks to his name.
Amos and John warn about the "Lips of the Fruits."
All recorded history
proves that religious services with singing and instruments is
the mark of The Lips of the Fruits.
The
Levites: Acted as Soothsayers with Instrumental
Accompaniment. They were commanded to stand guard
(God's command in 2 Chronicles 29) and make a loud crashing
sound. This was not "worship" but to warn any godly non-Levite
who came near that they would be EXECUTED. Moses ordained them
to bear the burden of THEIR OWN INIQUITY and to guard
the not-commanded sacrificial system from non-Levi
tribes. The Levites failed when they took the sacrifices
out from behind closed gates and walls in Jerusalem where the
horrors of slaughtering and burning God's creatures and the
lambs of the poor was exposed for what it was. Christ says
that it was NOT commanded. If you say that it WAS
commanded then Christ in Jeremiah 23 says that you have
blasphemed the Holy Spirit of Christ
When you have been deluded you must boast! Rick Atchley speaks
of the "progressive Church of Christ" which we know to date
from the census of the Disciples of Christ in 1971
which recognized the beginning of the Christian Church /
Churches of Christ as a separate denomination regulated by the
NACC: first setting up new turf in 1927. Men began to
"progress" people by gradual introduction of "acts" which they
understood to be "discording" but which would in time bear
fruits. Having made that divisive, discording leap, the
next Purpose Driven Step was to "go all of the way" and become
what any Bible-honoring disciple understands to be SECTARIAN
or HERETICAL which means "to steal other people's
property by induced dissociation by "a New Style of Music or
Drama" which is exactly the meaning of the BEAST in the book
of Revelation.
You should understand that the Grace-Centered cult used grace
to mean "we gonna violate the principles of Christ but grace
gonna give us cover." Grace is another designator of
Christ Who came as Word to teach us to DENY what the
Post-Progressives actively promote:
John 1:14 And the Word was made flesh,
and dwelt among us,
(and we beheld his
glory,
the glory as of the
only begotten of the Father,)
full of grace and
truth.
John 1:15 John bare witness of him, and cried, saying,
This was he of whom I
spake, He that cometh after me is preferred before me:
for he was before me.
John 1:16 And of his fulness have all we received, and grace
for grace.
John 1:17 For the law was given by Moses,
but grace and truth
came by Jesus Christ.
Titus 2:11 For the grace of God that
bringeth salvation hath appeared to all men,
Titus 2:12 Teaching us that,
denying ungodliness and
worldly lusts,
we should live soberly,
righteously, and godly, in this present world;
Titus 2:13 Looking for that blessed hope,
and the glorious
appearing of the great God and our Saviour Jesus Christ;
Titus 2:14 Who gave himself for us,
that he might redeem
us from all iniquity,
and purify unto
himself a peculiar people, zealous of good works.
Titus 2:15 These things speak, and exhort, and
rebuke with all authority. Let no man despise thee.
Universal Thesis: Study
to shew thyself approved unto God, a workman
that needeth not to be ashamed, rightly dividing
the word of truth. 2Tim. 2:15
Dividing means to teach logon as
it has been delivered
Word or Logos: Opposite to rhetoric,
singing, playing, preacher's tales.
Christ in Isaiah
58 forbids "speaking your own words or seeking
your own pleasure."
Looks like the NACC has snookered these men into violating
ALL of the direct commands not availabile to the
"doctors of the Law."
Universal AntiThesis: But
shun profane and vain babblings: for
they will increase unto more ungodliness. 2Tim.
2:16
And their word will eat as doth a canker: of whom
is Hymenaeus and Philetus; 2Tim. 2:17
Vain includes any of the WORKS of human hands or
human rhetoric or human music.
Kenophōn-ia agraph-os, unwritten wills, speak without the
book, law of nature, religious traditions, not
weighed or tested, teaching clandestinely.
Hebrews 9:16 For where a testament is,
there must also of necessity
be the death
of the testator.
Hebrews 9:17 For a testament is of force after men are
dead:
otherwise it is of
no strength at all while the testator liveth.
vānus I.
that contains nothing, empty, void.
vacant.
B. Transf., of persons, false,
lying, deceptive, delusive, untrustworthy:
“orationi vanae crediderunt,” idle,
delusive, Cic. Rosc. Am. 40, 117:
“voti vanus,” i. e. deceived,
Sil. 12, 261: “turba vana sanctitudinis,”
Turba “festaque confusā resonabat regia turbā
You cannot even hallucinate a role for rhetoric or
other hypocritic arts WITHOUT repudiating the Last
Will and Testament of Jesus Christ revealed in the Prophets
and Apostles.
The Jews profaned the Sabbath at Mount Sinai by musical
idolatry of the Egyptian (etal) trinity.
Bebêl-oô , A.profane,
to sabbaton LXX
Ex. 31.14 , Ev.Matt.12.5;
ta anthrôpina
2.pollute, defile, tina LXX
Le.21.9 , Hld.2.25
To defile the sabbath is:
Chalal (h2490) khaw-lal'; to profane
(a person, place or thing), to break (one's word), to
begin (as if by an "opening wedge"); denom. (from 2485) to
play (the flute): --- take inheritance, pipe, player on instruments,
pollute, (cast as) profane (self), prostitute,
slay (slain), sorrow, stain, wound.
Profane:
952. bebelos, beb´-ay-los; from the base of
939 and belos (a threshold); accessible (as by crossing
the door-way), i.e. (by implication, of Jewish notions)
heathenish, wicked: profane
(person). The Levites Soothsayed with Instrumental
accompaniment
953. bebeloo, beb-ay-lo´-o; from
952; to desecrate: profane.
954. Beelzeboul, beh-el-zeb-ool´; of
Chaldee origin (by parody on H1176);
dung-god; Beelzebul, a name of Satan:
Beelzebub.
-Symoisuyn [218b] a Pausanias, an Aristodemus, and an Aristophanes--I need not mention Socrates himself--and all the rest
of them; every one of you has had his share of philosophic
frenzy and transport, so all of you shall
hear. You shall stand up alike for what then was done and
for what now is spoken. But the domestics, and all else profane
and clownish, must clap the heaviest of doors upon
their ears.“Well, gentlemen, when the lamp had been
put out
-Bebēlos. Cp.
Schol. Aristid. III. p. 471 esti de kērugma mustikon to “thuras... bebēloi,” hōs pou kai Orpheus dēloi “phthegxomai hois themis esti: thuras d' epithesthe bebēloi”: Tim. bebēloi: amuētoi. Alcib.'s language,
like Diotima's, is suggestive of mystery-lore: cp. Theaet. 155 E;
Eur. Bacch. 70 ff., 472; Horace's “odi
profanum volgus et arceo.”
You Profane by:
-Phthenxomai of the battle-cry,
X.An. 1.8.18;
of the recitative of the chorus, Id.Oec.8.3;
“ouketi porrō dithurambōn ph.” Pl.Phdr.238d
3. of inanimate things, of a door, creak,
Ar.Pl.1099;
of thunder, X.Cyr. 7.1.3;
of trumpets, Id.An.4.2.7,
5.2.14;
of the flute, Id.Smp.6.3,
Thgn.532; of the lyre,
“phormigx ph. hiron melos” Id.761, cf. Arist. Metaph.1019b15;
of an earthen pot, eite hugies eite sathron ph. whether it rings
sound or cracked, Pl.Tht.179d;
ph. palamēsi to clap
with the hands, Nonn.D.5.106,
The phormix is proof of "Apollyon making melody
in a holy place."
Universal Thesis
|
Universal Thesis |
|
1 Tim 1:3 As I
besought thee to abide still at Ephesus, when I
went into Macedonia, that thou mightest charge
some that they teach no other doctrine,
Mat 28:20 Teaching
them to observe all things whatsoever
I have commanded
you: and, lo, I am with you alway,
even unto the end of the world. Amen.
|
2Timothy 4:2 Preach
the word;
be instant in season,
out of season;
reprove, rebuke,
exhort
with all longsuffering
and doctrine.
2Timothy 4:3 For the time will come when
they will not endure sound doctrine;
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| Universal AntiThesis |
Universal AntiThesis |
|
1 Tim 1:4 Neither give heed to fables
and endless
genealogies, which
minister questions,
rather than godly edifying [teaching]
which is in faith:
so do.
Col 1:25 according to the stewardship
of God which was given me toward you, to fulfill
the word of God,
|
2Timothy 4:3 but after
their own lusts shall they heap
to themselves teachers, having itching ears; [eager for combat,
pleasure, to be wanton, get one's sores
scratched. Helkos the festering bite of a serpent,
plague]
2Timothy 4:4 And they shall turn away
their ears
from the truth,
|
Alēth-eia truth,
opposite lie or mere appearance,
mim-ēma anything
imitated, counterfeit, 2. artistic
representation, Pl.Lg.669e,
autophues m. luras, of the akris, [Locusts]
The MARK of the
Locusts (Muses) is Imitating the Lyre or Harp.
A. Self-Grown
B. lura A.
lyre, a stringed instrument with a
sounding-board formed of the shell of a tortoise
l. kai kithara
Plat.
Laws 669e without words, and
using the bare sound of harp or flute,
wherein it is almost impossible to understand what
is intended by this wordless rhythm
and harmony,
or what
noteworthy original it represents.
Such methods,
as one ought to realize, are clownish in the
extreme
in so far as
they exhibit an excessive craving for speed,
mechanical accuracy,
and the imitation
of animals' sounds, and consequently employ
the pipe and the harp
without the
accompaniment of dance and song;
Therefore, the instrument adds NOTHING to
the command to teach that which has been taught.
|
Muthos
talk of men, rumour, tale,
story, narrative, logos, without
distinction of true or false, either
of a story which never comes to an end, 2.
fiction (opp. logos, historic
truth), generally fiction,
|
and shall be turned unto fables
Logos is the opposite of poetry or music
or anything that happens in your life.
|
Pind.
O. 1 From there glorious song enfolds
the wisdom of poets, so
that they loudly sing [10] the son of Cronus, when
they arrive at the rich and blessed hearth of Hieron,
who wields the scepter of law in Sicily
of many flocks, reaping every excellence at its peak,
and is glorified [15] by the choicest music, which we
men often play around his hospitable table. Come, take
the Dorian lyre down from its peg, if the splendor of
Pisa
and of Pherenicus placed your mind under the influence
of sweetest thoughts
Yes, there are many marvels,
and yet I
suppose the speech of mortals
beyond
the true account can be deceptive,
stories
adorned with embroidered lies;
[30] and Grace, who fashions all gentle things
for men, confers esteem and often contrives to make
believable the unbelievable. But the days to
come are the wisest witness
|
Rubel Shelly, Rick Atchley etal say that "we should be as
much LIKE the World to win the World." The
sacrificial system and their 'patternism' for noise makers under
the "King set over us" and his new Levite who were not
musical worship ministers but chief executioners
under the king and commanders of the army.
Jesus Christ says:
And now, O Father, glorify thou me with thine own self with
the glory which I had with thee before the world was. John
17:5
I have manifested thy name unto the men
which thou gavest
me OUT of the world:
thine they were, and
thou gavest them me;
and they have kept thy word. John 17:6
Now they have known that
all things whatsoever thou hast given
me are of
thee. John
17:7
For I have given unto
them the words which thou gavest
me; [CENI]
and they have
received them,
and have known
surely that I came out from thee,
and they have
believed that thou didst send me. John 17:8
I pray for them: I pray NOT for the world,
[the kingdom does not come with
religious observations]
but for them
which thou hast given me; for they are thine. John 17:9
Neither pray I for these
alone,
but for them also
which shall believe on ME
through THEIR WORD; John 17:20
If you fabricate your own songs and sermons then Jesus says that
the Father has not given you to the Son.
If you fabricate your own songs and sermons they will believe in
YOU and your words.
Facts prove that people fabricate because they KNOW that
teaching the truth would not make them rich and famous and they
would have to suffer.
Instruments are the MARKS that God has removed the speakers,
singers and instrument players from the
kingdom at the same time that the LAMPS are removed
(Revelation 18) because all of these arts are named hypocrites
by Jesus and sorcerers by John: the sorcerers are
already cast alive into the Lake of Fire and that is why they
cannot stay still or quiet.
JESUS DOES NOT PRAY FOR THOSE OF THE WORLD WHO HAVE NO
INHERITANCE IN A SPIRITUAL KINGDOM.
Kosmos , metaph.,
of ornaments of speech, such as epithets,
Id.9.9
(pl.), Arist.Rh.1408a14,
Po.1457b2,
1458a33; hadumelē k. keladein to sing sweet
songs of praise, Pi.O.11
(10).13 (s.v.l.).
Pind.
O. 11 My tongue wants to foster such
themes;
[10] but it is by the gift of a god that a man flourishes
with a
skillful mind, as with anything else. For the
present rest assured, Hagesidamus son of Archestratus: for
the sake of your boxing victory,
I shall loudly sing
a sweet song, an adornment for your garland of
golden olive,
[15] while I honor the
race of the Western Locrians.
There, Muses, join in the victory-song; I shall pledge
my word to you that we will find there a race that does not
repel the stranger, or is inexperienced in fine deeds, but one that is
wise and warlike too.
Kosmo-krator
epith. of ouranos, Orph.H.4.3;
“Zeus Mitras Hēlios k. Dam.Pr.131; hoi k. tou skotous toutou the cosmic rulers
of this sinful world, Ep.Eph.6.12;
“hoi k. hoi ta hupo selēnēn stoikheia dioikountes”
Ephesians 6.[12] For our wrestling is not against
flesh and blood, but against the principalities,
against the powers, against the world's rulers of the
darkness of this age, and against the spiritual hosts of
wickedness in the heavenly places.
G3823 palē pal'-ay From πάλλω pallō (to vibrate; another form
for G906 ); wrestling:—+ wrestle.
Why would false teachers use the weapons/instruments of the
World which Jacob warned about to wrestle with the evil powers
in high places (podiums) when THESE are the instruments of the
Devil--there is no other recorded history.
Pallô, poise, sway
a missile before it is thrown, sway, brandish,
she drove it furiously, tripped on the shield-rim,
quiver, leap, esp. in fear, II. Pass., swing, dash
oneself, Pi.N.5.21; vibrate,
of strings, Pl.Phd.94c (psalloito ap.
Stob.); leap, bound, quiver, quake,
phrena deimati pallôn S.OT153 (lyr.); dash along, of horses,
E.El.477 (lyr.).
God the One Father in Heaven made Jesus of Nazareth to be both
Lord and Christ. God breathed (spirit) His thoughts on Jesus who
articulated the very Words of God. Jesus the Son of God
delievered these words to the Apostles. The Apostles in turn
left us a "memory" of their eye and ear witness of the Rising
Lord. Peter says that those who do not speak what was revealed
through the Prophets and Apostles IS A FALSE TEACHER.
Christ
in Isaiah 55 gave us the "free water of the Word" and
in Isaiah 58 commanded us NOT to seek our own pleasure or even
speak our own words. Paul being Prophet-literate
commanded the same thing in Romans 15 where all of the
hypocritic (Scribes and Pharisees) arts and crafts are
FORBIDDEN.
Even
Simple Simons know not to arouse the people's lust of the
eyes and ears when Jesus comes to be our teacher when the
elders "teach that which has been taught." Rick Atchley got
his "spiritual" message from the WORLD and therefore Jesus
will not even pray for him.
WHAT RICK DOESN'T GRASP IS THAT THE NACC AGENTS WERE BUSY
CUCKOLDING THE LATTER DAY PROPHETS.
See
David Faust's insisting on Instrumental Music while
PRETENDING to be preaching 'unity.'
Rick just told you how "WE" deliberately REMOVED
the graph paper: by musical performance the minds of the kids
weree also altered based on all recorded history where "people
set their lies to music to deceive the simple."
By believing all of the lies on the NACC white paper, Rick was
also deprived of the graph paper which had all of the dots
removed. He was carefully handled
If Rick had become a Disciple of Christ he would have found not
a single instance of God's righteous
people ever goint to synagogue where the elders violated the
direct commands of Christ for the Qahal, synagogue or church of
Christ in the wilderness. You have to be strongly
delusioned to impose music where the Campbells understood the
Bible and taught:
Church is A school of Christ
Worship is reading and musing the Word of God.
That's what all of the writers wrote but delusioned
people cannot read BLACK text on BROWN
PAPER.
- Rick Atchley, Chris
Seidman and band follow the NACC credo that God
commanded instrumental music for worship under the
Monarchy.
- If God did not command
musical instruments at any time and place.
- The Christ in Jeremish
23 says that all of this band of men have blasphemed
the Holy Spirit of Christ in the prophets.
- If God turned Israel over to worship the starry host
listed in Amos and Acts 7.
- And Rick Atchley, Chris Seidman etal use that as a "patternism"
and demand that you participate.
- Then God has abandoned you to captivity and death
in neo-Babylon. That is marked in Revelation
18 by lusted after fruits as rhetoricians, singers and
instrument players: they will be (have been) cast alive into
the Lake of Fire being consumed by their own lips.
- Rick Atchley, Chris Seidman, the once-Christian colleges
say that the Levites are the patternists for
instrumental music.
- Moses elevated the Levites to their role because they
volunteered to slaughter 3,000 of their "brethren" for
engaging in musical
idolatry at Mount Sinai.
Christ in
the Prophets makes it certain.
- The command of God was to STAND IN RANKS
to slaughter any non-cursed civillian from coming near any
holy thing or place during the burnt offering.
- The Musical Worship Team boasts of standing in the
holy place and they will NOT tolerate any one not of their race
to perform music in the neo-worship of the starry
host.
- God did not command the king, kingdom, temple,
animal slaughter or the "music" used to make the lambs dumb
before the slaughter. See
Second Samuel Eight for MARKS that God may have already
Abandoned you.
- Christ instead ordained the Qahal, synagogue or Church of
Christ in the wilderness for instructions only and "vocal or
instrumental rejoicing" including rhetorical sissy speaking
was forbidden.
- The Church is built upon the foundation of the prophets
and apostles: the command is to PREACH the Word by
READING the Word or "that which is written for our
learning."
- Therefore, the musical bandits
deliberately REJECT obeying the direct command for resource
and method of presentation.
- Therefore, they have terminally repudiated Jesus Christ.
- Bandit preachers used the Set A King Over Use because they
want to use people for their own profit.
- The Levites were cursed by father Jacob as murderous
people. He told us NOT to enter their covenant
or assemblies
- The Levites volunteered to slaughter 3,000 of the
brethren who engaged in musical idolatry on the rest day.
- The Role of the Levites commanded by God was to stand guard
and execute anyone who came into their assemblies.
- The Role commanded by the King and Commanders was
to make loud "instrumental noise" to warn people to be
"outside the camp" or if authorized bowing or on their face.
See
the nature of the Levites (Musical Worship Team) the
Kings
set over you have imposed proving the "strong delusion" marked
by all of the religious services using any performing art: Jesus
called them hypocrites (speakers, singers, players)
DISCUSS THIS
HERE
Chris
Seidman thinks that the word Psallo and the Harps in
Revelation gives him authority to sow massive
discord. Reading off the NACC white paper will get you into
deep trouble.
7.04.11 Some People will never
get it:
THIS IS THE DIRECT COMMAND
2Timothy 4:2 Preach
the word; be
instant in season,
out of season;
reprove, rebuke,
exhort with
all longsuffering and doctrine.
2Timothy 4:3 For the time will come when they will not
endure sound doctrine;
but after their own lusts
shall they heap to themselves teachers,
having itching ears;
[eager for combat, pleasure, to be wanton]
HERE IS PROOF THAT YOU WILL NOT
ENDURE SOUND DOCTRINE:
2Timothy 4:4 And they shall turn away their ears from the
truth,
and
shall be turned unto fables.
FABLES TO FOOL: Fābŭla , ae, f. fari,
B.
Of particular kinds of poetry.
1.
Most freq., a dramatic poem,
drama, play (syn.: “ludus, cantus, actio, etc.): in full, fabula scaenica,” Amm. 28, 1, 4; “or, theatralis,” id. 14, 6, 20: “fabula ad actum scenarum composita,”fabulam, quae
versatur in tragoediis atque carminibus non a
veritate modo
FABLES TO FOOL: Cantus , ūs, m. id.,
I. the production of melodious
sound, a musical utterance or
expression, either with voice or instrument;
hence, song, singing, playing,
1. With the voice, a singing, song;
in full, cantus vocum, Cic. Rosc. Am. 46, 134: cantibus
2. With instruments, a playing,
music: “citharae,” “horribili stridebat tibia cantu,” Cat. 64, 264:
“querulae tibiae, “lyrae,” Plin. 34, 8, 19, § 72:
“tibicine
What Paul outlawed in Romans 15
before teaching "that which is written for our learning" can
be taught.
FABLES TO FOOL: Scaenĭcus (scen- ), skēnikos, I. of
or belonging to the stage, scenic, dramatic,
theatrical stage-plays, theatrical
representations, “fabula,” a drama, “organa,” Suet. Ner. 44:
“coronae,” id. ib. 53: “habitus,” id. ib. 38: “gestus,” Cic. de Or. 3, 59, 220:
“modulatio,” Quint. 11, 3, 57:
1. scaē-nĭcus , i, m., a
player, actor, Cic. Off. 1, 31, 114:
---“orator plurimum aberit a scaenico 2. scaenĭca , ae, f., a
female player, an actress,
THE
MOST POWERFUL WEAPON TO FOOL:
Orgănum , i, n., =
organon, Of musical
instruments, a pipe, Quint. 11, 3, 20;
9, 4, 10;
Juv. 6, 3, 80;
Vulg. Gen. 4, 21;
id. 2 Par. 34, 12
et saep. an organ, water-organ: “organa hydraulica,” Suet. Ner. 41:
aquatica, Mythogr. Lat. 3, 12.—Of a church-organ,
Cass. Expos. in Psa. 150; Aug.
Enarr. in Psa. 150, n. 7.— B.
Transf.: organum oris, the tongue
of a man, Prud. steph
Jubal "Handled" musical instruments "without
authority."
2Timothy 4:5 But watch (sober:
drink no wine) thou in all things,
endure afflictions,
do the work of an evangelist,
make full proof
of thy ministry. [Servant]
Ergon Work Opposite Epos
1. song or lay accompanied by
music, 8.91,17.519.
Hom.
Od. 8.83 [90] But as often as he began again,
and the nobles of the Phaeacians bade him sing, because they
took pleasure in his lay, Odysseus would again cover
his head and moan. Now from all the rest he concealed the
tears that he shed, but Alcinous alone marked him and took
heed,
Hom.
Od. 17.505 [515] Three nights I had him by
me, and three days I kept him in my hut, for to me first
he came when he fled by stealth from a ship, but he had
not yet ended the tale of his sufferings. Even as when a
man gazes upon a minstrel who sings to mortals songs of
longing that the gods have taught him, [520] and their
desire to hear him has no end, whensoever he sings, even
so he charmed me as he sat in my hall...
[530] But as for these men, let them make sport
as they sit in the doorway or here in the house, since
their hearts are merry. For their own possessions
lie untouched in their homes, bread and sweet
wine, and on these do their servants feed.
But themselves
throng our house day after day,
[535] slaying our oxen,
and sheep, and fat goats,
and keep revel
and drink the flaming wine recklessly,
and havoc is made
of all this wealth,
Make "sport" hepsi-aomai , Amuse
oneself Od.17.530;
“hepsiaasthai molpē kai phormiggi” [Apollo's Harp] 21.429 epsioōnto, as if from epos,
Hom.
Od. 21.401 But now it is time that supper too
be made ready for the Achaeans, while yet there is light,
and thereafter must yet other sport be made [430] with song
and with the lyre; for these things are the
accompaniments of a feast.
YOU CANNOT BUILD A RELIGIOUS INSTITUTE AND BE AND
EVANGELIST.
Euaggel-istēs , ou, ho,
A. bringer
of good tidings: hence, evangelist,
preacher of the gospel, Act.Ap.21.8.
II.
proclaimer of oracular messages
Euaggel-os , on, (aggellō) A. bringing
good news, “pur” A.Ag.21;
elpides ib. 262, etc.;
sōtēriōn pragmatōn eu. ib.646; Phēmē eu. IG14.1120;
“rhinos”
SACRIFICIAL
INSTRUMENT PLAYERS WERE CALLED "PARASITES"
Corrupting the Word: selling learning (just fabricated) at
retail. Sermonizing for pay.
1. Should Christian
teaching be regarded as a profession? It is so
now: men are brought up to it, trained for it, and live
by it, as architects, lawyers, doctors.
Surely preaching the
gospel should no more be regarded as a profession than
the talk of loving parents to children.
Surely official preaching has no
authority,
either in Scripture, reason, or experience, and it must come to an
end sooner or later." (Pulpit Commentary, 1 Cor. p. 464).
See John Calvin on the need for a
Restoration Movement excluding professional preachers.
"For what duties do
they perform in return? In the same way as anciently,
under the laws, those who served at the altar lived by
the altar, "even so hath the Lord ordained, that they
which preach the gospel should live of
the gospel" (1 Cor. 9:14).
[daily dole of food while on duty]
These are Paul's
words. Let them, then, show us that they are ministers of the gospel, and I will have no
difficulty in conceding their right to stipend.
The ox must not be muzzled that treadeth out the corn [1 Cor. 9:9].
But is it not altogether at variance with reason that
the ploughing
oxen
should starve, and the lazy asses be fed?
They will say,
however, that they serve at the altar. I answer, that the
priests under the law deserved maintenance, by ministering at an
altar;
but that, as Paul
declares, the case under the New Testament is different. And what are those
altar services, for which they allege that
maintenance is due to them?
Forsooth,
that they may perform their masses and chant in churches, for
example, partly labor to no purpose, and partly perpetrate sacrilege, thereby provoking the
anger of God. See for what it is that they are
alimented at the public expense!
Humn-eō , Ep. humneiō Hes.Op.2;
Ep.3pl. II. Tell over and over
again, harp upon, repeat, recite,; humnousi ; ton nomon humnein recite the form of
the law, Id.Lg.871a:
Rick Atchley: “If you’ve got
people who still feel that their relationship with God
depends on how we do things at church, then this is not
going to fly — and you can’t get there because you did
a series on grace.” “An Afternoon with Rick
Atchley and Chris Seidman, Part 3” (New Wineskins, September
– December 2010
Then why radically change
"how we do things at church" and say that God commanded
instrumental praise and we should not be disobedient. The
NACC led dogma is that instruments are COMMANDED, therefore,
"you cannot DO church without instruments." Why else would
one drive out the owners?
Christ identified the Qahal,
synagogue or Church of Christ in the wilderness it was:
INCLUSIVE of
Reading, Rest and Rehearsing the Word of God (only)
EXCLUSIVE of vocal or instrumental rejoicing
including elevated styles of speaking.
That is
defined as the ONLY time and place the godly people
asssembled and only for instruction.
Rick Atchley, Chris
Seitman, Jay Guin etal all use the BURNT OFFERING of the
goats trying to appease the nation of Israel to get them to
return to protect Hezekiah as their PATTERNISM. These
great pretenders and truth benders do not want you to know
that it was because of musical idolatry that God turned them
over to worship the starry host. That created the
Civil-Military-Clergy Sect which Christ in the prophets
calls robbers and parasites.
John 9:39 And Jesus said,
For judgment I am come
into this world,
that they which see not
might see;
and that they which
see might be made blind.
John 9:40 And some of the Pharisees which were with
him heard these words,
and said unto him, Are
we blind also?
John 9:41 Jesus said unto them, If ye were blind, ye should
have no sin:
but now ye say, We
see; therefore your sin remaineth.
John 10:6 This parable spake Jesus unto them:
but they understood
not what things they were which he spake unto them.
John 10:7 Then said Jesus unto them again,
Verily, verily, I say
unto you, I am the door of the sheep.
John 10:8 All that ever came before me are thieves and
robbers:
but the sheep
did not hear them.
WHAT ARE ROBBERS?
lēst-ēs A. robber,
pirate log-ismos , ho, YOUR III. reasoning
power, [Epich.] 257.1, Democr.
187, X.Mem.4.3.11,
Epicur. Sent.16, al.:
freq. in Arist., to tōn anthrōpōn genos [zē] “kai tekhnē kai logismois” Metaph.980b28
Tekhne
A. art, skill, cunning of hand.
of a soothsayer, A.Ag.249
(pl., lyr.), Eu.17,
S.OT389,
etc.; “tekhnai heterōn heterai” Pi.N.1.25;
“ōpase t. pasan” Id.O.7.50
make one's profession
3. way, manner, or means whereby
a thing is gained, without any definite sense of art
or craft
II. an art, craft make this his trade.
hoi tas t. tōn logōn suntithentes systems
of rhetoric, Arist.Rh.1354a12,
cf. Isoc.13.19,
Pl.Phdr.271c,
Phld.Rh.2.50 S., al.; hence title of various
treatises on Rhetoric (v. VI; but rather tricks
of Rhetoric,
How else could you use a not commanded GOAT BURNING
accompanied with the King's Levites under the commander of
the army as "your" command to impose "instrumental praise"
when Christ in the prophets says God did NOT command it.
Jesus says they were sheep killers, liars and killers.
Isoc.
13 19 Now as for the sophists who have
lately sprung up and have very recently embraced these
pretensions, even though they flourish at the moment, they
will all, I am sure, come round to this position. But
there remain to be considered those who lived before our
time and did not scruple to write the so-called arts
of oratory. These must not be dismissed without
rebuke, since they professed to teach how to conduct
law-suits, picking out the most discredited of terms,
which the enemies, not the champions, of this discipline
might have been expected to employ—
Peter defined the prophets and the prophecies made more
perfect by Jesus and left as a memory by the apostles; He
says that anyone who private interprets or further expounds
is a FALSE TEACHER. If you weave your own songs and
sermons you are a robber because you deprive people of the
Word of God.
Robbers
Suntithēmi 3. construct
or frame a story, compose
, s. muthous, poiēsin, melōdian, orkhēsin,
I. put together for oneself,
i.e. observe, give heed to, “suntheto thumō boulēn” Il.7.44;
“phresi suntheto thespin aoidēn” Od.1.328;
“emeio de suntheo muthon” 17.153;
“sunthemenos rhēma” Pi.P.4.277;
Kupris , i^dos, hē, acc. Kuprin and Kuprida, Il.5.330,458:—Cypris,
a name of Aphrodite, from the island of
Cyprus, Il. ll.cc. (never in
Od.), Sapph.5.1,
Corinn.Supp.2.58 (Koupri), etc.; joined
with Aphroditē, [who is Venus, Lucifer, Zoe
sexual love, pleasure, Apollōni
Religious music is always connected with
sexuality or homosexuality.
2. metaph., of a
beautiful girl, a Venus, [Zoe, Eve]
II. as Appellat., love, passion, E.Ba.773;
“Kuprin hupharpazein” Ar.Ec.722;
lathraia K. Eub. 67.8; en plēsmonē toi K.
Tu^rann-is , II.
despotic rule, obtained by force or fraud,
tyranny the fine arts, Epich.171.11, Pl.Phdr.245a,
Arist.Rh.1354a11,
EN1140a8;
“hē empeiria tekhnēn epoiēsen
Plat.
Phaedrus [244e]
has entered in and by oracular power has
found a way of release for those in need, taking refuge in
prayers and the service of the gods, and
so, by purifications and sacred rites, he who has
this madness is made safe for the present and the
after time, and for him who is rightly possessed of
madness a release from present
Plat. Phaedrus 245a ills is found. And a third kind
of possession and madness comes from the Muses.
This takes hold upon a gentle and pure soul, arouses
it and inspires it to songs and other poetry, and
thus by adorning countless deeds of the ancients educates
later generations. But he who without the divine madness
comes to the doors of the Muses, confident that he will be
a good poet by art, meets with no success, and the poetry
of the sane man vanishes into nothingness before that of
the inspired madmen.
THE SHEEP BY DEFINITION WILL NOT LISTEN
TO THEM: THEY FLEE AND DO NOT LOOK BACK
John 10:9 I am the door: by me if any man
enter in,
he shall be saved, and
shall go in and out, and find pasture.
John 10:10 The thief cometh not,
but for to steal,
and to kill, and to destroy:
I am come that they
might have life, and that they might have it more abundantly
THOSE WHO STEAL YOUR PROPERTY:
John 10.8 pantes hosoi ēlthon pro emou kleptai eisin kai lēstai: all' ouk ēkousan autōn ta probata. egō eimi hē thura:
klept-ēs , ou, o(,
2. generally, cheat, knave, S.Aj.1135;
“kakōn allotriōn k.” D.45.59.
Klept-ēs , ou, ho,cheat, knave, lying,
cheating and stealing:
Soph.
Aj. 1135
Menelaus
He hated me as I hated him, and you knew it, too.
Teucer
[1135] Yes, he hated you because you had been caught
fixing the votes in order to rob him.
Menelaus
At the hands of the jurymen, not mine, he suffered that
loss.
Teucer
You could make a thousand stealthy crimes look pretty.
harpax , agos, o(, h(, (harpazō)
II. mostly as
Subst.,
3. species of wolf, Opp.C.3.304.
lukos . kekhēnōs”
Ar.Lys.629;
prin ken l. oin humenaioi, of an
impossibility,
Id.Pax1076,
1112,
cf.
Il.22.263;
hōs lukoi arn' agapōsin, of
treacherous
or
unnatural love,
VI. nickname of paiderastai, AP12.250 (Strat.), cf. Pl.Phdr. 241d.
Plat. Phaedrus 241c
who was necessarily without reason, but rather a
reasonable non-lover; for otherwise he
would have to surrender himself to one who was faithless,
irritable, jealous, and disagreeable, harmful
to his property, harmful to his physical
condition, and most harmful by far to the
cultivation of his soul,
than which there
neither is nor ever will be anything of higher
importance in truth either in heaven or
on earth. These things, dear boy, you must bear in mind,
and you must know
that the fondness of the lover is not a matter of
goodwill,
but of appetite
which he wishes to satisfy:
Plat. Phaedrus 241d
“Just as the wolf loves the lamb, so the lover
adores his beloved.” There it is, Phaedrus! Do not
listen to me any longer; let my speech end here.
THOSE
ROBBERS WHO KILLED BEFORE CHRIST
When Hezekiah suggested a burnt offering of GOATS to try to
appease Isreal, the Levites under thee king and commanders
of the army made a great noise.
Rick Atchley etal of the NACC delusion claim that God
commanded instrumental praise in YOUR church and you had
better not disobey.
Christ in Isaiah and Jeremiah 7 said that God DID NOT COMMAND
sacrifices or burnt offerings.
THESIS
Isaiah 66:1 Thus saith the LORD, The heaven is my throne,
and the earth is my footstool:
where is the house
that ye build unto me? and where is the place of my rest?
Isaiah 66:2 For all those things hath mine hand made, and
those things have been,
saith the LORD:
but to this man will I look,
even to him that is poor
and of a contrite spirit,
and trembleth at
my word.
ANTITHESIS
Isaiah 66:3 He that killeth an ox is as if he slew
a man;
he that sacrificeth a
lamb,
as if he cut off a
dog’s neck;
he that offereth an oblation,
as if he offered swine’s blood;
he that burneth
incense, as if he blessed an idol.
Yea, they have chosen
their own ways,
and their soul
delighteth in their abominations.
Jesus said that those Christ identified as parasites
and robbers--or hypocrites in Ezekiel 33 as
speakers, singers and instrument players were KILLERS.
It would seem to be beyond redemption to have such a
perverted view of God when no one could have misssed the
point.
Thuo
I. Act., offer by burning
meat or drink to the gods (“to thuein dōreisthai esti tois theois” Pl.Euthphr.14c),
“theoisi de thusai anōgei Patroklon . . , ho d' en puri balle thuēlas” Il.9.219, cf.
Plat.
Euthyph. 14c For now, when you were close
upon it you turned aside; and if you had answered it, I
should already have obtained from you all the
instruction I need about holiness. But, as things
are, the questioner must follow the one questioned
wherever he leads. What do you say the holy, or holiness,
is? Do you not say that it is a kind of science of
sacrificing and praying?
Euthyphro
Yes.
Socrates
And sacrificing is making gifts to the gods
2. sacrifice, slay a victim, [tō hēliō th. hippous (v.l. hippoisi) ib. 216; “tauron” Pi.O.13.69;
“hautou paida” A.Ag.1417,
cf. S.El.532,
etc.; “hira” Hdt.1.59; “hiereia”
Aesch.
Ag. 1412 Clytaemestra
It's now that you would doom me to exile from the land, to
the hatred of my people and the execration of the public
voice; though then you had nothing to urge against him
that lies here. And yet he, [1415] valuing no more than if
it had been a beast that perished—though sheep
were plenty in his fleecy folds—he sacrificed his own
child, she whom I bore with dearest travail, to charm
the blasts of Thrace.
Is it not he whom you should have banished from
this land [1420] in requital for his polluting deed?
WHAT WAS THE GOD THEY SACRIFICED TO?
Hēlios ,
ho,
II. as pr. n.,
Helios, the sun-god,
Od.8.271,
etc.;
nē ton Hē.
Men.Sam.
108;
hupo Dia Gēn Hēlion, in
manumission-formula,
POxy.48.6,
49.8 (i A.D.),
IG9(1).412（Aetolia),
IPE2.54.10(iii A.D.); [“
Hēlios doulous eleutherous poiei”
Artem.2.36;
identified with
Apollo,
Carm.Pop.12,
E.Fr.781.11; with
Dionysus,
D.Chr.31.11, etc.
2. Hēliou astēr, of the planet Saturn,
[666]
HOW DO WE KNOW THAT?
Acts 7:40 Saying unto Aaron, Make us gods to go before
us: for as for this Moses, which brought us out of the
land of Egypt, we wot not what is become of him.
Acts 7:41 And they made a calf in those days,
and offered sacrifice
unto the idol,
and rejoiced in the works
of their own hands.
Euphrainō , Ep. euphr-, fut. Att.155.12, Pi.I.7(6).3
Pind.
I. 6 Just as we
mix the second bowl of wine when the men's
symposium is flourishing, here is the second
song of the Muses for Lampon's children
and their athletic victories: first in Nemea, Zeus, in
your honor they received the choicest of
garlands,
Pind.
I. 7 In which of the local
glories of the past, divinely blessed Thebe, did you most
delight your spirit? Was it when you raised to
eminence the one seated beside Demeter of the clashing
bronze cymbals, flowing-haired [5] Dionysus? Or when
you received, as a snow-shower of gold in the middle of
the night, the greatest of the gods, when he stood in the
doorway of Amphitryon, and then went in to the wife to
beget Heracles?
But since ancient grace
sleeps, and mortals are forgetful of whatever does not
reach the highest bloom of skillful song, joined
to glorious streams of words, [20] then begin the victory
procession with a sweet-singing hymn for Strepsiades;
Acts 7:42 Then God turned,
and gave them up
to worship the host of heaven;
as it is written in
the book of the prophets,
O ye house of Israel,
have ye offered to me slain beasts
and sacrifices by the
space of forty years in the wilderness?
BUT God had not
commanded sacrifices. But:
Acts 7:43 Yea, ye took up the tabernacle of Moloch,
and the star
of your god Remphan,
figures which ye made
to worship them:
and I will carry you
away beyond Babylon.
The Ghebers of Hebron 2 Hoaea,
xii. 4 derives the name Inracl from Sarah to contend, to
fight, and El = God of Fire. — Gen. xxxii. '28.
Asarians, Asriel, Israel, a name of the War god
{Exodus, xiii. 21, 22, xiv. 25), Saturn and the Sun.
The Fire-god Azar was the God of war, and M'irs was the
Sun. — Macrob. I. xvii. OS
But these fire-worshippers carried with them the
arks of Moloch and Khiun (Life-god), their Adon,
and they had, like the other peoples of the Delta, their Mysteries,
which the priests instituted. They took with them from Phoenicia,
probably, a certain knowledge of fixed vocal signs;
and it would not be safe to deny to Syria the possession
of some sort of (Syrian) hieroglyphs
Acts 7:44 Our fathers had the tabernacle of witness
in the wilderness,
as he
had appointed, speaking unto Moses,
that he should make it according to the fashion that he
had seen.
Acts 7:45 Which also our fathers that came after brought in
with Jesus into the possession of the Gentiles,
whom God drave out before the face of our fathers, unto the
days of David;
Acts 7:46 Who found favour before God,
and
desired to find a tabernacle for the God of Jacob.
Acts 7:47 BUT Solomon
built him an house.
Acts 7:48 Howbeit the most High dwelleth not in temples
made with hands; as saith the prophet,
WHO ARE THOSE WHO DESTROY?
Apollu_mi or apol-uō
A. “apōllun” A.Pers.652(lyr.),
S.El.1360,
“apōlluon” And.1.58:
II. to be lost, hudōr apolesket' (of the water
eluding Tantalus) Od.11.586; oupote karpos apollutai never falls
untimely, ib
John 10:11 I am the good shepherd: the good shepherd
giveth his life for the sheep.
John 10:12 But he that is an hireling, and not the
shepherd, whose own the sheep are not,
seeth the wolf
coming, and leaveth the sheep, and fleeth:
and the wolf catcheth
them, and scattereth the sheep.
John 10:13 The hireling fleeth, because he is an
hireling, and careth not for the sheep.
The sacrificial system--burning
goats with the Warrior's loud noise--was off-limits to
the godly people. Jacob in Genesis 49 outlaws
attending their assemblies and looks forward to the Messiah
to destroy the Levitical system recorded says Christ in the
prophets by "the lying pen of the Scribes." The same Scribes
Jesus calls hypocrites identified by Christ in Ezekiel 33 as
rhetoricians, singers and instrument players.
LYING
ABOUT GRACE IS PART OF THE PATTERNISM
God's Word is always
antithetical to the always pagan
instrumental pagans: The thesis is that Grace was "a
blue-eyed blond prostitute musician" in the Greek World. If
you asked someone where to find Grace they would point you
to a pagan "worship center." God the Father made Jesus of
Nazareth to be both Lord and Christ to tell you of better
things. Jesus grew up close to a theater and He knew
abouth those called Graces or Muses and had John tell us
that they performed as sorcerers (Rev 18) under the Babylon
mother of harlots (Rev 18). And tell you that sorcerers and
dogs (catamites) and liars will be--maybe have been--cast
while still alive into a lake of fire. The maggots or
parasites eating up the rotting and burning flesh at the
garbage dump are singers and players.
The antithesis is that
Grace is personified in Jesus of Nazareth as is the Word of
God. The Grace of god DENIES what these people are
promoting.
| Titus 2:11 For the [1]
grace of God that bringeth
salvation hath appeared to all men, |
John 1:14 And the Word was made flesh, and
dwelt among us, (and we beheld his glory, the glory as
of the only begotten of the Father,) full of grace
and truth. |
Titus 2:12
[2] Teaching us
that |
Acts 2:14 But Peter, standing up with the eleven,
lifted up his voice, and said unto them, Ye men of
Judaea, and all ye that dwell at Jerusalem, be this
known unto you, and hearken to my words: |
[3] denying
ungodliness and worldly lusts,
|
Acts 2:36 Therefore let all the house of Israel know
assuredly, that God hath made that same Jesus, whom
ye have crucified, both Lord and Christ. |
| [4] we should live
soberly, righteously, and godly, in this present world; |
Acts 2:37 Now when they heard this, they were pricked
in their heart, and said unto Peter and to the rest of
the apostles, Men and brethren, what shall we do? |
Titus 2:14
[5] Who gave
himself for us, |
Acts 2:38 Then Peter said unto
them Repent, |
[6] that he might redeem
us from all iniquity,
[Lawlesness]
Lutron redeem, Luo lavo , cleanse or
wash, bathe,
lave. louô, purify,
tina ek tôn hamartiôn
Col. 1:14 In
whom we have redemption through his
blood,
|
and be baptized every one of you
in the name of Jesus Christ
for the remission of sins,
Redemption or Remission happens
ONLY after BAPTISM
even the forgiveness
of sins: |
[7] and purify unto
himself a peculiar people,
zealous of good works. |
and ye shall receive the gift of A holy spirit
|
THOSE WHO FIGHT BAPTISM REJECT GRACE: THAT FORM OF DOCTRINE
(BAPTISM) IS A TUPOS WHICH MEANS INSTEAD OF. BAPTISM IS
SOMETHING YOU CAN OBEY INSTEAD OF DYING FOR YOUR OWN
SINS AND BE ETERNALLY LOST. THAT IS HOW PAUL DEFINES THE ONLY
GRACE YOU ARE GOING TO GET.
Jay Guin: “In 1 Corinthians,
Paul culminates his discussion on the Lord’s Supper, women’s
role in the assembly, and spiritual gifts by emphasizing the
supremacy of love (1 Corinthians 13) and
testing proposed activities in the assembly by asking, not
whether the activities are on a pre-approved list of ‘acts
of worship,’ but whether these actions build up,
encourage, and console the saints (1 Corinthians 14:3
ESV)” Jay Guin’s article “‘Thy Kingdom Come’ and the
Instrument” (New Wineskins, September – December 2010)
Paul does not say that ALL
things are to be done but ONLY those things which edify.
After silencing the private opinions in Romans 14 he
commanded "using one mind and one mouth" to teach "that
which is written for our learning" in romans 15.
Paul, like Jesus, only
speaks to those who love the truth: he always repudiates the
pagan worshipped marked by clanging brass and tinkling women.
Then, he defines SPEAKING and never singing.
P. Ovidius Naso, The Epistles of Ovid
Ov. Ep. Sapph. 4
Modesty is to be joined with love, as far as is possible
and convenient. Love commands me to write what I was ashamed
to speak. It is not safe to slight the commands of
Love; he reigns uncontrolled, and has power even
over the sovereign gods. He first commanded me, when full of
doubts and fears, to write; Write, said he; though
hard as steel, he will yield his captive hands. Be
present, Love; and, as you nourish in my bones a wasting
fire, fix also in his breast a dart that may soften it
towards me. Yet will I not by any crime stain my connubial
vows. My fame (search into it) you will find fair and
spotless. Love, the later it seizes us, rages the more. I
burn inwardly; I burn, and my breast feels the hidden woundAnd now (what you will
scarcely believe) my inclinations carry me after new and
unaccustomed delights. I long to assault with you the
savage breed; already the Delian goddess, distinguished by
the crooked bow, presides in my thoughts; your judgement
in this determines also mine. I am impatient to range the
woods, to pursue the stage into the toils, and cheer the
nimble hounds along the rocky cliffs; or lance the
trembling dart with a vigorous arm, and stretch my wearied
limbs on a grassy bank.
Oft I am pleased to
drive the nimble chariot involved in dust, and guide the
panting steeds with steady rein. Now wild, I rave as a Bacchanal when full of the
inspiring god,
or like those who on
the Idean hill urge with redoubled strokes the sounding brass; yea more wild than those
whom the Dryads half divine, and horned Satyrs, strike with terror and
amazement.
Gaius Valerius Catullus, Carmina
(ed. Leonard C. Smithers) 64
But on another part [of
the tapestry] swift hastened the flushed Iacchus with his
train of Satyrs and Nisa-begot Sileni, seeking you,
Ariadne, and aflame with love for you. ... These scattered
all around, an inspired band, rushed madly with mind all
distraught, ranting "Euhoe," with tossing of heads
"Euhoe." Some with womanish hands shook thyrsi with
wreath-covered points; some tossed limbs of a rended
steer; some girded themselves with writhed snakes; some
enacted obscure orgies with deep chests, orgies of which the profane
vainly crave a hearing;
others beat the tambours with outstretched
palms, or from the burnished brass provoked shrill tinklings, blew raucous-sounding
blasts from many horns, and the barbarous pipe
droned forth horrible song. With luxury of such
figures was the coverlet adorned, enwrapping the bed
with its mantling embrace
The only worship concept for
the synagogue or Church in the wilderness was to give heed to
the Word of Christ: if you listen to the pale horses of
rhetoricians or praise singers you in fact WORSHIP them and
because the eternal persona is of gender-confused this is
proof that the children and women (effeminate) Christ
prophesied about In Isaiah has come true.
Romans 15:1 We
then that are strong ought to bear the infirmities of the
weak,
and not to please
ourselves.
Romans 15:2 Let every one of us please his neighbour for his
good to edification.
Romans 15:3 For even Christ pleased not himself; but, as it
is written,
The reproaches of them
that reproached thee fell on me.
Romans 15:4 For whatsoever things were written aforetime
were written for our learning,
that we through
patience and comfort of the scriptures might
have hope.
Romans 15:5 Now the God of patience and consolation
grant you to be likeminded
one toward another according to Christ Jesus:
Romans 15:6 That ye may with one mind and one mouth
glorify God,
even the Father of our
Lord Jesus Christ.
Romans 15:7 Wherefore receive ye one another, as Christ
also received us to the glory of Go
1Pe.4:11
If any man speak,
...........
let
him speak as the oracles of God;
...........
if
any man minister,
...........
let
him do it as of the ability which God giveth:
...........
that
God
in all things may be glorified through Jesus Christ,
...........
to
whom be praise and dominion for ever and ever. Amen.
|
Cycle One
|
Cycle Two
|
| WE then that are strong ought to
bear the infirmities of the weak, and not to
please ourselves. Romans
|
And again he saith, Rejoice, ye
Gentiles, with his people. Romans
15:10 |
Romans
15:2 Let every one of us please his neighbour for
his good to edification.
For even Christ
pleased not himself; but,
as it is written, The reproaches of them that
reproached thee fell on me. Romans 15:3 |
And again, Praise the Lord, all ye
Gentiles; and laud him,
all ye people. Romans 15:11 |
| For whatsoever things were written aforetime were
written for our learning (teaching), that
we through patience and comfort of the scriptures
might have hope. Romans
15:4 |
And again, Esaias
saith, There shall be a root
of Jesse, and he that shall rise to reign
over the Gentiles; in him shall
the Gentiles trust. Romans
15:12 |
| Now the God of patience and consolation grant
you to be likeminded one
toward another according to Christ
Jesus: Romans 15:5 |
Now the God of hope fill you
(not with wine but) with all joy and peace in
believing, that ye may abound in hope, through the
power of the Holy Ghost. Romans
15:13 |
| That ye may with one
mind and one
mouth glorify (tell
of His works)
God, even the Father of our Lord Jesus Christ.
Romans 15:6 |
And I myself also am persuaded of
you, my brethren, that ye also are full
of goodness, filled
with all knowledge, able also to
admonish one another. Romans
15:14 |
| Now I say that Jesus Christ was a
minister (deacon) of the
circumcision for the truth of God,
to confirm the promises made
unto the fathers: Romans 15:8 |
Nevertheless, brethren, I have written the
more boldly unto you in some sort, as putting you in
mind, because of the grace that is
given to me of God. Romans
15:15 |
| And that the Gentiles might
glorify God for his
mercy; as it
is written, For this cause I will |
(2) that the offering (bloodless
sacrifice) up of the Gentiles might be acceptable,
being sanctified by the
Holy Ghost. Romans 15:16 |
| (1) confess to thee
among the Gentiles, and |
(1)
That I should be the minister of
Jesus Christ to the Gentiles, |
|
(2)
sing unto
thy name. Romans 15:9
This
is the way to let Jesus Christ "sing" to the
Gentiles.
|
ministering the gospel
of God, that the offering up of the Gentiles might
be acceptable, being sanctified by the Holy Ghost.
For I will not dare to speak of
any of those things which Christ hath not
wrought by me, to make the Gentiles obedient, by
word and deed. Rom 15:18
Through
mighty
signs and wonders, by the power of
the Spirit of God; so that from Jerusalem, and
round about unto Illyricum, I have fully preached the
gospel of Christ. Rom 15:19
|
Now, put
on your thinking cap again and see that the statement Paul
made to the Romans means what he said to the Ephesians and
Colossians
|
EPHESIANS
5:17-20KJV
|
COLOSSIANS
3:16-17
|
|
Wherefore be ye
not unwise, but understanding what the will
of the Lord is. Eph 5:17
And be not drunk with wine,
Allen:
For Plato as for the Christians, there was
another reason for disallowing instruments --
they stir up the emotions in excitement
Niceta is keen to claim that the songs of the
Church put out, rather than
excite, the passions Basil
contrasts psalms, fasting and prayer' with auloi,
dancing and drunkenness
Homily Psa 114
ĭn-ēbrĭo
Saturate, full of talk
|
|
kat-auleō
, A. charm by flute-playing,
methuōn kai katauloumenos
drinking wine to the strains of the
flute katauloumenon
subdued by a flute accompaniment,
metaph.,
to be piped down, ridiculed, “gelōmenoi kai -oumenoi” mētrōa melē” Metroos
the worship of Cybele, b.
Mētrōa, Mother
goddess: music played
in her honour, Mele Melos3.
melody of an instrument, “phormigx d' [mark of
Apollo] au phtheggoith' hieron m. ēde kai aulos”
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wherein is excess;
(Greek: vanity)
The results of being drunk on
wine
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luxŭrĭa
Of style: “in qua (oratione), ut
luxŭrĭo
, wanton, revel, sport,
skip, bound, frisk: Deliciis that
which allures, flatters the senses],
delight, pleasure, charm,
allurement; deliciousness,
luxuriousness, voluptuousness,
curiosities of art; ,
to make sport paizō
dance 4. play
on a musical instrument, h.Ap.206:
c. acc., “Pan ho kalamophthogga paizōn” Ar.Ra.230;
dance and sing, Pi. O.1.16.
saltātĭo,
David's naked dance.
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Paul always
defines away all of the hypocritic arts.
BUT, be filled with the Spirit; Eph
5:18
John
6:63b the words that I speak unto you,
they
are spirit, and they are life.
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Colossians 3:1 If ye then be
risen with Christ, seek those things which
are above, where Christ sitteth on the
right hand of God.
Colossians 3:5 Mortify
therefore your members which are upon
the earth; fornication, uncleanness,
inordinate affection, evil concupiscence,
and covetousness, which is idolatry:
Phĭlŏsŏphĭa,
doctores săpĭentĭa sermons, interpret, sects Cic.Off.2.2.5
Wisdom, = sophia
|
Sophia
, A. cleverness or skill
in handicraft and art, in music and
singing, poetry, divination
interprĕtor
, ātus (in tmesi interpres, to explain,
expound, interpret,
give expression to, translate;
to understand, conclude, infer.
A. To decide, determine
12, 29:
“haec ex Graeco carmine interpretata recitavit,”
Liv.
23, 11, 4; 45, 29,
3.
Carmen,
I. In gen., a tune, song,
air, lay, strain, note,
sound, both vocal and instrumental“barbaricum,”
id. M.
11, 163.—With
allusion to playing on the cithara
|
Rom 8[13] For if you live after the flesh, you
must die; but if by the Spirit you put to
death the deeds of the body, you will
live.
|
Pathos emotion,
to create passion, drama
MY experiences Sophia
cleverness or skill
in handicraft and art, in music
and singing, tekhnē kai s, poetry,
in divination pleonexia assumption,
one's own advantage. Financial
gain |
Colossians
3:10 And have put on the new man,
which is renewed in
knowledge
after the image of him that
created him:
Colossians
3:16 Let the word of Christ dwell
in you richly in all wisdom;
|
|
Speaking to
yourselves
in psalms and hymns
and spiritual
songs, [Scripture]
|
teaching and admonishing one
another
in psalms and hymns
and spiritual
songs, [Scripture] |
|
singing and making melody
in your heart to
the Lord; |
singing with grace
in your hearts to
the Lord. |
|
always giving thanks
to God the Father
for everything,
in the name of our Lord
Jesus Christ.
|
And whatsoever ye
do in word or
deed, do all
In the name of the Lord
Jesus,
giving thanks to God and
the Father by him.
|
Jay Guin: “Those who use 1
Corinthians 14 in their anti-instrumental polemics
never approach the question asking the same questions Paul
asks: does the instrument help build up, encourage,
or console the saints or draw unbelievers toward
worship? If so, they are approved. That’s Paul’s
reasoning.” Jay Guin’s article “‘Thy Kingdom
Come’ and the Instrument” (New Wineskins, September –
December 2010)
The unique "worship" concept used by
Paul is to "give attendance to the
The musical invaders boast about making
"worship wars." The Levite "patternism" was under the
King and Commanders of the army: they engaged in polemêïaerga,
Organon , to, ( [ergon, erdô] ) I. an implement, instrument,
engine of any kind (mostly post-Aug.), Col. 3, 13,
12.--Of military or architectonic engines (whereas
machina denotes one of a larger size and more complicated
construction)
A. instrument, implement, tool, for making
or doing a thing
2.organ of sense or apprehension, theaomai, gaze at, behold,
mostly with a sense of wonder, 3.view as
spectators, esp. in the theatre
3.musical instrument,
Simon.31, f.l. in A.Fr.57.1 ; homen di' organôn ekêlei anthrôpous, of Marsyas, Pl.Smp.215c
; aneuorganôn psiloisl ogois ibid., cf. Plt.268b
; o. poluchordaId.R.399c
, al.; met'ôidês kai tinôn organôn Phld.Mus.p.98K. ; of
the pipe, Melanipp.2, Telest.1.2
Ergon [Ergô] I.work, 1.
in Il. mostly of deeds of war, polemêïaerga, 3.a hard piece of
work, a hard task, Il.: also, a shocking deed
or act,
Polemeios:
warlike, aoida war-note, of the
trumpet, B.17.4
aoid-ê 5. =
eppsdê, spell, incantation
THE MUSICAL WORSHIP MINISTER AS THE polemêïa erga,
•Assist in the
planning and preparation for Sunday evening worship services
a) Act as a
support to the Director of Sunday Evening Worship
b) Attend weekly “Worship
Staff” meeting (Tuesdays at 10:00am)
c) Attend weekly “Worship
Coordination” meeting (Tuesdays from
11:30am-12pm)
d) Take administrative
responsibility for the weekly production of the
PM Order of Worship
e) Participate
musically in services as needed
•Assist in the
coordination of special services, including Christmas Eve,
Maundy Thursday, and Easter
a) Coordinate
rehearsals, including room reservations
b) Coordinate
childcare, including room reservations
c) Coordinate catering/meals
d) Assist with the preparation
of music (copying, preparing folders, etc)
•Serve as a liaison to
the Sunday evening worship participants
a)
Communicate with Sunday evening instrumentalist,
vocalist and pastoral participants
b) Catering: Arrange
for a between service meal for all service participants
c) Visual tech:
-Prepare the MediaShout
presentation and coordinate with the visual
tech worker
-Assist in the procurement of visual images
•Supervise music library
a) Pull and re-file instrumental and vocal music
weekly
b) Prepare lead sheets, melody sheets, and
chord charts as needed
c) Be proficient in using www.ccli.com as a resource
•Assume directorial duties in the absence of
Director of Sunday Evening Worship
a) Communicate with the preaching pastor and create Order
of Worship
b) Run rehearsals and lead worship on Sunday
evening
Qualifications:
•A clear and unreserved commitment to Jesus Christ as Lord
and Savior
•Understanding of the difference between worship and
performance
•Exhibit excellent leadership, organizational, and
communication skills
•Competence and training musically; ability to read music
is required
•Experience in leading worship
•Fundamental commitment to building community and working
well with both large and small groups of people
•Bachelor’s degree required, music degree preferred
THOUGH I speak with the tongues of men and of angels, and have
not charity, I am become as sounding , or a tinkling cymbal. 1 Corinthians 13:1
Jesus said that the
Kingdom of God is WITHIN US where we think as Disciples
are commanded to do: the kingdom does not come with
OBSERVATION which means with "religious observations" or
so-called "worship services.
Paul was speaking to the literate people
of the time and the sounding brass and tinkling cymbals are
marks of the theater or of witchcraft. Here are
something you should read:
A further peculiarity of
Dodona was the "bronze," a large gong set
vibrating at every breeze by a scourge held in the hand of a figure
standing over it;
the persistent ringing passed into a Greek
proverbial phrase--Khalkos Dodones ("Brass of Dodona")-- for a continuous talker who has
nothing to say. Britannica Members
"A famous oracle in Epi'ros, and the most
ancient of Greece. It was dedicated to Zeus (Jupiter), and situate in
the village of Dodna.
The tale is, that
Jupiter presented his daughter Theb with two black pigeons which had the gift of
human speech. Lemprière tells us that the Greek word
peleiai (pigeons) means, in the dialect of the Eprots, old women; so that the two black doves
with human voice were two black or African women. One went to Libya, in
Africa, and founded the oracle of Jupiter Ammon; the other went to Eprus and
founded the oracle of Dodna. We are also told that
plates of brass were suspended on the oak trees of Dodona,
which being struck by thongs when the wind blew, gave various sounds from
which the responses were concocted. It appears that this
suggested to the Greeks the phrase Kalkos Dod ns (brass of Dodona), meaning a babbler, or one who talks an
infinite deal of nothing. Bartleby
P. Ovidius Naso, The Epistles of
Ovid
And now (what you will
scarcely believe) my inclinations carry me after new and
unaccustomed delights. I long to assault with you the
savage breed; already the Delian goddess, distinguished by
the crooked bow, presides in my thoughts; your judgement
in this determines also mine. I am impatient to range the
woods, to pursue the stage into the toils, and cheer the
nimble hounds along the rocky cliffs; or lance the
trembling dart with a vigorous arm, and stretch my wearied
limbs on a grassy bank.
Oft I am pleased to
drive the nimble chariot involved in dust, and guide the
panting steeds with steady rein. Now wild, I rave as a Bacchanal when full of the
inspiring god,
or like those who on
the Idean hill urge with redoubled strokes the sounding brass; yea more wild than those
whom the Dryads half divine, and horned Satyrs, strike with terror and
amazement.
Gaius Valerius Catullus, Carmina
(ed. Leonard C. Smithers)
But on another part [of
the tapestry] swift hastened the flushed Iacchus with his
train of Satyrs and Nisa-begot Sileni,
seeking you, Ariadne, and aflame with love for you. ...
These scattered all around, an inspired band, rushed madly
with mind all distraught, ranting "Euhoe," with tossing of
heads "Euhoe." Some with womanish hands shook thyrsi with
wreath-covered points; some tossed limbs of a rended
steer; some girded themselves with writhed snakes; some
enacted obscure orgies with deep chests, orgies of which the profane
vainly crave a hearing;
others beat the tambours with outstretched palms,
or from the burnished brass provoked shrill tinklings, blew raucous-sounding
blasts from many horns, and the barbarous pipe
droned forth horrible song. With luxury of such
figures was the coverlet adorned, enwrapping the bed
with its mantling embrace.
Tertullian (b155-d220) in Carthage where Molech
worship probably originated and ended up in Jerusalem.
We see,
therefore, that the arts also are consecrated to the service of the beings who dwell in the names of their founders; and that things cannot be
held free from the taint of idolatry whose inventors have
got a place among the gods for their discoveries.
Nay, as
regards the arts, we
ought to have gone further back,
and barred all further argument
by the position
that the
demons,
predetermining
in their own interests from
the first, among other evils of idolatry,
the pollutions of the public shows,
with the object of drawing man
away from his Lord
and
binding him to
their own service,
carried out their purpose
by bestowing on him the
artistic gifts which the shows require.
For none but themselves would
have made provision and preparation for the objects they
had in view;
nor would
they have given the arts to the
world by any but those in whose names, and images,
and
histories they set up for their own ends the artifice of consecration.
Paul in Romans warned
Rom.
13:12
The night is far spent, the day is at hand:
let
us
therefore
cast off the works of darkness,
and
let
us
put on the armour of light.
Rom.
13:13 Let us walk honestly [decorous], as in the day;
not
in
rioting and drunkenness, not in chambering and
wantonness, not in strife and envying.
Rom.
13:14 But put ye on the Lord Jesus Christ,
and
make not provision for the flesh, to fulfil the lusts
thereof.
Music is provided ONLY for the
flesh. Here is a picture of the Komos or rioting
h2979. The Judas bag was "for carrying the
mouthpieces of wind instruments." Here is a picture.
Jay Guin: “They are
edified and built up in their faith by such
instrumental accompaniment.” Al Maxey’s article “Reflective
or Regulative?” (New Wineskins, September – December 2010)
The word "edified" in these
passages mean EDUCATE: the commanded resource is 'that
which is written for our learning." Most people cannot
be edified by "instrumental accompaniment" when they are
commaned to SPEAK using one mind and one mouth.
WHAT PAUL OUTLAWED: doubtful disputations consists of
any private opinion which has no place in the church or
synagogue where the patternism was and is;
That was by direct
command of Christ for the Holy Convocation to which the godly
were called.
Acts 15:21 For
Moses of old time
hath in every city
them that preach
him,
being read in
the synagogues every sabbath day.
Rom. 14:1 Him that is weak in the faith
receive ye, but not to doubtful disputations.
“Disputing” implies a questioning
mind and suggests an arrogant attitude by those
who assume they’re always right. Arguing with others in
the body of Christ is disruptive. That’s why Paul spent
the first part of chapter 2 on humility.
To dwell above, with saints we
love, that will be grace and glory
But to live below with saints we know, now that’s a
different story!
Dialogismos is used 11
times in the
Septuagint (LXX) (Ps
40:5, 56:5, 92:5, 94:11, 139:2, 139:20, 146:4, Isa 59:7,
Jer 4:14, Lam 3:60-61) Dialogismos often means the perverse,
vain thinking which contemplates destruction (Ps.
94:11), and is turned against God (Jer. 4:14; Isa. 59:7)
and against the godly (Ps. 56:5).
Commenting on Phil
2:14, MacArthur notes that dialogismos...
"soon developed the more specific
ideas of questioning, doubting, or disputing
the truth of a matter. In Romans 14:1, the
word is used of passing judgment on another believer’s
opinions and in 1 Timothy 2:8 it is rendered
“dissension.” Whereas grumbling is essentially emotional,
disputing is essentially intellectual. A person who
continues to murmur and grumble against God
will eventually argue and dispute with Him. (MacArthur, J. Philippians. Chicago:
Moody Press)
