NACC Transitioning Jeff Walling from Traditional to Contemporary "worship"

12.14.20  

Rom. 2:21 Thou therefore which teachest another, teachest thou not thyself? thou that preachest a man should not steal, dost thou steal?
Rom. 2:22 Thou that sayest a man should not commit adultery, dost thou commit adultery? thou that abhorrest idols, dost thou commit sacrilege? Rob Temples

Billy Bob TRANSITIONS my best hunting dog.  Sheriff tells Billy Bob that Ken would be happy if His hunting dog shows up in his pen tonight. 

When you TRANSITION a church or Rob a Synagogue of Christ (School only) to YOURSELF so  you can perform, Revelation 18 calls them SORCERERS. God TRANSITIONS Sorceriers and those who LIE about His Word INTO A LAKE OF FIRE.
Musical Instrument MARK
Abomination, Witchcraft, the BEASTS, Demon worship, Viper worship, Sorcery, Charming, Soothsaying,  enchantment, harlots, beguilers, serpents, vipers, Serpo, Herpo, inducing wine-drinking, Cunning Craftsmen or Sophists, Rhetoricians, Dogs or Catamites, magic, Voodoo in primitive America, Melodies to deceive, Deceiver, Techne. religious craftsmen, Lucifer,  Locusts, Apollyon, Levi-Leviathan

Isa30LXX.html

The Israelites rose up in PLAY or musical idolatry at Mount Sinai: the trinity was Osiris, Isis and Hathor:  The Priests were:

-Gallus , i, m., = Gallos Strab., 2. (Acc. to II. A., of or belonging to the priests of Cybele; hence, transf.) Of or belonging to the priests of Isis, Gallic: “turma,” the troop of the priests of Isis, Ov. Am. 2, 13, 18.

-turma  “Iliae,” id. C. S. 38: cristatae exercitus. Claud. III. Cons. Hon. 133; id. in Ruf. 2, 343: “Alexan dri,” Plin. 34, 8, 19, § 64: “feminea,” Ov. P. 4, 10, 51: “Gallica,” i. e. of priests of Isis, id. Am. 2, 13, 18.

-Fēmĭnĕus , a, um, adj. id., II. Transf., with an accessory notion of contempt, womanish, effeminate, unmanly: vox, Quint, 1, 11, 1; cf. Ov. A. A. 3, 286: “pectus,” Ov. M. 13, 693: “amor praedae,” Verg. A. 11, 782: “lunae femineum et molle sidus,” Plin. 2, 101, 104, § 223.

God made them into a LAUGHINGSTOCK at Mount Sinai and at an apostate religious enterprise near you.

Jude 3 Beloved, when I gave all diligence to write unto you of the common salvation,
        it was needful for me to write unto you,
        and exhort you that ye should earnestly contend
        for the faith [THE WORD] which was once delivered unto the saints.

Jude uses the PATTERN of the Instrumental-Trinitarian-Perverted PLAY (See Romans 1) to warn of those FOREORDAINED to repeat the same idolatry.

Jude 4 For there are certain men CREPT [really creepy] in unawares,
        who were before of old ordained to this condemnation,
        ungodly men, turning the grace of our God into lasciviousness, [(oratione)
        http://pineycom.com/Romans.1.html
and denying the only Lord God, AND our Lord Jesus Christ. Trinitarians]

Jude 5 I will therefore put you in remembrance,
        though ye once knew this, how that the Lord,
        having saved the people out of the land of Egypt,
        afterward destroyed them that believed not.
Jude 6 And the angels which kept not their first estate,
        but left their own habitation,
        he hath reserved in everlasting chains under darkness unto the judgment of the great day.
Jude 7 Even as Sodom and Gomorrha, and the cities about them in like manner,
        giving themselves over to fornication, and going after strange flesh, [literal or persona]
        are set forth for an example [pattern], suffering the vengeance of eternal fire.

"Now, many a man from the false religions, which are not ashamed of criticising what is noble, will ask: how can there be a feast without carousing and overeating, without the pleasant company of hosts and guests, without quantities of unmixed wine, without richly set tables and highly stacked provisions of everything that pertains to a banquet, without pageantry and jokes, bantering and merry-making to the accompaniment of flutes and citharas, the sound of drums and cymbals and other effeminate and frivolous music of every king, enkindling unbridled lusts with the help of the sense of hearing. For in and through the same [pleasures] those persons openly seek their joy, for what true joy is their they do not know. THE A CAPPELLA WORSHIP LEADER: THE GOAT SINGERS OR CASTRATOS. Worship.Androgyny.The.Pagan.Sexual.Ideal.html ANDROGYNOS (Hermaphrodite): By: Moses Gaster In all the parallel passages in the Talmud, the opinion of Samuel b. Naḥman alone prevails, for we find regularly Adam (bifrons, double-fronted), as, for example: 'Er. 18a, Ber. 61a, etc. (Jastrow, "Dict." s.v., p. 304, 1).  The opinion expressed by Jeremiah is, however, very old and wide-spread, for we find the fathers of the Christian Church at pains to refute this "Jewish fable  "The papacy also continued the practice of creating castratos (boys castrated before puberty to keep their singing voices high-pitched) for their own entertainment, long after it had fallen in disfavor throughout Italy." "How can we hear their music today, since we have no more castratos to listen to? Well, during the current renaissance in Baroque music, some castrato roles have been carefully recreated by counter-tenors also known as male altos or sopranos. Other musicial parts are sung by women who use a natural alto or soprano range, but adopt a style which attempts to make the music sound appropriately 'masculine', at least for male roles

"Philodemus considered it paradoxical that music should be regarded as veneration of the gods while musicians were paid for performing this so-called veneration. Again, Philodemus held as self deceptive the view that music mediated religious ecstasy. He saw the entire condition induced by the noise of cymbals and tambourines as a disturbance of the spirit. He found it significant that, on the whole, only women and effeminate men fell into this folly. Accordingly, nothing of value could be attributed to music; it was no more than a slave of the sensation of pleasure, which satisfied much in the same way that food and drink did. In the Gnostic world musical worship teams would mean that Zoe or Sophia-Zoe or Eve-Zoe as the Lucifer figure had replaced the Word. Zoe is identified as the Beast. "An androgynous human being was produced, whom the Greeks call Hermaphrodites; and whose mother the Hebrews call Eve of Life (Eve-Zoe), namely, the female instructor of life. "Her offspring is the creature that is lord. Afterwards, the authorities called it "Beast", so that it might lead astray their modeled creatures.

Why Godly DISCIPLES flee the MARK of vocal or instrumental REJOICING which was outlawed (Numbers 10) when the ASSEMBLY was called.

Debbie Boggs Max Lucado uses the Greek Psallo to contradict Our Lord God, Scripture and common knowledge.

http://www.pineycom.com/Debbie.Boggs.Psallo.Instrumental.Music.in.Worship.html

A Theology Degree from ACU, by the mandate of Jesus, learn, practice and destroy as agents of Apollo as the head of the Babylonian gods has the number of 666.  Apollo worship was brought by the Hebrews into the Wilderness and rose up to PLAY musical instruments and with one another. This was a sin beyond redemption. No "scholar" knows or needs to know how to read BLACK text on BROWN paper.  Jude says of those who go beyond the ONCE delivered faith repeat the Mount Sinai Instrumental-Trinitarian-Perverted idolatry.  Jude says that they were-are FORE ORDAINED.

Ephesians 5 commands SPEAKING and in Romans 15 "using one mind and one mouth" to "speak that which is written for our LEARNING.  There is no evidence that people who Sow Discord and steal the churches of widows HAVE or evne NEED to understand what they so savagely teach with the command authority of WOLVES.  Paul would have understood that the "psalms" or Mizmors in the Book of Psalms are 50 used by their private devotion but never in a Worship Assembly.  Furthermore, both ODE and PSALLO  are silenced.  All "singing" or "names" of instruments are the Carnal Weapons of Sorcerers or Witches.

Ov. Met. 11.146
When Pan had doone, the sacred Tmole to Phebus turnd his looke,
And with the turning of his head his busshye heare he shooke.
Then Phebus [Apollineos] with a crowne of Bay uppon his golden heare
Did sweepe the ground with scarlet robe. In left hand he did beare
His VIOL made of precious stones [ gemma] and Ivorye intermixt.

Ăpollĭnĕus , a, um, adj. id.,

I.relating or belonging to Apollo (only poet.): “urbs,” i. e. Delos, where Apollo was born and specially honored, Ov. M. 13, 631: “proles,” i. e. Æsculapius, id. ib. 15, 533: “mater,” i. e. Latona, Stat. Th. 11, 12: “vates,” i. e. Orpheus, Ov. M. 11, 8: ars, both the art of soothsaying, id. Ib. 264, and that of healing, id. Tr. 3, 3, 10: “cantus,” id. M. 11, 155 et saep.

gemma “multas in digitis, plures in carmine gemmas Invenies,” Mart. 5, 11, 3:

My friend Stella, Severus, wears on his fingers sardonyxes, emeralds, diamonds, jaspers. Though there are many gems on his fingers, there are more in his verses, whence, I conclude, his hand is so decorated.  ³ See Ep. 8.

carmen , “also versus, numeri, modi): carmen tuba ista peregit ( = sonus),” Enn. Ann. 508 Vahl.: “carmine vocali clarus citharāque Philammon,” Ov. M. 11, 317; cf. “vocum,” id. ib. 12, 157: “per me (sc. Apollinem) concordant carmina nervis
5. A magic formula, an incantation:  incantamenta carminum, “Carminibus Circe socios mutavit Ulixi

http://www.pineycom.com/Isa30LXX.html
Is. 30:32 And in every place where the grounded staff shall pass,
        which the Lord shall lay upon him,
        it shall be with tabrets and harps: and in battles of shaking will he fight with it.

Ezek. 28:13 Thou hast been in Eden the garden of God;
        every precious stone was thy covering, the sardius, topaz,
        and the diamond, the beryl, the onyx, and the jasper, the sapphire,
        the emerald, and the carbuncle, and gold:
        the workmanship of thy tabrets and of thy pipes
        was prepared in thee in the day that thou wast created. [Cast as Profane]

Ovid: And in his right hand for to strike,
        his bowe was redy fixt.
He was the verrye paterne of a good Musician ryght
Anon he gan with conning hand
        the tuned strings to smyght.

plectrum   The PSALLO foundation of the musicators OUTLAWS the plectrum.  It only permits striking a bow or lyre string with the FINGERS.

artĭfex  artificibus eos auloedos esse, qui citharoedi   artifices scaenici,
A maker, originator, author, contriver: Also for a sly, cunning contriver, inventor of a thing (cf

căno   [cf. kanassō, kanakhē, konabos; clanging bronze  to utter melodious notes, to sing, sound, play. A. Of men: “si absurde canat, “tibia canentum   “harundine,    [flute]  “cithara,”

Ovid: The sweetenesse of the which did so the judge of them delyght,
That Pan was willed for to put his Reedepype in his cace,
And not to fiddle nor to sing where viols were in place.

pello , 4. Of a musical instrument, to strike the chords, play: “nervi pulsi,” struck, Cic. Brut. 54, 199: “lyra pulsa manu,” Ov. M. 10, 205;
1. To drive out or away, to banish, expel: Phoebeā morbos arte, 
2. To beat, conquer, overcome
morbus  B. Grief, sorrow, distress:  “nomen insaniae significat mentis

4. Of a musical instrument, to strike the chords, play: “nervi pulsi,” struck, Cic. Brut. 54, 199: “lyra pulsa manu,” Ov. M. 10, 205; cf.: “classica pulsa,” i. e. blown,

NO LAW OF GIVINGONE EXAMPLE OF THE UNIVERSAL MARK OF ANY MUSICAL SOUNDS WHICH MARK SORCERERS

Plato, Euthydemus [289d] On what proof do you rely? I asked.

I see, he said, certain speech-writers who do not know how to use the special arguments composed by themselves, just as lyre-makers in regard to their lyres: in the former case also there are other persons able to use what the makers produced, while being themselves unable to make the written speech. Hence it is clear that in speech likewise there are two distinct arts, one of making and one of using.

I think you give sufficient proof, I said, that this art of the speech-writers cannot be that whose acquisition would make one happy. And yet I fancied that somewhere about this point would appear the knowledge which we have been seeking all this while.

[289e] For not only do these speech-writers themselves, when I am in their company, impress me as prodigiously clever, Cleinias, but their art itself seems so exalted as to be almost inspired. However, this is not surprising; for it is a part of the SORCERER'S art, epōdōn tekhnēs

Latin 289e:
kai mentoi ouden thaumaston: esti gar tēs tōn epōdōn tekhnēs morion mikrō te ekeinēs hupodeestera.

Thaumaston Is a Lying wonder which claims that your rituals are ordained by God.

-epōdē , Ion. and poet. epa^oidē , hē, A.song sung to or over: hence, enchantment, spell, LADEN BURDEN
ou pros iatrou sophou thrēnein epōdas pros tomōnti pēmati
of the Magi, Hdt.1.132
  oute pharmaka..oud' au epōdai” Pl.R. 426b ; thusiai kai e. ib.364b ;
charm for or against.., “toutōn epōdas ouk epoiēsen patēr” A.Eu.649.

Rev. 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee;
Rev. 18:23 And the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived.

epōd-os , on, （epadō）

A.singing to or over, using songs or charms to heal wounds, “epōdoi muthoi”

b. Subst., enchanter, “e. kai goēs” E.Hipp. 1038 (but “goēs e.” Ba.234): c. gen., a charm for or against, “ethusen hautou paida epōdon Thrēkiōn aēmatōn” A.Ag.1418 ; e. tōn toioutōn one to charm away such fears, Pl.Phd.78a.

c. c. dat., assisting, profitable, 2. Pass., sung to music, “phōnai” Plu.2.622d ; fit for singing, “poiētikēn e. parekhein
2. epōdos, ho, verse or passage returning at intervals, in Alcaics and Sapphics, D.H.Comp.19 ; chorus, BURDED, refrain,

Pl.Lg.903b    Athenian
Let us persuade the young man by our discourse that all things are ordered systematically by Him who cares for the World—all with a view to the preservation and excellence of the Whole, whereof also each part, so far as it can, does and suffers what is proper to it. To each of these parts, down to the smallest fraction, rulers of their action and passion are appointed to bring about fulfillment even to the uttermost

Plat. Euthyd. 290a and only slightly inferior to that. The sorcerer's art is the charming of snakes and tarantulas and scorpions and other beasts and diseases, while the other is just the charming and soothing of juries, assemblies [Ekklesia or church], crowds, and so forth. Or does it strike you differently? I asked.

No, it appears to me, he replied, to be as you say.

kēl-ēsis , eōs, hē, *A.  bewitching, charming, ekheōn, nosōn, Pl.Euthd. 290a: enchantment by eloquence, dikastōn k. te kai paramuthia ibid.; by music and sweet sounds, Id.R.601b, Stoic.3.97.

Plat. Rep. 601b whether he speak in rhythm, meter [melos] and harmony [rhuthmon]  about cobbling or generalship or anything whatever. So mighty is the spell¹ that these adornments naturally exercise; though when they are stripped bare of their musical coloring [metron] and taken by themselves,² I think you know what sort of a showing these sayings of the poets make. For you, I believe, have observed them.” “I have,” he said. “Do they not,” said I, “resemble the faces of adolescents, young but not really beautiful, when the bloom of youth abandons them?³” “By all means,” he said. “Come, then,” said I, “consider this point: The creator of the phantom, the imitator, we say, knows nothing of the reality but only the appearance.

hōraios , fruits ripe for plucking or rippe for death.

The Word or Logos is God's Creative. and Regulative Principle.  All of O. E.Payne's PLUCKING passage MARKS the effeminate or perverted.  Rarely performed by Mals.

Plut. Per. 1 You may use your time for MUSIC or LEARNING
Nay, many times, on the contrary, while we delight in the work, we despise the workman, as, for instance, in the case of perfumes and dyes; we take a delight in them, but dyers and perfumers we regard as illiberal and vulgar folk. [5] Therefore it was a fine saying of Antisthenes, when he heard that Ismenias was an excellent piper: ‘But he's a worthless man,’ said he, ‘otherwise he wouldn't be so good a piper.’ And so Philip² once said to his son, who, as the wine went round, plucked the strings charmingly and skilfully, ‘Art not ashamed to pluck the strings so well?’ It is enough, surely, if a king have leisure to hear others pluck the strings, and he pays great deference to the Muses if he be but a spectator of such contests.

PLUTARCH ALEXANDER
Thus the despot Dionysius,¹ as the story goes, while listening to a celebrated harper, engaged to give him a talent.² Next day, when the man asked for the fulfilment of the promise, Dionysius said, ‘Yesterday I was delighted with your performance, and during the time that you were singing I also delighted you with hopes ! The result is that at that very time you were receiving full pay for the pleasure you gave by having your pleasure too!’ Alexander,³ the tyrant of Pherae (this last should be his only appellation ; he should not be permitted to disgrace the name of Alexander), as he watched a tragic actor, felt himself much moved to pity through enjoyment of the acting. He jumped up, therefore, and left the theatre at a rapid pace

Plut. Per. 1 [2] Since, then, our souls are by nature possessed of great fondness for learning and fondness for seeing, it is surely reasonable to chide those who abuse this fondness on objects all unworthy either of their eyes or ears, to the neglect of those which are good and serviceable.
        Our outward sense, since it apprehends the objects which encounter it by virtue of their mere impact upon it, must the exercise of his mind every man, if he pleases, has the natural power to turn himself away in every case, and to change, without the least difficulty, [3] to that object upon which he himself determines. It is meet, therefore, that he pursue what is best, to the end that he may not merely regard it, but also be edified by regarding it. 
        In other cases, admiration of the deed is not immediately accompanied by an impulse to do it.
        Nay, many times, on the contrary,
        while we delight in the work,
       we despise the workman, as, for instance, in the case of perfumes and dyes;
        we take a delight in them, but dyers and perfumers we regard as illiberal and vulgar folk.
[5] Therefore it was a fine saying of Antisthenes,
        when he heard that Ismenias was an excellent piper: ‘
        But he's a worthless man,’ said he, ‘otherwise he wouldn't be so good a piper.’
And so Philip once said to his son, who, as the wine went round,
        plucked the strings charmingly and skilfully, ‘
        Art not ashamed to pluck the strings so well?’
         It is enough, surely, if a king have leisure to hear others pluck the strings,
         and he pays great deference to the Muses if he be but a spectator of such contests.
Plut. Per. 2 Labour with one's own hands on lowly tasks gives witness,
        in the toil thus expended on useless things,
        to one's own indifference to higher things.

2 Philip of Macedon, to Alexander.
Plut. Per. 1 [2] LATIN 4

ha kai zēlon tina kai prothumian agōgon eis mimēsin empoiei tois historēsasin:¹ epei tōn g' allōn ouk euthus akolouthei tō thaumasai to prakhthen hormē pros to praxai: pollakis de kai tounantion khairontes tō ergō tou dēmiourgou kataphronoumen, hōs epi tōn murōn kai tōn halourgōn toutois men hēdometha, tous de bapheis kai murepsous aneleutherous hēgoumetha kai banausous. 5 dio kalōs men Antisthenēs akousas hoti spoudaios estin aulētēs Ismēnias, ‘all' anthrōpos,’ ephē, ‘mokhthēros: ou gar an houtō spoudaios ēn aulētēs:’ ho de Philippos pros ton huion epiterpōs en tini potō psēlanta kai tekhnikōs eipen: ‘ouk aiskhunē kalōs houtō psallōn;’ arkei gar, an basileus akroasthai psallontōn skholazē, kai polu nemei tais Mousais heterōn agōnizomenōn ta toiauta theatēs gignomenos.

Neither Christian Church members not Churches of Christ are represented by institutions or wannabe institutions trying to speak where the Bible repudiates. For instance all of my retired life has witnessed the word SECTARIAN as a "IMAGE" to lie, cheat and steal congregations. Godly Bible Disciples could never do that.  Scripture specificially marks those who were OF OLD and predestined to reject the LOGOS or Regulative Principle:

The Bad News for the "Progressive" Inclusives: 2Pet. 2:1 But there were false prophets also among the people,         even as there shall be false teachers among you,         who privily shall bring in damnable heresies,          even denying the Lord that bought them,         and bring upon themselves swift destruction. Paul outlawed self pleasure: Areskos or Placeo including all performing arts Jesus called hypocrites: speakers for hire (hirelings), singers or instrument players. They are the MARK of people who do not intend to speak "that which is written for our learning" and people who do not intend to obey the Word, Logos or Regulative Principle. WHAT IS A HERETIC OR SECTARIAN? Doctors of the law, says Jesus "take away the key to knowledge" and "music means to make the lambs dumb before the slaughter." It certainly seems to work among the Latest Spawn of Doctors of the Law who lack reading ability and minimal ethics: selling learning at retail is corrupting the Word because God will not let His Word be sold: the same word defines prostitutes and fish mongers. Who infiltrated and intends to lie, cheat and steal your property and flock? No one can find anything so vile and blasphemous in the historic church commanded not to engage in "vocal or instrumental rejoicing or self-speak" when the church (ekklesia) assembled (synagogued) to Rest (school), read and rehearse the Word of God. That is the ONE PIECE PATTERN because the Lord's Supper is a teaching activity which SHOULD cause men and women to sit down and be silent. Pareis-agō  lead in by one's side, bring forward, introduce, of persons brought into a public assembly, 2. with a notion of secrecy, p. tous Galatas eis Eruka introduce, admit them into the city, Plb.2.7.8, cf. 1.18.3. introduce into a poem or narrative, “kindunous” [Catamite] introduce doctrines, customs, “haireseis” 2 Ep.Pet. 2.1 :—Pass., “mousikēn pareisēkhthai tois anthrōpois Heresy as Ariskos in Romans 15 means to plot to "Choose other people's property for your own." Doest thous Rob Temples? Go to it: Scripture says that strong delusions or religious performances claimed to be from or for God is the result of STRONG DELUSIONS. The REST Jesus giveth and the progressives Taketh away. How to MARK the Sectarian who infiltrates and diverts your congregation: pauō  bring to an end, stop or silence by death, take one's rest, cease, have done, of one singing or speaking. , take one's rest, “eni klisiē” Il.24.17, cf. Hdt.9.52, etc.; cease, have done, Il.8.295, Od.4.103, etc.; of one singing or speaking, 17.359, Hdt.7.8.d “pausai pharmakopōlōn” [Sorcery Reve 18:23] hinder, keep back, or give one rest, from a thing, p  thamurin [Lying Wonders] aoidēs, tōn epithumiōn” [Lust] rest or cease from a thing klaggēs  [clanging brass] pres. part., stop a person from leave off doing . . , hoth' hupnos heloi, pausaito te nēpiakheuōn when he stopped playing, Il.22.502, cf. A.Pr.615, Ag.1047, Hdt.1.133 Rick Atchley was the first one to boast that "we took our youth to hear the best "christian bands" (an oxymoron]: we taught our youth to LEAVE OUR MOVEMENT." As a Purpose Driven Sectarians or Heretics they are INTENTIONAL DRIVEN (predestined says the text from old) in a frantic sense proven to because 'the devil knows that his KAIROS is short." Kairos is the demon son of Zeus and Khronos at just the right time. Heresy-Sectarian Pareis-agō History notes that "evil men set their lies to melodies to deceive the simple minded," Mousi^kos  A.musical, “agōnes m. kai gumnikoi II. of persons, skilled in music, musical, professional musicians, mousikos kai melōn poētēs III. of things, elegant, delicate, “brōmata hēdion  kuknōn Swan Metaphor , minstrel, bard, sacred to Apollon, Abaddon melos , speaks of MUSICAL MELODY: it means to break a text "limb by limb" or dismember. Cantillation is breaking the text into syllables and the SPEAKING it which is the opposite of ODE. 2. music to which a song is set, tune, Arist.Po.1450a14; WITHOUT rhuthmos, WITHOUT metron 3. melody of an instrument, “phormigx [ Apoollon's lyre] d' au phtheggoith' hieron m. ēde kai aulos” The Good News for the "Progressive" Inclusives: 2Pet. 2:2 And many [polus far the most, ecumenical] shall follow their pernicious ways; [aselgeia licetiousnes, jubris, insolence, demagogue]         by reason of whom the WAY [hodos pattern] of TRUTH shall be evil spoken of.[blasphemabitur] The Bad News for the "Progressive" Inclusives: 2Pet. 2:3 And through covetousness shall they with feigned WORDS make merchandise of you:         whose judgment now of a long time lingereth not, and their damnation slumbereth not. Revelation 18 says that the craftsmen [staff-parasites], speakers, singers, instrument players are SORCERERS who HAD ONCE deceived the Whole World and they will finally be CAST ALIVE INTO THE LAKE OF FIRE. OF THE SELF-PLEASURE PAUL OUTLAWED IN ROMANS 14-15 not related to that which is written for our  LEARNING. A SECTARIAN in a remote sense is one who has the power to choose what they will do and with whom they will do and what they will do. Christian liberty gives one the power to be a sectarian. However, in the Greek language and real examples, a heretic is one WHO CHOOSES to take your property by force. Pro-airesis , eôs, hê, choosing one thing before another, wrongs done from malice prepense, contrary to one's purpose, 3. in political language, deliberate course of action, 5. political party, b. sect or school of music, philosophy Hairesis  I. a taking especially, esp. of a town, a taking for oneself, 4. a sect, school, etc.: esp. a religious sect, such as the Sadducees and Pharisees, NTest.5. a heresy, Pharisaios 1 a Pharisee, Separatist (from pharash, to distinguish), one of a sect who separated themselves from other Jews as affecting superior holiness. Phrik-ôdês , es, attended with shivering, b. inspiring religious awe Jesus identified them as HYPOCRITES by pointing to speakers, singers and instrument players. And the audience who would be attracted just for the entertainment. A musical instrument is defined as "a machine for inducing the shock and awe in battle or in RELIGION. Haireô Il.; hair, tina kheiros to take one by the hand, A. Act., take with the hand, grasp, seize, having taken up [the song], Od.8.500. 2. take away II. take, get into one's power, overpower, kill, of passions, catch, take, zôon [ZOE: take away life] helein Il.21.102 ; take in hunting,  get into one's power, entrap, II. take, get into one's power, nēas ib.13.42; esp. take a city, 2.37, S.Ph.347, freq. of passions, etc., come upon, seize, B. Med., with pf. hērēmai (v. supr.), take for oneself, egkhos helesthai take one's spear, II. take to oneself, choose, Hairetos verb. adj. of haireō I. that may be taken or conquered, Hdt.; that may be understood, Plat. Homer, Odyssey The muses were taught by Apollo So he spoke, and the minstrel, moved by the god, began, and let his song be heard, [500] taking up the tale where the Argives had embarked on their benched ships and were sailing away, after casting fire on their huts, while those others led by glorious Odysseus were now sitting in the place of assembly of the Trojans, hidden in the horse; for the Trojans had themselves dragged it to the citadel.

5.23.15   WHY NOT ONE SHOWN PARTIALITY CAN POSSIBLY BE LOYAL TO THE SCRIPTURES WITHOUT WHICH ONE IS A SCRIBE OR PHARISEE, HYPOCRITE MEANING POPULAR SPEAKING FOR HIRE, SINGERS, INSTRUMENT PLAYERS OR ANY AUDIENCE WHO WOULD NOT FLEE.  Such organizations willing to sow discord to "wi" is the reason the Christian Churches sected out of the Disciples in 1927 to 1971.  Looks like they are hooked again.

Jeff Walling Youth Leadership Initiative The COHORT is God's word as "a way of escape" because Pepperdine bonded with the NACC doesn''t bother to define words.
Beginning in 1995 but perverts the whole Bible trying to get the youth to BETRAY their teaching
SEE how Jeff Walling told the NACC how he TRANSISTIONED HIS church to instrumental "worship" after the NACC transistioned Jeff Walling

Jeff Walling Instrumental Music in Worship.  The problem with preachers getting their information from other preachers intent on converting them is that they never get around to reading the story line and defining words. Jesus said that parables had hidden the truth from the Scribes and Pharisees from the foundation of the world. He called them hypocrites (actors) by referring to the Ezekiel version byChrist who named slick speakers, singers and instrument players.

   Jeff Walling Winterfest 2013 Denies that Scripture replaces BEING LED BY THE LORD.  The leaders of this effort claim that they expose YOUR youth to lots of musical bands TO TEACH THEM TO LEAVE YOUR MOVEMENT.

Jeff Walling Daring to Dance with God One

Instrumental worship of the always-pagan trinity at Mount Sinai was a MARK for burning: The women or effeminate are the only meaning of instrumental worship.

Malachi 3 Christ's Witnesses against Sorcerers  ALL musical terms and names of instruments--machined for doing hard work--are connected to enchantment or sorcery.

Robert Ballard and the NACC:  To refuse to PERMIT that which God Himself has (P93) SAID TO USE. To forbid their use, where God has  SAID TO USE THEM, as in Eph. 5:19 and Col. 3:16 is flagrant sin (Rev 22:18:19)

This defines a TRIBULATION OF HISTORIC PROPORTIONS. The reason the Lake of Fire is justified is because all or the religious cunning craftsmen or sophists as self-speaking for hire (DEFINES A HIRELING), singers, instrument players and the piping sound of the millstone which marked the role of the GRINDER-PROSTITUTE located by "her" sound.

JESUS DIED TO CAST DOWN AND DOOM THE BURDEN LADERS AND THE LADED BURDEN. THE CHRISTIAN ANTITHESIS TO SOPHISTS: PREACHING FOR HIRE, SINGING, PLAYING INSTRUMENTS AND DENYING THE WORD OF GOD. The rest of us are tired of having burden laders rise again after Jesus put them on the unimployed role: The Gospel liberates us FROM institutions like the NACC and other non-instrumental urges to ORGANIZE. Here is THE gospel from the Scripture while Jeff Walling insists that we be Led by the Lord. Matthew 11:28 Come unto me, all ye that labour and are heavy laden, and I will give you rest. Can anyone not get burdened and tired of listening to a MADE UP sermon presented with buffonery and other self-reference. That singing just tirespeople out: Nimrod and medical science knew that you can induce a DRUG HIGH with instrumental music. kop-iaō Everyone is Tired of Jeff Walling yearning and Daring to Dance with God? Orkheomai , dōsō toi Tegeēn possikroton orkhēsasthai to dance in or on, Orac. ap. Hdt. 1.66, cf. Lakōnika skhēmatia orkheisthai dance Laconian steps, Id.6.129 ; “o. pros ton aulon [flute] skhēmata” Id.Smp.7.5 “tōn humnōn hoi men ōrkhounto hoi de ouk ōrkhounto” Ath.14.631d. That's why Jesus SPOKE or DICTO A hymn and "went out." That is why Paul commanded that we SPEAK that which is written. Lexis is the opposite of ODE and humnos , ho, A.hymn, ode, in praise of gods or heroes hu. Haidou, of one whose songs are death         aphormiktos , on, A.without the lyre, of melancholy music, A.Eu.332 humn-eō III. Act. orkheō , make to dance (v. Pl.Cra.407a), is used by Ion Trag.50, ek tōn aelptōn mallon ōrkhēsen phrenas made my heart leap (so codd. Ath., ōrkhēsai Nauck); but orkēsi in Ar.Th.1179 is a barbarism for orkhētai. Everyone is Tired of: phi^losophos , ho, A. lover of wisdom; Pythagoras called himself philosophos, not sophos, Cic Tusc.5.3.9, D.L.Prooem.12; “ton ph. sophias phēsomen epithumētēn einai pasēs” Pl.R.475b, 2. philosopher, i. e. one who speculates on truth and reality,hoi alēthinoi ph., defined as hoi tēs alētheias philotheamones,Pl.R.475e; Everyone is Tired of:  Sophis-tēs , ou, ho, A. master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, “meletan sophistais prosbalon” Pi.I.5(4).28, cf. Cratin.2; of musicians, “sophistēs . . parapaiōn khelun” [turtle harp]A.Fr.314, cf. Eup.447, Pl.Com. 140; sophistē Thrēki (sc. Thamyris) E.Rh.924, cf. Ath.14.632c: with modal words added, “hoi s. tōn hierōn melōn” (religiousmelody) “Apollōnidē sophistē” Magga^n-eia , hē, A. trickery, esp. of magical arts, Pl.Lg.908d; magganeiai kai epōdai ib.933a; “periapta kai m.” Ph.2.267, Gal.11.792; “tēs Kirkēs [CHUIRCH] hē m.” Epôidê , Ion. and poet. epaoidê , hê, A. song sung to or over [Laded Burden]: hence, enchantment, spell Od.19.457 Pi.P.4.217 ou pros iatrou sophou thrênein epôidas pros tomônti pêmati S.Aj. 582 ; of the Magi, Hdt.1.132, God HIDES from the wise or SOPHISTS: Why should we PAY theM Everyone sick of people BURDENING when Jesus died to give them REST? phort-izō , phortia ph. tinasloadthem with burdens, Ev.Luc.11.46; perissē dapanē ph. ta koina “hudatis -izousa ton ophthalmon” encumbering,Hes.Op.690; phortioumenos melito carry away a load of honey, Aenigma Sphingis (ap.Sch.E.Ph.50): Now when the Sphinx was oppressing and ravaging our city, after my husband's death, my brother Creon proclaimed my marriage: that he would marry me to anyone who should guess the riddle of the crafty maiden. It happened somehow [50] that my son, Oedipus, guessed the Sphinx's song; [and so he became king of this land] and received the scepter of this land as his prize. He married his mother in ignorance, luckless wretch! nor did his mother know that she was sleeping with her son. Phortikoshapanta mimoumenē tekhnē phortikēart that imitates with a view to any and every man is vulgar, of an inflated rhetorical style, to discourse more like a clown than one of liberaleducation 2. philosopher, i. e. one who speculates on truth and reality,  -ōtatē leitourgia” most onerous, ; Epainos praise singing  mim-eomai Phort-i^kos , ē, on: (phortos) II. of the nature of a burden: metaph. (cf. “phortos” 11), tiresome, wearisome, “to legein . . ph. kai epakhthes” D.5.4; “tois sunousi ph.” Plu.2.456e, cf. 44a, etc.; ph. akolouthōn okhlō because of the crowd . . , Luc.Nigr.13; “-ōtatē leitourgia” most onerous, POxy.904.9 (v A. D.). 2. coarse, vulgar, common, “andres” Ar.Nu.524; opp. pepaideumenos, Arist.Pol. 1342a20; hoi polloi kai -ōtatoi, opp. hoi kharientes, Id.EN1095b16; bōmolokhoi kai ph. ib.1128a5; “ph. kai neoploutos” Plu.2.708c. b. of things, ph. kōmōdia a vulgar, low comedy, Ar.V.66, cf. Pl.Phdr.236c; “ph. to khōrion” Ar.Lys.1218; “ph. gelōs” Com.Adesp.644; “diaita -ōtera kai aphilosophos” Pl.Phdr.256b; “hēdonē ph.” Id.R.581d; ph. kai dēmēgorikabase, low arguments, ad captandum vulgus, Everyone digusted with? Mim-eomai II. of the arts, represent, express by means of imitation, of an actor, Id.R.605c, cf.Ar.Pl.291 (lyr.); of painting and music, Pl.Plt.306d; “tēn tōn melōn mimēsin tēn eu kai tēn kakōs memimēmenēn” Id.Lg.812c; of poetry, Arist.Po.1447a17, al.; of mimoi, represent, act, Rick Atchley refuted The Law of Silence by debating with some chairs and dancing back and forty. Plat. Laws 812c  regarding rhythms and harmonic compositions, in order that when dealing with musical representations of a good kind or a bad, by which the soul is emotionally affected, they may be able to pick out the reproductions of the good kind and of the bad, and having rejected the latter, may produce the other in public, and charm the souls of the children by singing them, Aristot. Poet. 1447a Let us here deal with Poetry, its essence and its several species, with the characteristic function of each species and the way in which plots must be constructed if the poem is to be a success; and also with the number and character of the constituent parts of a poem, and similarly with all other matters proper to this same inquiry; and let us, as nature directs, begin first with first principles.

JESUS DIED TO GIVE US REST FROM ALL RELIGIOUS MERCHANDISERS Rest From; ana-pauō , poet. and Ion. amp- , fut. Med. anapausomai: aor. anepausamēn make to cease, stop or hinder from a thing, “kheimōnos . . hos rha te ergōn anthrōpous anepausen” Il.17.550; a. tina tou planou give him rest from wandering, S.OC1113; tous leitourgountas a. (sc. tōn analōmatōn) to relieve them from . . , D.42.25, cf. 42. Rest From; leitourg-eō , 2. perform religious service, minister, “epi tōn hierōn” D.H.2.22; “t. (Written lit- in Rev.Et.Anc.32.5 (Athens, i B.C.), etc., cf. leitourgion, leitourgos.） IV. Astrol., leitourgoi, hoi, astral gods subordinate to the dekanoi, Iamb.Myst.9.2 D.H. 2.22 ei de kai dia gunaikōn edei tina hiera sunteleisthai kai dia paidōn amphithalōn hetera, hina kai tauta genētai kata to kratiston, tas te gunaikas etaxe tōn hiereōn tois heautōn andrasi sunierasthai, kai ei ti mē themis ēn hup' andrōn orgiazesthai kata nomon ton epikhōrion, tautas epitelein kai paidas autōn ta kathēkonta leitourgein: The Gospel liberates us FROM institutions like the NACC and other non-instrumental urges to ORGANIZE. Here is THE gospel from the Scripture while Jeff Walling insists that we be Led by the Lord. If you want to perform liturgy for GOD then Jesus gives you a GO button. Jesus said that the Kingdom of god (within you) does NOT come with observation: that mean liturgy or so-called Worship Services when Jesus commanded A School (only) of His Words (only) Observātiō ōnis, observo, a watching, observance, investigation: observationes animadvertebant, your searches for evidence: siderum.— Circumspection, care, exactness: summa in bello movendo. Religious observations are carefully crafted to take control of all of one's attention. That is the worship concept with is to be directed only to God. Tendo: In the pagan religions they gave lots of attention to tuning or playing their musical  instruments: cornu,” “barbiton,” to tune, “tympana tenta tonant palmis, stretching out their bow strings. To shoot, to hurl. (b). To exert one's self, to strive, endeavor (mostly poet. b. n partic., to exert one's self in opposition,to strive, try, endeavor, contend   “adversus, etc.,” id. 34, 34, 1: “contra, Service under the cursed Civil-Military-Clergy complex was HARD BONDAGE. THE ONLY LITURGY OPEN FOR ANY BIBLE TRAINED PERSON IS: Acts 13:2 As they ministered to the Lord, and fasted, the Holy Ghost said,         Separate me Barnabas and Saul for the work whereunto I have called them. Acts 13:3 And when they had fasted and prayed, and laid their hands on them, they sent them away. leitourg-os , III. in religioussense, minister, [theou] ib.Ps.102(103).21, Ep.Rom.13.6, al.; “tōn theōn” D.H.2.22, cf. 73; “tōn hagiōn l.” Ep.Hebr.8.2; theois litourgoi

John 7:16 Jesus answered them, and said, My doctrine is not mine, but his that sent me.
John 7:17 If any man will do HIS will, he shall know of the doctrine,
        whether it be OF God, or whether I speak of myself.

JEFF WALLING DENIES THE REGULATIVE PRINCIPLE WHICH IS THE WORD OF GOD OR LOGOS

PAGAN LOGOS: Hermes (new hermeneutic), Mercury or Kairos is the LEADER of those who do not teach that which has been taught.

Hermes (Mercury, Kairos), as in hermeneutic, is the in Homer's Hymn 4 to Hermes 

What skill is this? What song for desperate cares? What way of song? For verily here are three things to hand all at once from which to choose, —
        mirth, and love, and sweet sleep.
[450] And though I am a follower of the Olympian Muses who love dances and the bright path of song —the full-toned chant and ravishing thrill of flutes —yet I never cared for any of those feats of skill at young men's revying. But now, since you, though little, have such glorious skill, sit down, dear boy, and respect the words of your elders For now you shall have renown among the deathless gods, you and your mother also. This I will declare to you exactly:

The One God the Father has His own Thought, Breath (spirit) and articulated WORD with Him as the meaning of Father, Son and Spirit.  God speaks THROUGH Jesus of Nazareth and Jesus commanded that people teach what HE commanded to be taught. A Christian is a Disciple and the RESOURCE for educating a church is the Prophets and Apostles.  A Disciple of Christ would never tamper with the Word by saying that THEY have the authority to replace SPEAK with entertain. When God pours out His wrath He sends lying wonders or buffoons we love to watch.

See Mike Cope, Jeff Walling's New partner with the NACC  The NACC does not speak for Christian Churches as Jeff Walling does not speak for churches of Christ.  Buying and Selling is the game prophecies.

1 “Ambubaiarum” , "Women who played on the flute."  “[ambubajarum ministeria,”]  It is derived from a Syrian word; for the people of that country usually excelled in this instrument. “Pharmacopolae” is a general name for all who deal in spices, essence, and perfumes.

2 “Mendici, mimae, balatrones” . The priests of Isis and Cybele were beggars by profession, and under the vail of religion were often guilty of the most criminal excesses. Mimae were players of the most debauched and dissolute kind; and balatrones, in general, signifies all scoundrels, buffoons, and parasites, who had their name, according to the old commentator, from Servilius Balatro. “Balatrones hoc genus omne”, for omne hoc balatronum genus, is a remarkable sort of construction.

AT THE UNIVERSALLY RIGHT TIME-KAIROS TIME:

Rev. 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee;
Rev. 18:23 And the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee:
        for thy merchants were the great men of the earth;
        for by thy sorceries were all nations deceived.
Rev. 18:24 And in her was found the blood of prophets,

G5331 pharmakeia, far-mak-i´-ah; from 5332; medication (“pharmacy”), i.e. (by extension) magic (literally or figuratively): — sorcery, witchcraft.

LOGOS IS WITHOUT introductions preludes or dancing.

Without   Prooimion  A. opening, introduction; in Music, prelude, overture, Pi.P.1.4; in poems, proëm, preamble, 

Pind. P. 1 Golden lyre, rightful 
    joint possession of Apollo [Abaddon, Apollyon]
    and the violet-haired Muses, [Filthy shepherds, sorcerers Rev 18]
to which the dance-step listens, the beginning of splendid festivity; and singers obey your notes, whenever, with your quivering strings, you prepare to strike up chorus-leading preludes.
[5] You quench even the warlike thunderbolt of everlasting fire. And the eagle sleeps on the scepter els [Lying Wonders], as I do now for this: [455] I am filled with wonder, O son of Zeus, at your sweet plaof Zeus, relaxing his swift wings on either side, the king of birds;
        and you pour down a dark mist over his curved head,
        a sweet seal on his eyelids. Slumbering, he ripples his liquid back,
        [10] under the spell of your pulsing notes.
Even powerful Ares, setting aside the rough spear-point, warms his heart in repose; your shafts charm the minds even of the gods, by virtue of the skill of Leto's son and the deep-bosomed Muses.

But those whom Zeus does not love are stunned with terror when they hear the cry of the Pierian Muses, on earth or on the irresistible sea;

Skill Sophia cleverness or skill in handicraft and art, in music and singing, poetry. Divination.   Sorcery says John in Revelation 18 always performed by the "lusted after fruits."

4.speech, delivered in court, assembly VI. verbal expression or utterance, lego, lexis       -Lexis A.speech, OPPOSITE ôidê
	-ôidê, 1.art of song 5. = eppsdê, spell, incantation 4. text of an author,  OPPOSITE exegesis [Peter's private interpretation outlaws exegesis] Arist.En1142a26
2. common talk, report, tradition d. the talk one occasions, repute, mostly in good sense, good report, praise, honour, 3. discussion, debate, deliberation, c. dialogue, as a form of philosophical debate,          The meaning of the sunagogue or syllogimos or syllogism Logos is the  OPPOSITE  emmetra, ib.1450b15 (pl Id.Rh.1404a31 There is NO meter in the Bible: you could not "sing" it tunefully if your life depended on it: that is PREDESTINED. John 3:34 For he whom God hath sent SPEAKETH the words of God: for God giveth NOT the Spirit by measure unto him. -Metron II. metre, Ar.Nu.638, 641, etc.; opp. melos (music) and rhuthmos (time), Pl.Grg.502c, etc.; logous psilous eis metra tithentes putting into verse, Id.Lg.669d; “ta en metrō pepoiēmena epē” X.Mem. 1.2.21.

BUT, JEFF WALLING, THE NACC AND ALL OF THOSE SPREADING HATE SAY THAT GOD APPROVED INSTRUMENTAL MUSIC, DANCING, ETAL.

Godly teachers of the WORD of God know that they will never get rich, famous and receive glory.  It would be impossible for a non-instrumental preacher to seek foundation funding, rally once-christian colleges and DENOMINATIONAL organization to deliberately TRAIN more of the COHORT to tell the Spirit, Jesus and historical scholars that they are just LIARS.

John 7:18 He that speaketh OF himself seeketh his own glory:
        but he that seeketh his glory that sent him,
        the same is true, and no unrighteousness is in him.

Paul defined the ONLY Christ-ordained way to get the glory for GOD and HIS Word:

Stop the self-pleasure: speaking, singing, acting, DANCING
Then "use one mind and one mouth to SPEAK that which is written for our LEARNING.

Christ in Isaiah 58 outlawed seeking your own pleasure or SPEAKING YOUR OWN WORDS: Jesus said that the sons of the Devil speak ON THEIR OWN.

John 17:14 I have given them THY word; and the world hath hated them,
        because they are not OF the world, even as I am not OF the world.
John 17:15 I pray not that thou shouldest take them out of the world,
        but that thou shouldest keep them from the evil.
John 17:16 They are not of the world, even as I am not of the world.

Jesus seeks only a LITTLE FLOCK of lost spirits living in a hostile word.  Jesus gives THEM the Word of God and He speaks parables to fool the foolish Scribes, Pharisees, Hypocrites, Rhetoricians, Singers, Instrument players. That's why those OF THE WORLD seek those who PREACH LIBERTY marking them as making them SLAVES.

The Word or LOGOS is God's Regulative Principle: it is opposite of the hypocritic arts of Rhetoric, singing, playing instruments, acting or dancing.

Isaiah 8 Christ says of those who do not SPEAK that word THERE IS NO TRUTH IN THEM.

Isaiah 30 Christ says that the sounds of wind, string and percussion instruments are God driving His enemies into HELL.
In Revelation 18 the cunning craftsmen, singers and instrument players are called SORCERERS and the will be CAST ALIVE INTO THE LAKE OF FIRE. This may already be happening because God promises that they will be consumed or burned by the spirit of their own mouth.

At just the right time (c. ad 2000 based on the rise of the Sumerian religious slave masters c. BC 4000) a smal band of men EMERGED bearing all of the marks causing "instrumentalists" and "a cappellas" to flee Babylon marked by the right to BUY AND SELL and be the Receptors of worship only due to God in Christ and the rare suffering servants.
  
1John 4:4 Ye are of God, little children, and have overcome them:
        because greater is he that is in you, than he that is in the world.
1John 4:5 They are of the world:
        therefore speak they of the world, and the world heareth them.
1John 4:6 We are of God: he that knoweth God heareth us;
        he that is NOT OF  God heareth not us.
        Hereby know we the spirit OF truth, and the spirit OF error.

The spirit of Abaddon-Apollon is the Leader of the Muses or female SHEPHERDESSES marking them as not godly for violating the command for all to sit down and hear the Word PREACHED by being READ.

1. There is not a singular command, example or remote inference or hint that God ever called people out on their REST day for group singing with or without instruments or "machines for doing hard work."
   
2. The Bible is filled from the "singing and harp-playing prostitute" in the garden of Eden to the Babylon mother of harlots in Revelation 17 using "lusted after fruits" as singers, speakers or instrument players called sorcerers or MUSES (Locusts) with Abaddon-Apollyon as their "musical worship leader."
   
3. If you say that contrary to recorded history before the Disciples in 1878 began steal the church houses of the "Christian Churches" there is authority beyond SPEAKING OF THEMSELVES then Jeremiah 23 Christ marks you as a sorcerer and a blaspmemer.
   

1. The command is to "use one mind and one mouth to SPEAK that which is written for our LEARNING (only).
   
2. If you say that SPEAK or Lexis the Biblical text which is opposite to ODE REALLY means to SING the Fanny Crosby and make melody UPON a harp.
   
3. Then you are blind and deaf and that is what caused Israel to fall into musical idolatry beyond redemption. Proof is Lying Wonders meaning religious OBSERVATIONS with rhetoric, singing, playing instruments, dancing or acting.
   

If you say that  that God commands or authorizes from SILENCE tuneful melody (melos)
And there is no tuneful melody until the 19th century and Jesus SPOKE what God breathed (Spirit) without metron including musical meter. Then you therefore speak of the world, and the world heareth them

Jesus said that He does not even PRAY for the world (Kosmos or COSMIC WORSHIP) because the LITTLE FLOCK are not OF the WORLD.

Matt. 13:38 The field is the WORLD; the good seed are the children of the kingdom; but the tares are the children [Literal Seed] of the wicked one [Like Cain  meaning a musical mark]
John 17:9 I pray for them: I pray not for the world, but for them which thou hast given me; for they are thine.

Mundus ,d. Euphemistically for the Lower World, the infernal regions.  e. Esp. (eccl. Lat.), the world as opposed to the church; this world, the realm of sin and death, as opposed to Christ's kingdom of holiness and life: “non pro mundo rogo,” Vulg. Johan. 17, 9:

mundus , neat, fine, elegant, smart, genteel A. Of speech, neat, fine, elegant  “princeps hujus mundi (i. e. Satan),

versus (vors- poetry, song
IV. A kind of dance, or a turn, step, pas in a dance, Plaut. Stich. 5, 7, 2.
Gallus , A. Galli , ōrum, m., the priests of Cybele, so called because of their raving, i, m., a priest of Cybele, Mart. 3, 81; 11, 74; cf. Quint. 7, 9, 2: “resupinati cessantia tympana Galli,” Juv. 8, 176.—And satirically (on account of their emasculated condition),
Of or belonging to the priests of Isis, Gallic: “turma,” the troop of the priests of Isis,

Turma    in gen., a troop, crowd, throng, band, body: “feminea,” Ov. P. 4, 10, 51: “Gallica,” i. e. of priests of Isis, id. Am. 2, 13, 18.

The auxiliary cohors equitata was a mixed unit combining infantry and cavalry, and existed in two types: the cohors equitata quingenaria, with an infantry cohort of 480 men and 4 turmae of cavalry, and the reinforced cohors equitata milliaria, with 800 infantry and 8 turmae.

Rev. 9:7 And the shapes of the locusts were like unto horses prepared unto battle; and on their heads were as it were crowns like gold, and their faces were as the faces of men.
Rev. 9:8 And they had hair as the hair of women, and their teeth were as the teeth of lions.

kosmos , ho,  of ornaments of speech, such as epithets, Id.9.9 (pl.), Arist.Rh.1408a14, Po.1457b2, 1458a33; hadumelē k. keladein to sing sweet songs of praise, Pi.O.11 (10).13 (s.v.l.).

10.07.14   Jeff Walling a very theatrical kind of guy Dares to Dance with God.  To bad but that is the LADED BURDEN Jesus died to remove along with the professional BURDEN LADERS. Ancient civil societies never permitted a poet, song writer or actor to be a kerusso (herald preacher) because they couldn't resist opening the vital message from the king to the field commander and rewrite the instructions in his own image. Neither was this hypocritic band of speakers, singers or instrument players allowed to write TRUE history. Jesus said that God HIDES from the wise or sophists: speakers for hire, singers, instrument players, actors or dancers.

Psallo was used for the first time in history in 1878 to claim that God commanded Instrumental music: this claim commanded some to deliberately sow discord in trying to force people to conform. 

1. If you say that not using instruments in the School of the Word from the wilderness onward is just an evil, sectarian, patternist TRADITION imposed by churches of Chrit.
2. And the Bible rejects any vocal or instrumental excitement in the synagogue--ekklesia and Al Maxey became instrumental sectarians as late as 1878.
3. Then the Spirit OF Christ in Jeremiah 23 says that you despise the Word and people and that word is BLASPHEMY against the Holy Spirit OF Christ and missed prepositions 101aa
4. Contrary to "unity in diversity" meaning WE take YOUR property, Paul said that the cunning craftsmen or sophists (speakers, singers, instrument player, actor merchants" are LYING IN WAIT TO DECEIVE.

7.22.14  Why would a SMAL BAND (COHORT) of men work so desperately hard to get their OWN discorded congregations and the Historic Churches of Christ to use all means fair and foul to force, intimidate, blaspheme and lie TO God and ABOUT God to demand that THEY use what Christ called the HYPOCRITIC and SOPHIST'S means where the Jacob-Cursed and God-Abandoned Levites as their pattern were call sorcerers and parasites to make the lambs dumb before the slaughter?  The Second Assault a hundred years against the first Christian Standard boast that "we will take Tennessee for the organ and society party within 5 years."  The 1906 lie is infamy that will live in history since Churches of Christ (the Rock) were commanded not to make such noise when God assembles His people ONLY for conducting the Campbell's School of Christ.

Psallo was used for the first time in history in 1878 to claim that God commanded Instrumental music: this claim commanded some to deliberately sow discord in trying to force people to conform.  Based on the clear definition of Word in the Greek and Latin

WHAT IS A PLAGUE: PLESSO  Mark of Character, a weeping sores, 4. of musical sounds, houtôsi plêgenta houtôs ephthenxato ta phônêenta
WHAT IS THE BEAST: Thērion , term of reproach, beast, creature,  “hē mousikē aei ti kainon thērion tiktei”  A new style of music and a Satyric (Pan, Cappella) drama: debating with chairs, being a buffoon to lie to and about God.
WHAT IS AN IMAGE: "turning the Word of God into a song" LOGOS or Regulative Principle outlaws it. Imāgo  “hoc tibi sub nostra breve carmen imagine vivat,” Mart. 9, 1: “epistula atque imago me certum fecit, reverberation of sound, an echo, imitation, in OPPOSITION to what is original Logos or Lexis is OPPOSITE to an ODE and ODE is the opposite of LEXUS. lūdĭus

lūdĭus  A stageplayer, pantomimist: actor ludii barbari,” Mocking at Mount Sinai and the Levites musically mocking Jesus
inter-pōno  To insert, interpose, introduce

WHAT IS THE MARK: character: imprinted, or branded, kh. ekhidnēs the serpent's mark, “to tēs monados sēmantikon kh.” Marking time (chronos, KAIROS)  “kerkidos ph.” S.Fr.595; “suriggōn” E.Tr.127 (lyr.); “aulōn” Mnesim.4.56 (anap.); rare in early Prose, “organōn phōnai” BOASTING

kerkidos = “phōnē kerkidos” S.Fr.595; kerkidos humnois ib.890 (lyr.); “kerkidos aoidou”
suriggōn” 2. cat-call, whistle, hiss, as in theatres, imitated the dying hisses of the serpent [WE CAN HOPE] the Mark of God driving His enemies into "hell" and the LAKE OF FIRE.
aulōn” “ho Bakkheios rhuthmos  Bacchus or Dionysus the wineskins god, clergy hoped for Jewish perverted Messiah. They piped, he refused to bow down, be initiated and slng or lament and DANCE.
organōn musical instrument for making war:  concrete, work or product, [Jubal WITHOUT AUTHORITY]
        OPPOSITE to organ of sense or apprehension: HOLDING harps of God means APPEHENDING His voice.

JEFF WALLING AND THE TRIBULATION

Jeff Walling: Where the TENSION [DISCORD] level is zooming, as those who would call themselves part of the cutting edge,.
you know there's like lots of people out in our brotherhood who would like to take a cutting edge to the cutting edge. Do you understand what I'm talkin about here? I mean we've got the most sacred of cows being trodded through butcher shops all over this country in churches of Christ  How do I be cutting edge, and new WAVE avant garde (vanguard), and progressive,

without losing my job? and making everyone else in the congregation really irritated with me...
I have to wonder if you're at a place in your ministry where you don't have to go to the church of Christ either.

RICK ATCHLEY AND THE DAVID-FAUST TRIBULATION

Rick Atchley used by the NACC and "handled" by David Faust and the "white paper" confessed AFTER "transistioning" or subverting HIS church--after the new building like at Sand Creek, changes his solemn promise but all along:

Well, we discipled the children of those progressive churches
        for a whole generation to grow past us Boomers.
        They never heard the sermons we heard.
        They never heard the rationale for a cappella music.
We took YOUR youth to hear Christian Bands to TEACH THEM TO LEAVE YOUR MOVEMENT.
We took your money, ha, ha, ha. But, we did not teach what we paid you to do. ha, ha, ha.W

DWAYNE E. DUNNING AND RAY DOWNEN TRIBULATION

Dwaine E. Dunning Ray Downen: There are at least three ways to kill a tree.

You can poison it, or burn it. It might not survive if all the limbs were lopped off.
But men usually choose to kill a tree by cutting down its trunk.
We take an axe or saw to it not far above the roots and "fell" that tree.

God's Axe means: to break asunder [discord] to disrupt, lacerate; by impl. to convulse (with spasms); figurative to give vent to joyful emotions: - break (forth), burst, rend, tear

Likewise a system of doctrine may be destroyed in various ways. It might be poisoned (or sweetened in this case) by injecting a different spirit into those who hold the doctrine.

Or its various contentions may be individually or specifically refuted,
like lopping off a tree's branches one by one.

Robert Ballard and the NACC:  To refuse to PERMIT that which God Himslef has (P93) SAID TO USE. To forbid their use, where God has  SAID TO USE THEM, as in Eph. 5:19 and Col. 3:16 is flagrant sin (Rev 22:18:19)

This defines a TRIBULATION OF HISTORIC PROPORTIONS. The reason the Lake of Fire is justified is because all or the religious cunning craftsmen or sophists as self-speaking for hire (DEFINES A HIRELING), singers, instrument players and the piping sound of the millstone which marked the role of the GRINDER-PROSTITUTE located by "her" sound.

J. CARROLL STARK GOD DEMANDS INSTRUMENTAL MUSIC" DEBATE TRIBULATION OF 1903.

Stark worship is the emotion of the soul and that it might "produce singing, shouting, praising, leaping, dancing, hand clapping, or thanksgiving and such should not be suppressed by man made rules."

That character Paul calls "the man of sin who opposseth and exalteth himself above all that is called God: The Doom of such is HELL.  I need no authority for using it; for where there is no law, there is no transgression. [p.15]

Who put the twelfth commandment into God's law, saying, "Thou shalt not have an instrument of music in the congregation of the saints?"  David [Lipscomb], the destructive critic, when, like the "man of sin," he sits in the temple of God, says: "Thou shalt not."  That is the corner stone of his departure--the foundation of his schism.  Their church is built upon it, and a few old fogies have made it a test of fellowship.  God will shake their thunder out of them and put some lightning into them one of these days. [p.28]

The whole thing comes from a devilish, domineering spirit, which, instead of worshiping God, has taken God's seat in judgment to control the praise others might bring  It is well enough to teach them: but "rebellion is as the sin of witchcraft and stubborness is as iniquity and idolatry." (1 Slam. 15:23) If taken as he is to the "city of gold," he would surely raise hell in heaven and make all "know and feel what it is to be there."

1 Samuel 15.23  quoniam quasi peccatum ariolandi est repugnare et quasi scelus idolatriae nolle adquiescere pro eo ergo quod abiecisti sermonem Domini abiecit te ne sis rex

Only in judgment does God "sing."  The Word of God here is
Sermo a speaking or talking with any one; talk, conversation, discourse: 2. Ordinary speech, speaking, talking, the language of conversation (opp. contentio): Of prose as opposed to poetry: “comoedia    verba inculcantes B. A language, the speech of a nation verbum   as a translation of logos, See Table of LOGOS: opposite rhetoric, singing, playing, acting

WITCHCRAFT:  See Galatians 5 for the Music as Witchcraft which RECRUCIFIES Jesus.

+ "For rebellion [is as] the sin of witchcraft, and stubbornness [is as] iniquity and idolatry. Because thou hast rejected the WORD of the LORD, he hath also rejected thee from [being] king." {1Sm 15:23}

The Word as Dabar or LOGOS is the Regulative principle: it is opposite selling you rhetoric or buffoonery, singing, playing instruments, acting or dancing: if you reject the LOGOS Christ in Isaiah 8 says THERE IS NO LIGHT IN YOU.

WARLICK, WALLING, ATCHLEY, COPE, NACC SAYS "WE DON'T NEED NO WORD."

+ "So Saul died for his transgression which he committed against the LORD, [even] against the WORD of the LORD, which he kept not, and also for asking [counsel] of [one that had] a familiar spirit [NEBEL, OLD WINESKIN], to enquire [of it]; ... And enquired not of the LORD: therefore he slew him, and turned the kingdom unto David the son of Jesse." {1Ch 10:13-14} + "And he caused his children to pass through the fire in the valley of the son of Hinnom: also he observed times, and used enchantments, and used witchcraft, and dealt with a familiar spirit, and with wizards: he wrought much evil in the sight of the LORD, to provoke him to anger." {2Ch 33:6} + "But there was a certain man, called Simon, which beforetime in the same city used sorcery, and bewitched the people of Samaria, giving out that himself was some great one: ... And to him they had regard, because that of long time he had bewitched them with sorceries." {Act 8:9-11} + "And it came to pass, as we went to prayer, a certain damsel possessed with a spirit of divination met us, which brought her masters much gain by soothsaying: ... And when her masters saw that the hope of their gains was gone, they caught Paul and Silas, and drew [them] into the marketplace unto the rulers," {Act 16:16-19}
"For ye suffer fools gladly, seeing ye [yourselves] are wise." {2Co 11:19} + "A man that is an heretick after the first and second admonition reject;" {Tts 3:10} + "But there were false prophets also among the people, even as there shall be false teachers among you, who privily shall bring in damnable heresies, even denying the Lord that bought them, and bring upon themselves swift destruction." {2Pe 2:1} See at the end of 2 Peter Chapter 1.

SIMONY IS BUYING OR SELLING CERTIFICATES OF A SPIRITUAL GIFT TO GO OUT AND BE A MAGICIAN, JESTER OR SINGER "TO BRING PEOPLE INTO THE PRESENCE OF GOD."
 

While Churches of Christ were never part of the Disciples of Christ O.E. Payne first collected the "psallo" proofs from somewhere: He said

"Henceforth we must unite in agreeing that if we forego musical instruments we cannot  conform to the divine injunction to psallein" (Instrumental Music Is Scriptural, p. 172)

-[khiton  David's garment] te hupodunein toisi heimasi kai kothornous hupodeesthai, proeipe d' autoisi -kitharizein te kai psallein kai kapêleuein [prostitutes, petty trade, playing tricks

Of course, psallein is never used in polite society or Scripture: Paul commanded SPEAK that which is written for our learning but ODE and PSALLO are in the heart which in reading 101a we understand to be SILENT as Paul in 1 Corinthians 14 told the "most always females) to be SILENT.

THE AUTHORITY OF THE TRIBULATORS: "Being very talented, he could play on the harp [epsallen] with the bare hand without a plectrum." -The Deiphnosphists, IV. 183-184, Tr. by Gulick Bk. 4, Sec. 183 D.

"Aristoxenus says that the magadis and the PECTIS may be played without a plectrum, by simply plucking [psalmou] with the fingers....

The Deiphnosphists, IV. [3.] And while we were now all amusing ourselves with agreeable trifling, some flute-playing women and musicians, and some Rhodian players on the sambuca came in, naked as I fancied, but some said that they had tunics on. And they having played a prelude, departed; and others came in in succession, each of them bearing two bottles of perfume, bound with a golden thong, and one of the crests was silver and the other gold, each holding a cotyla,
And Seuthes, rising up, drank to Xenophon, and spilt the rest of the contents of the horn at the same time that he did. And after this there came in men who played on horns such as are used for giving orders with, and also on trumpets made of raw bull's-hide, in excellent tune, as if they had been playing on a magadis."
And, indeed, the hydraulic organ does seem to be a kind of hour-glass. It cannot, therefore, be considered a stringed instrument, and one to be played by touching.
At all events, Aristoxenus preferred stringed instruments which are played upon by the touch to wind instruments; saying that wind instruments are very easy; for that many people, without having been taught, can play on the flute and pipe, as for instance, shepherds.

  The Muses' sports amid their wine-glad revels;
  He sang to Battalus, an eager drinker
  Of unmixed wine, and Cotalus and Pacalus.
  Say then to Theon the calamaules,  Farewell, O Theon, tunefullest of men.

Again, Phrynichus says in The Phoenician Women,
        'With [1] plucking [psalmoisin] of the [2] strings [harp]
        they [3] sing [aeidontes] their lays in answering strains."

He went in and drank, and taking the lyre, sang to us in such a manner that we all marvelled at his skill on the harp, and at the rapidity of his execution, and at the timefulness of his voice ; for he appeared to me to be not at all inferior to that ancient Amodbeus, whom Aristeas, in his History of Harp-players, speaks of as living at Athens, and dwelling near the theatre, and receiving an Attic talent a-day every time he went out singing. [HE WAS A PARASITE]

JESTERS:  2. But as, after the discussion by us of the new topics which arise, our liberal entertainer Laurentius is every day constantly introducing different kinds of music, and also jesters and buffoons, let us have a little talk about them. Although I am aware that Anacharsis the Scythian, when on one occasion jesters were introduced in his company, re-mained without moving a muscle of his countenance; but afterwards, when a monkey was brought in, he burst out laughing, and said, " Now this fellow is laughable by his nature, but man is only so through practice." And Euripides, in his Melanippe in Chains, has said —

But many men, from the wish to raise a laugh, Practise sharp sayings ; but those sorry jesters I hate who let loose their unbridled tongues against the wise and good ; nor do I class them As men at all, but only as jokes and playthings. Meantime they live at ease, and gather up Good store of wealth to keep within their houses. [HE WAS A PARASITE]

-The Deiphnosphists, XIV. 635, Translated by Gulick, Vol. 6, p. 427.

"The psaltery (psalterion, saltere, sauterie, Psalterium, Psalter, salterio) is an ancient instrument seen in many forms. Early versions were simply a wooden board with gut strings stretched between pegs. The strings were plucked with fingers or by plectra (the name might have derived from the Greek psallein meaning plucked with fingers).

Those who HAD deceived the whole world missed the point that ODE (a mark) and PSALLO were to be SILENT.  Psallo means to pluck or smite a bow-string, a harp-string or a hair-string of a young boy being groomed by the NACC'S example of Alexander the Great who died with some kind of terrible disease.   You LIE if you are so hostile that you want to take an AXE to people when Psallo OUTLAWS a guitar pick, a flute, trumpet, piano, organ or any musical instrument. Psallo means PLUCK and has NO musical content.

"The name of psaltery entered Christian literature in the 3rd century B.C. translation of the Old Testament called the Septuagint where, in the Psalms, nebel was translated psalterion. Thus, Nebuchadnezzar's idolatrous ensemble included the Aramic psantria. Notice, also, that the book of Psalms has also become known as the Psalter (or psalterium), from the hymns sung with this harp. Source

Therefore, the Greek translation uses a word which, in their culture, meant a song which could be sung with a psalterium.

părăsītus , i, m., = parasitos, lit. one who eats with another,  “parasitorum in comoediis assentatio,” Cic. Lael. 26, 98: “edaces parasiti,” “
The tutelar deity of parasites was Hercules,

cōmoedĭa , lifted up on a buskin, which he called tragoedia, Plin. Ep. 9, 7, 3.
assentātĭo (ads- ), ōnis, f. assentor. I. A flattering assent, flattery, adulation

Cyrus was told how to "make the captive men helpless" rather than kill them. Heredotus records history:

Grant, then, forgiveness to the Lydians, and to make sure of their never rebelling against thee, or alarming thee more,
send and forbid them to keep any weapons of war,
        command them to wear tunics under their cloaks,
        and to put BUSKINS upon their legs,
        and make them bring up their sons to cithern-playing (Kitharizein),
        and singing (psallein),
        and shop-keeping (Hucksterism). [Corrupting the Word]

So wilt thou soon see them become WOMEN instead of men,
and there will be no more fear of their revolting from thee."

Any kind of performing music when Jesus told us to SPEAK that which is written INTENDS to bring glory and more "Authority" to King set over us:

-[4] Ludoisi de sungnômên echôn tade autoisi epitaxon, hôs mête aposteôsi mête deinoi toi eôsi: apeipe men sphi pempsas hopla arêia mê ektêsthai, keleue de spheas kithônas -[khiton  David's garment] te hupodunein toisi heimasi kai kothornous hupodeesthai, proeipe d' autoisi -kitharizein te kai psallein kai kapêleuein [prostitutes, petty trade, playing tricks, corrupting] paideuein tous paidas. kai tacheôs spheas ô basileu gunaikas ant' andrôn opseai gegonotas, hôste ouden deinoi toi esontai mê aposteôsi."

The word kitharizo means to PLAY THE CITHARA and does not include singing.

-Kitharizô 1 [kitharis] to play the cithara, phormingi [Apollo, Abaddon, Apollyon] kitharize Il., Hes.; lurêi eraton kitharizôn Hhymn. (so that there can have been no great difference between the kithara, lura, and phorminx ); kitharizein ouk epistatai, of an uneducated person,

-Kithar-isis , eôs, hê, playing on the cithara, Pl.Prt.325e; k. psilê, i.e. without the voice, Id.Lg.669e, cf. Pae.Delph.15; aulêsis kai k. Phld.Mus.p.23 K.

Isn't it an insult to the Spirit of Christ and Paul to say that they were not smart enough to use one of the single words or compound word even simple would understand?

The PSALLO word used to GRASP POWER is an Abaddon word from plucking the Bow String to kill you or plucking the Lyre to mollest you.

-Arassô ,of any violent impact, with collat. notion of rattling, clanging, as of horses, hoplais, pound in a mortar, strike with a shower of stones.
a). kitharēn strike the lyre, humnon, melos, etc., Nonn.D.1.15,440, etc.
2. c. dat. modi, arassein tina oneidesi, kakois, assail with reproaches or threats,
II. Pass., to be dashed against, dash one against the other
Pound in a mortar, “holmō a.” Nic. Th.508

Nonn.D.1.15 [11] Bring me the fennel, rattle the cymbals, ye Muses! put in my hand the wand of Dionysos whom I sing: but bring me a partner for your dance in the neighbouring island of Paros, Proteus of many turns, that he may appear in all his diversity of shapes, since I twang my harp to a diversity of songs.
        For if, as a serpent, he should glide along his winding trail,
        I will sing my god’s achievement, how with ivy-wreathed wand
        he destroyed the horrid hosts of Giants serpent-haired.

Was the Spirit of Christ too stupid to command that we Twang (psallo) a Harp and Sing "that which is written for our learning?"

Nonn 1.[439] “Let’s have a friendly match, if you like. Come on, you make music and sound your reedy tune, I will crash my thundery tune. You puff our your cheek all swollen with wind, and blow with your lips, but Boreas is my blower, and my thunderbolts boom when his breath flogs them. Drover, I will pay you for your pipes: for when I shall hold the sceptre instead of Zeus, and drive the heavenly throne, you shall come with me; leave the earth and I will bring you to heaven pipes and all, with your flock too if you like, you shall not be parted from your herd.

Nonn 1.[326f] The professional cattle-lifter may think he is catching a bull and steal his own father! He may give his harp once again to your son Phoibos, [Apollo, Abaddon, Apollyon] as price for the ravisher ravished. But what can I do? If only Argos were still alive, shining all over with sleepless eyes, that he might be Hera’s drover, and drag Zeus to some inaccessible pasture, and prod his flanks with a crook!’”
486] “You liked the little tune of my pipes, when you heard it; tell me, what would you do when I strike [psallo] out a hymn of victory on the harp of seven strings, to honour your throne? Indeed, I matched myself against Phoibos with his heavenly quill, and beat him with my own harp

Croesus thought the Lydians would even so be better off than if they were sold for slaves, and therefore gave the above advice to Cyrus, knowing that, unless he brought forward some notable suggestion, he would not be able to persuade him to alter his mind. He was likewise afraid lest,after escaping the danger which now pressed, the Lydians at some future time might revolt from the Persians and so bring themselves to ruin.

12.31.13 Jesus warned that Doctors of the Law take away the Key to knowledge.  They are Scribes and Pharisees whom Jesus called hypocrites.  In the Ezekiel 33 version by the Spirit OF Christ He names self-speakers for hire, singers and instrument players.  It is true that Jesus never said "thou shalt not be a hypocrite" but it gets uglier: if you say that the Spirit allowed or commanded you to impose instruments and it turns out that Christ radically outlawed any vocal or instrumental noise when He visits on the REST DAY, then Christ in Jeremiah 23 says that you BLASPHEME or despise the Word of God.

See David Young Minister North Boulevard Church of Christ in Murfreesboro, Tennessee

1. If you say that Churches of Christ which did not use INSTRUMENTS during the School of the Word from the Wilderness onwwars was just and evil tradition.
2. And from Genesis to Revelation musical machines are said to have been brought by Lucifer (ZOE) into the garden of Eden and resulted in some sexual hanky panky to REVELATION when the Babylon mother of harlot rises again and ALL of her religious STAFF are called sorcerers and will be cast alive into the Lake of Fire.
3. Then Christ in Jeremiah 23 says that you despise the Word and the Latin word is BLASPHEME
   

THIS PAPER WILL HELP YOU FLEE BABYLON whose Mother of Harlots (Revelation 17) uses "lusted after fruits" (Same as in Isaiah 8) as self-speakers, singers, instrument players and ALL religious craftsmen who were called PARASITES.

LINKS TO A FEW STEPS TO THE LAKE OF FIRE; FIXED LINKS 12.30

"RELIGION" REPLACING "SCHOOL OF CHRIST" AND: WORSHIP ANDROGYNY THE PAGAN SEXUAL IDEAL

TRIBULATION PROMISED FROM WITHIN: BUT, DAVID YOUNG AND THE ELDERS SAY------

THE COMMAND IS TO SPEAK: THERE IS NO COMMAND TO SING AS PERFORMANCE

HOW RECORDED HISTORY NOTES THAT SINGING AS AN ACT WAS IMPOSED AFTER CONSTANTINE AND WAS DIVISIVE

THE COMMAND: SPEAK THAT WHICH IS WRITTEN.  NOTHING WRITTEN BY THE SPIRIT IS METRICAL OR TUNEFUL

ANATHEMA is to be ACCURSED for preaching a GOSPEL of Rhetoric, Singing, Playing Instruments, Acting or DECORATING a place as a WORSHIP CENTER

ISAIAH 3 CHRIST'S PROPHETIC TYPE: CLICK BELOW FOR CHRIST'S WARNING ISAIAH 3: RELIGION" REPLACING "SCHOOL OF CHRIST" AND: WORSHIP ANDROGYNY THE PAGAN SEXUAL IDEA

ROMANS 15: CLICK FOR PAUL'S REVEALING THE PROPHETIC MADE MORE CERTAIN FOR OUR EXAMPLE

ISAIAH 8  WHEN EMMANUEL COMES TO YOUR SCHOOL OF CHRIST YOU WILL NOT--CANNOT--PEEP AND MUTTER

CHRIST'S PURPOSE DRIVEN CHURCH DOES NOT BOAST ABOUT ITSELF.

ISAIAH 14  CHRIST'S WARNING OF THE SINGING AND HARP-PLAYING PROSTIITUTES CAST INTO "HELL"

A HUNDRED YEARS OF ATTACKS AGAINST CHURCHES OF CHRIST WHICH WILL NEVER IMPOSE INSTRUMENTAL IDOLATRY.

PROOF THAT ALL INSTRUMENTALISTS ATTACKS ARE BASED ON LIES OR IGNORANCE.

NUMBERS 11 THE REST OF THE STORY ABOUT MUTTERING AND MURMURING:  Violates Christ's outlawing vocal or instrument rejoicing or speaing your own words in Numbers 10

DAVID YOUNG STILL SAYS THAT ALL THINGS ARE LAWFUL?

THE "LEADERSHIP" IS PURPOSE-DRIVEN TO SOW MASSIVE DISCORD WHICH GOD HATES.

ELDERS AND DEACONS ARE THE ONLY VOCATIONAL "STAFF" IN A CHURCH OF CHRIST

The role of PREACHER as SENT Evangelist

ISAIAH 8: THOSE WHO DON'T PREACH THAT WHICH HAS BEEN PROVIDED ARE MARKED AS BEING WITHOUT LIGHT.

THE MARKS OF THE FINAL SHAKING AND THE END-TIME SHAKER.

The MARKS of the BEASTS (Zoe) and the INSECTS-PARASITES (LOCUSTS or musical worship teams)
 
THE FIREY DESTINY OF THOSE WHO SOW MUSICAL OR RHETORICAL DISCORD

The NACC is a denominational organization or human institution: most independent Christian Churches may not know that their support funds men who deliberately sow "instrumental" discord and according to Jeff Walling intends to OFFEND. Instrumental noise to frazzle nerves and perform witchcraft or sorcery was CONTEMPORARY at the Babylon Ziggurats or towers of Babel (as was Jerusalem."  To call direct Biblical commands "traditional" when they don't read the text would be defined by Christ as blaspheming the Holy Spirit OF Christ who repudiated instrumental madness in all of the prophets.  Revised 5.25.13

The congregation of the people was defined in Exodus 18 for groups as small as then families led by a mercinary teacher and guide.  After the fall into the musical idolatry of the always-pagan trinity (Osiris, Isis, Horus: always father, mother (spirit) and infant son), the tribe of Levi was abandoned to the worship of the starry host: the godly people attended Qahal, synagogue, ekklesia or Church of Christ (the Rock etc) in the wilderness.  The Text, the definition of the assembly Edersheim and Calvin affirm that these assemblies were called on the REST day by a trumpet (church bell) but excluded vocal or instrumental rejoicing or self-speak.

Numbers 10:7 But when the congregation is to be gathered together,  [h6950 Qahal is still used for the synagogue]
        ye shall blow, but ye shall not sound an alarm.

H7321 rûa‛ roo-ah' A primitive root; to mar (especially by breaking); figuratively to split the ears (with sound), that is, shout (for alarm or joy):—blow an alarm, cry (alarm, aloud, out), destroy, make a joyful noise, smart, shout (for joy), sound an alarm, triumph

Then and now the ONLY reason for calling the assembly was/is to hear the Word (only) PREACHED by being READ for comfort and doctrine.  The Lucifer-Principal (the Halal, Chalal) intends to replace and silence and therefore ALARM or TRIUMPH OVER the Words of Christ. There is nothing in the Greek, Hebrew or Latin which PERMITS any speaker, singer or instrument player to perform or ADD by pretending to be a mediator in song and sermon.  God ordained TWO SILVER TRUMPETS to send signals but not when HE sent His Word through Moses, Aaron and the small group leaders:

Tŭba , ae, f. kindr. with tubus, a tube, I.a trumpet, esp. a war-trumpet, at tuba terribili sonitu taratantara dixit,
Apart from military purposes, it was used on various occasions, as at religious festivals, games, funerals,
b. Sonorous, elevated epic poetry, Mart. 8, 3, 22; 8, 56, 4; 10, 64, 4;
c. A lofty style of speaking, 
I. Trop.: “tuba belli civilis,” i. e. exciter, author, instigator, Cic. Fam. 6, 12, 3: “rixae,” [or dispute, contest, strife, contention] Juv. 15, 52.

Clangor , ōris, m. clango,

I.a sound, clang, noise (mostly poet. and in Aug. prose).

I. Of wind instruments: “tubarum,” III. Of dogs, a barking, baying,

Caes. Gal. 8.20 imagined that the Romans were marching against them, and calling a council in haste by sound of trumpet, unanimously cry out to send embassadors and hostages to Caesar.

Con-cīdo  A. Of discourse, to divide minutely, dismember, render feeble: “
To deceive, cheat, defraud: artĭcŭlātim , adv. articulatus
II. Trop., of discourse, properly divided (v. articulus, II. A.); hence, clearly, distinctly, point by point: verba discernere articulatim,
        Lucr. 4, 555: “aliquid explicare,” Varr. L. L. 10, 4, 179: aliquid articulatim distincteque dicere, * Cic. Leg. 1, 13, 36.

Everyone was smart enough to catch on to DIRECT COMMANDS:

Acts 15:21 For Moses
        of old time hath
        in every city them that PREACH him,
        being READ in the synagogues every sabbath day.

Even Jesus understood that!
Luke 4:16 And he came to Nazareth, where he had been brought up:
        and, as his custom was,
        he went into the synagogue on the sabbath day,
        and stood up for to read.
And He had the uncommon decency:
Luke 4:20 And he closed the book, and he gave it again to the minister, and sat down.
        And the eyes of all them that were in the synagogue were fastened on him.

Ex-plĭco , I. Lit.: “velum,” Plaut. Mil. 4, 8, 7: “non explicata veste neque proposito argento, etc.,” spread out, to put in order
1. To disentangle, set in order, arrange, regulate, settle, adjust any thing complicated or difficult:
2. Of speech, to develop, unfold, set forth, exhibit, treat, state: vitam alterius totam explicare, oratione
perturbatione explicabo,” “summorum oratorum Graecas orationes,” id. de Or. 1, 34, 15

Jesus made the prophecies more certain and Peter said:
2Peter 1:20 Knowing this first,
        that no prophecy of the scripture is of any private interpretation.

epi-lu^sis solution, “sophismatōn” S.E.P.2.246; explanation
soph-isma , atos, to, A.acquired skill, method. Mechanical contrivance.
   sophis-tēs , ou, ho,  A.master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, “meletan sophistais prosbalon” Pi.I.5(4).28, cf. Cratin.2; of musicians, “sophistēs . . parapaiōn khelun”
with modal words added, “hoi s. tōn hierōn melōn” [Melody in a holy place]
of the Brakhmanes [Levites re Josephus] quibbler, cheat,
3. later of the rhētores, Professors of Rhetoric, and prose writers of the Empire, such as Philostratus and Libanius, Suid.; “Apollōnidē sophistē” [Abaddon, Apollyon]
       sophos , ē, on, A.skilled in any handicraft or art, clever, “mantis” Id.Th.382; mostly of poets and musicians, Pi.O.1.9, P.1.42, 3.113; en kithara s. E.IT1238 ,   also en oiōnois, kithara, E. IT662

Jesus didn't SELL the free water of the Word.
2Corinthians 2:17 For we are not as many, which corrupt the word of God:
        but as of sincerity, but as of God, in the sight of God speak we in Christ.

ka^pēl-euō , retail-dealer, drive a petty trade, sell learning by retail, hawk it about,
tēs hōras anthos or tēn hōran, of prostitutes
playing tricks with life, corrupting it,

That means that NOTHING in Scripture is subject to EXPLICATION or further expounding.
2Peter 2:1 But there were false prophets also among the people,
        even as there shall be false teachers among you,
        who privily shall bring in damnable heresies,
        even denying the Lord that bought them,
        and bring upon themselves swift destruction.
2Peter 2:2 And many shall follow their pernicious ways;
         by reason of whom the way of truth shall be evil spoken of.
2Peter 2:3 And through covetousness shall they with feigned words make merchandise of you:
        whose judgment now of a long time lingereth not, and their damnation slumbereth not.

Ulŭlo , B  Transf., of places, to ring, resound, re-echo with howling: “penitusque cavae plangoribus aedes Femineis ululant,” Verg. A. 2, 488: “resonae ripae,” Sil. 6, 285: “Dindyma sanguineis Gallis,  “ululanti voce canere,” Cic. Or. 8, 27.—

Căno , cĕcĭni, cantum (ancient to make something the subject of one's singing or playing, to sing of, to celebrate, or make known in song, etc.

I. Neutr., to utter melodious notes, to sing, sound, play.
2. Of the faulty delivery of an orator, to speak in a sing-song tone: “inclinată ululantique voce more Asiatico canere,” Cic. Or. 8, 27; cf. canto and canticum.— of the crowing of a cock: C. Transf., of the instruments by which, or (poet.) of the places in which, the sounds are produced, to sound, resound: “canentes tibiae,

Psalms 41 is a PROMISED that "Judas" would not triumph over Messiah. The Judas bag was ALWAYS attached to a flute case in Greek Vases and descriptions: it was for carrying the Mouth Pieces of Wind Instruments.  Jesus halted the final effort of Judas by hand grinding the SOP: This was a SIGNAL and Satan entered into Judas and he excluded himself from the kingdom.  The word SOP and the word PSALLO have the same root meaning.  The Dead Sea Copy of the Psalms reads exactly as we will note:

DSS: "After them the chiefs of the Levites serve continually, twelve in all, one to a tribe. The chiefs of their courses shall serve each man in his office. The chiefs of the tribes and fathers of the congregation shall support them, taking their stand continually at the gates of the sanctuary

They were there to EXECUTE any preacher or singer who came NEAR: In Battle:

"The priests shall blow the trumpets of massacre, and the Levites and all the blowers of the ram's horn shall sound a battle alarm,

and the foot soldiers shall stretch out their hands against the host...
and at the sound of the alarm they shall begin to bring down the slain.
All the people shall cease their clamor,
........... but the priests shall continue to blow the trumpets of massacre."  - War Scroll

7

DSS: And they, teachers of lies and SEERS of falsehood,

have schemed against me a devilish scheme,

to exchange the Law engraved on my heart by Thee

for the smooth things which they speak to Thy people.

And they withhold from the thirst the drink of Knowledge, (Amos 5, 6, 8, Isa 5)
        and assuage their thirst with vinegar,that they may gaze on their straying,
        on their folly concerning their feast-days (Jubilee, Feast of Tabernacles)
        on their fall into their snares.

DSS: "The priests shall blow the trumpets of massacre, and

the Levites and all the blowers of the ram's horn

shall sound a battle alarm,

and the foot soldiers shall stretch out their hands against the host...

and at the sound of the alarm

they shall begin to bring down the slain.

All the people shall cease their clamor,

but the priests shall continue

to blow the trumpets of massacre."  - War Scroll

9

DSS: They have overtaken me in a narrow pass (gap) without escape

And there is no rest for me in my trial.

They sound my censure upon a harp

and their murmuring and storming upon a zither." Ps.41:11

DSS: I will groan with the zither of lamentation

in all grief-stricken mourning and bitter complaint

until iniquity and wickedness are consumed

However, when the Scribes and Pharisees, Hypocrites (speakers, singers, instrument players Ezek 33)

DSS: Then will I play on the zither of deliverance

and harp of joy,

on the tabors of prayer and the pipe of praise

without end.

GO AHEAD, DARE TO BE A JUDAS: MAKE GOD'S DAY!

Psalms 41:11 By this I know that thou favourest me,
        because mine enemy doth not triumph over me.

h7321Ruwa

The enemy for the Church of Christ (the Rock) in the wilderness would perform vocal or instrumental rejoicing including loud self -- speaking: sermons were outlawed for the synagogue. Jesus called the Scribes and Pharisees, hypocrites and Christ in Ezekiel 33 named entertainment: speakers, singers or instrument players. That is why the doctors of the law "took away the key to knowledge." The LOGOS speak words are the opposite of rhetoric, singing, playing instruments or drama. The Enemy in Latin is: Inĭmīcus , a, um ( Comp.: “nec quidquam inimicius quam illa (oratio) versibus,” Cic. Or. 57, 194;   “inimicissime contendere, versus   B. In partic., a line of writing; and in poetry, a verse: “ut primum versum (legis) attenderet,” Cic. Rab. Post. 6, 14: V. A kind of dance, or a turn, step, pas in a dance, Plaut. Stich. 5, 7, 2. ōrātĭo , ōnis, f. oro,  I.a speaking, speech, discourse, language 2. Speech, language, utterance; OPPOSITE. to fact, action, II. In partic., formal language, artificial discourse, set speech (opp. to sermo, ordinary speech, conversational language): : “mollis est oratio philosophorum et umbratilis, nec verbis instructa popularibus B. A set speech, harangue, discourse, oration: “(oratio) ut gravis, ut suavis, ut erudita sit, ut liberalis, ut polita, ut sensus,  prayer, the habit or practice of prayer: “perseverantes in oratione,” The enemy HATES and another definition of the TRIUMPH OVER attempts is: God had not commanded the temple: this was a ziggurat after God turned them over to worship the starry host because of instrumental idolatry at Mount Sinai. When the Jacob-Cursed and God-Abandoned made a great NOISE God SHUT DOWN the temple so that the Jews were certain that they had captured Him in a house built by human hands. THEY said that no one could contact God but God answered the prayers from OUTSIDE the "church house" directly from HEAVEN. h7311.Ruwm The Self-pleasure in Romans 15 is outlawed: "creating mental excitement" using any of the performing or hypocritic arts. This is the "heresy" concept which means that the object is to bewitch people so that the enemy can "take away their property."

Psalm 40.12 in hoc cognovi quoniam voluisti me quoniam non gaudebit inimicus meus super me

Gaudĭum , I.inward joy, joy, gladness, delight (opp. laetitia, joy which shows itself externally).
      the outward expressions of joy: “feminarum praecipue et gaudia insignia erant et luctus,” Liv. 22, 7, 12
B. In partic., sensual pleasure, delight, enjoyment (rare; not in Cic.; cf. “above the passage,”
        a). With dat.: “Herophile Phoebo grata,

The instrumental worship of the Egyptian trinity at Mount Sinai was a fall back into the worship of the Astrial Gods: that is why Stephen said that God abandoned them to worship the starry host.  In one way or another the Apollo or Abaddon or Apollyon of Revelation was a key "god' worshipped in the wilderness and at Jerusalem which was an old Jebusite high place devoted to Sabazianism. Therefore, the attempt to TRIUMPH OVER or silence the voice of Jesus is defined as:

“Herophile PRIESTESS of Apollo (Abaddon, Apollyon) Of human beings, , (cf.: uxor, mulier, matrona;” , .Applied as a term of reproach to men, ;A.a femalewoman, , : “ In gram., tunc femina simplex,the female character undisguised Juv. 6, 327 effeminate Ov. M. 12, 470Sil. 2, 361Suet. Caes. 22Just. 1, 3Curt. 3, 10 fin. B.a female she( bestiarum )II.the feminine genderQuint. 1, 6, 121, 4, 24

In Revelation 17 the Babylonian mother of harlots in Revelation 18 uses the "lusted after fruits." These are the same FRUITS Amos warned about in Amos 8 where God turned the music IN the temple into howling because the leaders had TAKEN AWAY the water and food of the Word.  The speakers, singers, instrument players and craftsmen including ALL performing religious teknokrats HAD deceived the whole world once and John says that they along with the dogs (Catamites) will be cast alive into the lake of fire.  Males who sang and played are said to be "drunk, perverted or just having fun-mocking."  Ovid notes:

Ov. Met. 12.470

Full well I doo remember that Cymelius threw a dart
Which lyghted full in Nesseyes flank about his privie part
And think not you that Mops, the sonne of Ampycus, could doo
No good but onely prophesye. This stout Odites whoo

Had bothe the shapes of man and horse, by Mopsis dart was slayne,
And labouring for to speake his last he did but strive in vayne....
No better than a moother will I count thee whyle I live.
Remembrest not what shape by birth dame nature did thee give?
Forgettst thou how thou purchasedst this counterfetted shape
Of man? Consyderest what thou art by birth? and how for rape
Thou art become the thing thou art? Go take thy distaffe,

gaudĕo ,
(γ). [select] With abl.: “ipsa liberatione et vacuitate omnis molestiae gaudemus, omne autem id, quo gaudemus, voluptas est,” Cic. Fin. 1, 11, 37: “correctione,” id. Lael. 24, 90: “illis,” id. ib. 6, 22: “aequitate justitiaque,” id. ib. 22, 82: “hoc scientiae genere,” id. Off. 3, 33, 121: “praeda ac populationibus, magis quam otio aut requie,” Liv. 22, 9, 5: “scaena gaudens miraculis,” id. 5, 21, 9: “equis,” Hor. S. 2, 1, 26: “equis canibusque,” id. A. P. 162: rure, id. S. 1, 10, 45: “pictis tabellis,” id. ib. 1, 1, 72: “carmine (with delectari iambis),” id. Ep. 2, 2, 59: “gaude sorte tua,” id. Epod. 14, 15; cf.: “ille cubans gaudet mutata sorte,” id. S. 2, 6, 110: “ero gaude,” i. e. at your master's return, Cat. 3

Outlawed by Paul in Rome in Latin: “scaena gaudens miraculis,” id. 5, 21, 9  2. (Post-Aug.) Of the schools of rhetoric, as scenes for the display of eloquence: “at nunc adulescentuli deducuntur in scaenas scholasticorum, qui rhetores vocantur,” 1. The public stage, the public: “quia maxima quasi oratori scaena videatur contionis,”

Performances are always lying wonders:
mīrācŭlum , i, n. id., I.a wonderful, strange, or marvellous thing, a wonder, marvel, miracle; wonderfulness, marvellousness (class.; syn.: prodigium, portentum): miracula, quae nunc digna admiratione dicimus,

“carmine (with delectari iambis)

carmen , ĭnis, n. (old form cas-men , Varr. L. L. p. 86 Bip.) [Sanscr. çasto declaim, praise; cf.: camilla, censeo],

I.a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto).

I. In gen., a tune, song, air, lay, strain, note, sound, both vocal and instrumental
II. Esp., a composition in verse, a poem; poetry, verse, song, whether in a broader sense, of every kind of poetic production, epic, dramatic, lyric (opp. to prose and to cantus, the melody), or, in a more restricted sense, for lyric poetry.

dēlecto , āvi, ātum, 1,
I. To allure from the right path, to entice away, to seduce (only ante-class.): me Apollo [ABADDON, APOLLYON] ipse delectat, ductat Delphicus, Enn. ap. Non. 97, 32 (Trag. v. 390 Vahl.: delectare, illicere, attrahere, Non.): hostem, Quadrig. ib. 98, 2: “ubi sementem facturus eris, ibi oves delectato,” keep back, Cato R. R. 30 (also copied in Plin. 17, 9, 6, § 55). —
“jumentis,” Caes. B. G. 4, 2: “imperio,” id. B. C. 3, 82: “criminibus inferendis,” Cic. Lael. 18, 65: “carminibus,” Hor. Od. 4, 1, 23; cf. “iambis (with gaudere carmine),” id. Ep. 2, 2, 59 et passim:  “interea cum Musis nos delectabimus aequo animo,” id. Att. 2, 4, 2; cf.: “cum Musis delectari,”
“me magis de Dionysio delectat,” Cic. Q. Fr. 2, 13 fin

THOSE WHO TRY TO TRIUMPH OVER THE WORDS OF CHRIST IN THE PROPHETS AND APOSTLES USE INFERENCES. They INFER that Christ's silence is THEIR PART.  They INFER that "it doesn't matter" and that is why INFERENCES intend VIOLENCE and passing judgment

in-fĕro A. In gen., to bring forward, introduce; to produce, make, excite, occasion, cause, inflict: “in re severa delicatum aliquem inferre sermonem,
dicium, to JUDGE (post-class.), Dig. 5, 2, 4: “prima peregrinos obscena pecunia mores intulit,” Juv. 6, 299. —
B. To throw upon, apply to any thing; esp. of fire, to set fire to: “tectis et templis ignes inferre conati sunt,” to set fire to,

B. In partic., to conclude, infer, draw an inference, Cic. Inv. 1, 47, 87; Quint. 5, 11, 27.

A. (Mostly poet.) The fire or glow of passion, in a good or bad sense; of anger, rage, fury: ore dabat pleno carmina vera dei,” Ov. F. 1, 47
To Deliver
Carmen ,

I.a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto).

I. In gen., a tune, song, air, lay, strain, note, sound, both vocal and instrumental
“carmine vocali clarus citharāque

Cĭthăra , ae, f., = kithara, I.the cithara, cithern, guitar, or lute
II. Meton., the music of the cithara, or, in gen., of a stringed instrument, the art of playing on the cithara,

Hor. S. 2.3.104 If any person were to buy lyres, and [when he had bought them] to stow them in one place, though neither addicted to the lyre nor to any one muse whatsoever:

Cyrus was told how to NEUTER men:
Grant, then, forgiveness to the Lydians, and to make sure of their never rebelling against thee, or alarming thee more,
send and forbid them to keep any weapons of war, command them to wear tunics under their cloaks, and to put buskins upon their legs,
        and make them bring up their sons to cithern-playing (Kitharizein), singing (psallein),
        and shop-keeping (Hucksterism). 

So wilt thou soon see them become women instead of men,
and there will be no more fear of their revolting from thee."

-Kitharizô 1 [kitharis] to play the cithara, phormingi [Apollo] kitharize Il., Hes.; lurêi eraton kitharizôn Hhymn. (so that there can have been no great difference between the kithara, lura, and phorminx ); kitharizein ouk epistatai, of an uneducated person,

ALL INSTRUMENT PLAYING IS RELATED TO VIOLENCE
-Arassô ,of any violent impact, with collat. notion of rattling, clanging, as of horses, hoplais, pound in a mortar, strike with a shower of stones.
a). kitharēn strike the lyre, Orph.A.382; humnon, melos, etc., Nonn.D.1.15,440, etc.
2. c. dat. modi, arassein tina oneidesi, kakois, assail with reproaches or threats,
II. Pass., to be dashed against, dash one against the other
Pound in a mortar, “holmō a.” Nic. Th.508

NACC 2013 Victorius: Willing to sow discord after more than a hundred years based on the word PSALLO which is really the MARK left by Paul for those who cannot read the phrase "Making Melody IN the Heart."

See the two major PSALLO words which are never DEFINED. Instead, I will show how the words are used having several meanings.  If we twang a bowstring to send forth a singing arrow into a literal heart then PSALLO would obligate the instrumentalists because there is very little about twanging a HARP string and then the examples are ugly or even forbidden.

A Ralph Johnson: Does  PSALLO Authorize Musical Instruments
A Ralph John Psallo and Psalmos

A. Ralph Johnson: INSTRUMENTAL MUSIC, SACRED OR SINFUL

Lynn Anderson The Beginning of Musical Idolatry

Danny Corbitt and Matt Dabbs Psallo

John T. Willis 2. "Sing" is vocal; "make melody" is instrumental. Psalms 33:2-3; 144:9; 149:1, 3 make this crystal clear. Amos 5:23 further verifies this reality.  People forget that God turned Israel over to worship the starry host because of musical idolatry at Mount Sinai. The Levites were under the KING and the COMMANDERS of the army: they made war and not worship. We will examine these passages in context.

Danny Corbitt Refuting Everett Ferguson Psallo, Psalmos, Psalmus, Psalma

See Instrumental Music in the School of Christ excluded
See how Instumental music as the BEAST.

From the serpent as Musical Enchanter(ess) onward the BITE is fatal when is forces one to identify the emotional (sexual) feelings in the FLESH as the Spirit of God's influence.  Music is one of the most addictive drug producers: that's why they USE music and USE women.

Genesis 3:1 Now the serpent [beast] was more subtil than 

5175 nâchâsh naw-khawsh' From H5172 ; a snake (from its hiss):—serpent.
H5172 nâchash naw-khash' A primitive root; properly to hiss, that is, whisper a (magic) spell; generally to prognosticate:— X certainly, divine, enchanter, (use) X enchantment, learn by experience, X indeed, diligently observe.

serpo ,   of things, to move slowly or imperceptibly, to creep along, proceed gradually
Beastia 2. As a term of reproach (cf. belua and our beast): “mala tu es bestia,” Plaut. Bacch. 1, 1, 21; id. Poen. 5, 5, 13.—And, humorously, of the odor of the armpits (cf. ala and caper), Cat. 69, 8.—

Epôidê , Ion. and poet. epaoidê , hê, A. song sung to or over [Laded Burden]: hence, enchantment, spell Od.19.457 Pi.P.4.217 ou pros iatrou sophou thrênein epôidas pros tomônti pêmati S.Aj. 582 ; of the Magi, Hdt.1.132,

1. Did everyone forget that Paul said to SPEAK one to another "that which is written for our learning." That cannot tolerate a sermon or song writer.
   
2. Speak in the LOGOS sense is the opposite of poetry, music, rhetoric or acting.
   
3. Becausse Epoide in the performance sense points to sorcery: usiing something beyond the Word claiming a right to be paid.
   
4. And PSALLO points directly to Apollo (Abaddon, Apollyon) twanging his harp to send forth a singing arrow into a literal heart. And all of the NACC plucking data points to older males seducing a younger male such as Alexander the Great who shamed his father because he plucked so skillfully when actual performance belonged to lower classes.
   
5. And both singing and psallo are IN [te towards] the heart and GRACE in Colossians 3:16 [the effects in the heart]
   
6. And the object is to TEACH and COMFORT "with the will of Christ Eph, the Word of Christ col]
7. And God promises to BURN witches and the MARKS in sight of Sound of people being driven into "hell" are the wind, string and percussion instruments which Lucifer the singing and harp-playing prostitute brought into the garden of Eden.
   
8. I wonder why  people are so purpose driven to use music which means "to make the lambs dumb before the slaughter?" I worry about that a lot.
   

Connecting to the BEAST in Revelation: Thēri^-a^kos , ē, on, (thērion A New Style of song or drama] A. concerning venomous beasts, “logos” [Hermes] “th. pharmaka” [ such charms have I, Hdt.3.85, cf.Revelation 18:23, Apoc.9.21.] Id.17(2).337; thēriaka,
Plin.HN14.117; th. oinos [ name of Dionysus The god of the new wineskinners]]\

In this way music became an important factor in divination. In the mysteries of the Magna Mater [Revelation 17] this relationship between music and divination is particularly clear. Through the din of tambourines, cymbals and flutes.

The NACC led preachers boast that we took your your youth to gathering with lots of "christian bands" (an oxymoron) to TEACH THEM TO LEAVE OUR MOVEMENT. Oh, lord, I tremble, tremble, tremble.

This is the meaning of the SERPENT using gradualism where Lynn Anderson warns to weave back and forth and don't move to fast to get fired.

Serpo , of things, to move slowly or imperceptibly, to creep along, proceed gradually,
Of disease, etc.: “si ulcus latius atque altius serpit,” gradually spreads,
Fire: “exsistit sacer ignis et urit corpore serpens,” slowly spreading,  canam, qui leniter
A creeping LOUSE

Example from recorded history
The newest song which the singers have, (Odyssey)...
"they will be afraid that he may be praising, not some new songs, but a new kind of song; and this ought not to be praised, or conceived to be the meaning of the poet; for any musical innovation is full of danger in the whole State, and ought to be prohibited. 
"So Damon tells me, and I can quite believe him; he says that when modes of music change, the fundamental laws of the State always change with them..." </b>
"Then," I said, "our guardians must lay the foundations of their fortress in music?"
"Yes," I replied, 'in the form of amusement: and at first sight it always appears harmless'." (The Great Dialogs, Plato, Classic edition, p. 312)

Im at a congregation that has struggled with this issue.
      We've been atempting to make our Sunday morning assemblies as relevant as possible.

One way we did that was
      A. to start using a praise team,
      B. not every Sunday,
      C. but at first only occasionally,
      D. and now about every other week,
      E. before the actual service starts
      F. then we have the traditional congregational singing led by a song leader
            for the rest of the service.
      G. At first we had them stand in the back, which didn't cause much of a stir,
      H. but when we moved them up front in front of the whole congregation,
           many people had serious problems with this, and a few left because of it.     
      I.  but couldn't handle an acapella praise team of men and women standing
            in front of the church.
      J.  Then they plan to switch to instrumental while denying it.

Serpo meaning canam, qui leniter

lēnis , I. soft, smooth, mild, gentle, easy, calm. sensus judicat dulce,

dulcis  II. Trop., agreeable, delightful, pleasant, charming, soft, flattering.
“orator,” Cic. Off. 1, 1, 3; cf. “of orators or writers,” “carmen,” id. 12, 10, 33: “poëmata,” Hor. A. P. 99

carmen , a tune, song, air, lay, strain, note, sound, both vocal and instrumental
“per me (sc. Apollinem) concordant carmina nervis [Abaddon, Apollyon MARK]

Quint. Inst. 12 10.33 Consequently the Greek language is so much more agreeable in sound than the Latin, that our poets, whenever they wish their verse to be especially harmonious, adorn it with Greek words.

pŏēma , a composition in verse, a poem. Poësis est perpetuum argumentum e rhythmis, “scribere, called hypocrite by Jesus: Ezekiel 33 speakers, singers, instrumentplayers

Herpō , herpein es muthon, [preacher's tales] pros ōdas, Id.Hel.316, Cyc.423 ;

herpon tois odousi thērion an animal that walks on its teeth, A new Style music
muthos  2. public speech, “m. andressi melēsei” Od.1.358; “muthoisin skoliois”   muthoisi kekasthai to be skilled in speech, Opposite LOGOS

ōdē , hē, contr. for aoidē, but also of joyful songs, songs of praise, “kallinikos” Id.El.865 (lyr.) 2. = epōdos, magic song, spell, Longus 2.7.

Also: Genesis 3:1 Now the serpent was more subtil than

Callĭdus , a, um, adj. calleo, I. that is taught wisdom by experience and practice, shrewd, expert, experienced, adroit, skilful: In reference to art, excelling in art, skilful,
II. Crafty, cunning, artful, sly săpĭentĭa

Săpĭentĭa , Wisdom, = sophia  Sophiam “ars est philosophia vitae, Of eloquence: philosophis “doctores sapientiae,” philosophers,

Luke 11:52 Woe unto you, lawyers! for ye have taken away the key of knowledge: ye entered not in yourselves, and them that were entering in ye hindered.

God HIDES from the wise or SOPHISTS who writhe away with music.

Sophia , A. cleverness or skill in handicraft and art,
in music and singing, tekhnē kai s. h.Merc.483, cf. 511; in poetry, Sol.13.52, Pi.O.1.117, Ar.Ra.882, X.An.1.2.8, cunning, shrewdness, craft,
in divination, S.OT 502 (lyr.)
4. among the Jews, “arkhē sophias phobos Kuriou” LXX Pr.1.7, cf. Jb.28.28, al.; Sophia, recognized first as an attribute of God, was later identified with the Spirit of God, cf. LXX Pr.8 with Si.24sq.

Phobos 2. Phobos personified, as son of Ares “edōk' Apollōn thēras phobō”  [Apollo is Abaddon or Apollyon: the LOCUSTS are his Musicians]

Many of the Jews believed that SOPHIA was the Word or Spirit: She takes the place of the LOGOS in proverbs as being the Creator of all things. Her daughter Zoe or Eve was called the Beast and Female instructing princiiple. The "mindless" Jehovah was cast into a lower "heaven" but he was wise enough to form MUSICAL WORSHIP teams which naturally worshipped Sophia and Zoe; that is the meaning of the Feminists and Lesbian STAFF Paul radically outlawed because he could read the Word.

Proverbs 8:22 The LORD possessed me in the beginning of his way, before his works of old.
             Adonai:  singular "adon" the Phoenicians  pagan god Tammuz  [Ezekiel 8] and is the origin of the
             Greek pagan god Adonis [FALSE Logos]
Proverbs 8:23 I was set up from everlasting, from the beginning, or ever the earth was.
Proverbs 8:24 When there were no depths, I was brought forth; when there were no fountains abounding with water.

Genesis 3:1 Now the serpent was more subtil than any beast of the field which the LORD God had made. And he said unto the woman, Yea, hath God said, Ye shall not eat of every tree of the garden?

Field is EARTH terra dry land, fruitful places
B. Personified, Terra, the Earth, as a goddess; “usu. called Tellus, Magna Mater,

Ceres, goddess of creation, the daughter of Saturn and Ops, Venus (Lucifer, Zoe)
“represented as upon a chariot drawn by dragons, with a torch in her hand,
“cupidinum,” i. e. Venus, Hor. C. 1, 19, 1.  applied to priestesses:

Cybele,   Cybele, the mother of all the gods: “matris magnae sacerdos,” Cic. Sest. 26;
matris quate cymbala circum, Verg. G. 4, 64; id. A.

Genesis 3:2 And the woman said unto the serpent, We may eat of the fruit of the trees of the garden:

Because all musical terms and names of instruments point to enchantment, sorcery or witchcraft it is a burnable offense says Christ in Isaiah 30 and John in Revelation 17f

THE MOTIVE STATED BY THE NACC

There remain areas in which Churches of Christ are stronger than Christian Churches–and these are observable at our gatherings. This is just one more reason greater unity would be a blessing. The strength found in partnership is really powerful. Strength in isolation isn't very strong.

An assembly of Christ is NEVER larger than the local group meeting to Rest, Read and Rehearse the Word says Christ for the Synagogue or church in the wilderness.

The NACC (C. 1927-1971) was founded to ESCAPE any kind of denominational structure: from my mail bag lots of preachers resent the new organization's effort to build by acciquisition.  A Church of Christ which began as the Qahal, synagogue or Ekklesia began in purpose in Exodus when the instructions to Moses was to subdivide the tribes down to as small as 10 families. The godly leader not greedy of gain had the purpose of teaching The Book of The Covenant of Grace.  Israel fell from grace doing musical idolatry of the always-pagan triad at Mount Sinai. God turned them over to worship the starry host (missed Acts 7, huh?) and sentenced them back to belond Babylon. The Book of The Law was to regulate the Civil state but David instituted "a new style of instrumental praise" as he carried out the mandate to Worship The Starry host as the Jewish Encyclopedia and most scholarship understands.

After they fell into INSTRUMENTAL IDOLATRY The Spirit OF Christ (the Rock) defined the Qahal, Synagogue, Ekklesia or Church of Christ in the Wilderness.  Tis was to QUARANTINE the godly people from the Sun worship on the superstitious seventh day including the national sacrificial system in Jerusalem.  The BEASTS from Genesis are the mass multitudes which hang around all pagan worship centers as the site of musical performances and holy sex with a temple "minister" or "mistress." h2416 Chay company, congregation, merry multitude, running springing troup.

Unity according to Jesus in John 17 can only happen on the basis of the Word. God the Father breathed (spirit) and the Son articulated that breath into Words: that is why Jesus was made both Lord and Christ and Word. Neither the Spirit (breath) or the Son (Word) speaks on their own. Therefore the unity.

The same Unity commands that the elders "teach that which has been taught" and the one another congregation STOPS the sel-pleasure (all of the hypocritic arts and crafts) and using ONE mind and ONE mouth speaking "that which is written for our LEARNING."  The unique pattern is repeated over and over AFTER the writers have excluded all of the hypocritic arts and crafts.  See Ephesians 4 where the DIVERSITY is absolutely REMOVED before The School of the Word is possible.

But as for you, continue in what you have learned and have become convinced of, because you know those from whom you learned it, and how from infancy you have known the holy Scriptures, which are able to make you wise for salvation through faith in Christ Jesus. All Scripture is God-breathed and is useful for teaching, rebuking, correcting and training in righteousness, so that the man of God may be thoroughly equipped for every good work. 2 Tim 3:14-17

Let the word of Christ dwell in you richly as you teach and admonish one another with all wisdom, and as you sing psalms, hymns and spiritual songs with gratitude in your hearts to God. Col 3:16

Ekklesia or Synagogue (Paul's word) is restricted as the only way to glorify or praise. Those who obey the DIRECT commandment, approved examples and historic practice will be despised and rejected of men: musicians and buffoons or Jesters have historically DISPELLED wrath by being comedians.

John 17:6 I have manifested thy name unto the men which thou gavest me out of the world:
        thine they were, and thou gavest them me;
        and they have kept thy word.
John 17:11 And now I am no more in the world, but these are in the world, and I come to thee.
        Holy Father, keep through thine own name those whom thou hast given me,
        that they may be one, as we are.
John 17:12 While I was with them in the world,
        I kept them in thy name: those that thou gavest me I have kept,
         and none of them is lost, but the son of perdition;
        that the scripture might be fulfilled.
John 17:13 And now come I to thee; and these things I speak in the world,
        that they might have my joy fulfilled in themselves.
John 17:14 I have given them thy word;
        and the world hath hated them,
        because they are not of the world,
        even as I am not of the world.
John 17:15 I pray not that thou shouldest take them out of the world,
        but that thou shouldest keep them from the evil.

The Greeks left us many paintings and descriptions of the Judas Bag always attached to a flute case.

Glossokomon (g1101) gloce-sok'-om-on; from 1100 and the base of 2889; prop. a case (to keep mouthpieces of wind-instruments in), i.e. (by extens.) a casket or (spec.) purse: - bag.
More Greek: glôsso-komeion , to, ( [komeô] ) case to keep the reeds or tongues of musical instruments,  glôsso-komon , to, case, casket,  compartment in a water-organ,

Simon was the father of Judas:

Simōn, Simon, one of the Telchines (v. Telkhin), used prov. of A. a confederate in evil, “oida Simōna kai S. eme” [mine, mine, mine]

Telkhin 

I. one of the Telchines, the first inhabitants of Crete, and the first workers in metal, Aesch.

II. as appellat. telkhin, a mischievous elf, Anth. 1 Telkhin, inos, ho,
Entekhn-os , on,

A. within the range or province of art, “hai pisteis entekhnon esti monon” Arist.Rh. 1354a13.

2. furnished or invented by art, artificial, artistic, Pl. Prt.321d, al.; Opposite. “atekhnos, pisteis” Arist.Rh.1355b36; hē e. methodos the regular method, ib.a4. Adv. “-ōs” Id.SE172a35 (condemned by Phryn.327 

II. of persons, skilled, e. dēmiourgos a cunning workman, Pl.Lg.903c, cf. Plt.300e.

Now, Judas was a thief: Judas Sicarri. A thief is a:

Kleptes (g2812) klep'-tace; from 2813; a stealer (lit. or fig.): - thief. Comp. 3027.

Paul outlaws SELF-PLEASURE in Romans 15 for the assembly because "creating mental excitement" is the burden Jesus died to remove.

haireō ,  means "to take with the hand, grasp, hair. To take by force, to take a city, Il., etc.; to overpower, kill, often of passions, to take, catch, as in hunting,
4. as law-term, convict, “tina tinos” Ar.Nu.591, Is.9.36, Aeschin.3.156; “heile s' hē Dikē” E. Heracl.941, cf. Supp.608: c. part., hai. tina kleptonta to convict of theft, Ar.Eq.829, Pl.Lg.941d; hērēsthai klopeus

hairein tina  kleptonta to convict of theft. To take for oneself. Another form means: take with the hand, grasp, seize as in the Komo or naked dance. Pi.O.7.1; but enthen helôn having taken up the song, Od.8.500.

kleptō  IV. do secretly or treacherously. doloisi k. sphagas execute slaughter by secret frauds, S.El.37; “poll' an . . lathra su klepseias kaka” Id.Aj.1137; k. muthous whisper malicious rumours, ib.188(lyr.); kleptōn ē biazomenos by fraud or open force,
4. get rid of imperceptibly, to dokein . . D.H.Rh.8.7; “tē poikilia ton koron” Id.Comp.19:—Pass., “tou posou kleptomenou” Plot.4.7.5.

Poiki^l-ia , hē 3. in literary style, music, etc., variety, intricacy, ornamentation, “hai peri tēn lexin p.” Isoc.5.27, cf. D.H.Comp. 11,al.; “hē p. tēs luras” Pl.Lg.812d; OPPOSITE monōdia, A. monody, solo, opp. the song of the chorus

Sophia , A. cleverness or skill in handicraft and art divination
in music and singing, tekhnē kai s. h.Merc.483, cf. 511; in poetry, Sol.13.52, Pi.O.1.117, Ar.Ra.882, X.An.1.2.8,

The NACC is built upon the foundation of the word PSALLO invented in 1878 to justify the use of instrumental music when the Spirit clearly says to SPEAK the Biblical Psalms, hymns or spiritual songs. In Romans 15 the command is to "use one mind and one mouth to speak that which is written for our learning." Paul excludes self-pleasure which in Greek and Latin is dedicated to mean STOP the preaching, singing, playing, acting or ANYTHING which does not edify or EDUCATE with that which Jesus commanded to be taught and observed.

Rick Atchley with David Fause frrom  the NACC

Well, we discipled the children of those progressive churches
        for a whole generation to grow past us Boomers.
        They never heard the sermons we heard.
        They never heard the rationale for a cappella music.

We sent them to youth rallies and Church of Christ events
        with some of the finest Christian bands in the world.
        We discipled our children to leave our Movement!

THE USE OF THE "PSALLO" WORD (c. 1878) MAY BE BLASPHEMY: CLAIMING THAT THE SPIRIT OF CHRIST IN PAUL WAS IGNORANT OF THE WAY TO INCLUDED A MUSICAL MACHINE FOR DING HARD WORK.

The PSALLO word has NO musical content: it means to pluck or smite a string, rope or hair with your fingers and NEVER with a plectrum or guitar pick. The word can never mean both SMITE and A HARP.  It is derived from Apollo (Abaddon, Apollyon) and primarily means to smite a bot string to send forth an arrow into a LITERAL heart.  Since Apollo is also the father of homosexual worship (the worship-sex connection is absolute) sending forth love arrows with his lyre.

Because the Holy Spirit of Christ repudiates all of the Levites performing as SOOTHSAYERS with instruments, IF He wanted to even think of instruments in "the School of Christ" he and Paul would have known that you need a COMPOUND word for each style and instrument.  For instance (See Jeff Walling Instruments for more) 

Not included by Paul: PsalmOidia singing TO a harp.

Not included by Paul: PsaltOideo sing to the harp 2 Chron 5:[13]  it happened, when the trumpeters and singers were as one, to make one sound to be heard [one tuned note all in unison]

Not included by Paul:  Psaltos sung to the harp, sung OF Translated sing in Psalm 119:54

Psalm 119WEB.[52]  I remember your ordinances of old, Yahweh, And have comforted myself. [53]  Indignation has taken hold

Not included by Paul:  BarbitOidos singing to the barbiton Barbitos , v. H. 15, 8;  barbiton -os), a lyre, a lute  Latinum, Barbite, carmen, 
Not included by Paul:HupAuleo to play on the flute in accompaniment, melody (melos never psallo)
Not included by Paul: HupoKitharizo play an accompaniment on the harp
Not commanded by Paul:  KitharOidesis singing to the cithra

Often INCLUDED including David: Lusioidos one who played women's characters in male attire, Auloi flutes that accompany such songs.

Not included by Paul: Kat-auleō , A. charm by flute-playing, tinos Pl.Lg.790e, cf. R.411a; tinaAlciphr.2.1: metaph., se . . -ēsō phobō I will flute to you on a ghastly flute,E.HF871 (troch.):—Pass., of persons, methuōn kai katauloumenos drinking wine to the strains of the flute, Pl.R.561c; k. pros khelōnidos psophon to be played to on the flute with lyre accompaniment,   “ta mētrōa”  , to have played to one as an accompaniment on the flute, -“oumenoi pros tōn hepomenōn ta mētrōa melē”

Not included by Paul: Epi-psallō , A. play the lyre, S.Fr.60, Poll.4.58（Pass.); “melesi kai rhuthmois” Plu.2.713b ; sing, “tous humnous” LXX 2 Ma.1.30:—Pass., Ph.1.626.

Not included by Paul: Anti-psallô , A.play a stringed instrument in accompaniment of song, a. elegois phorminga Ar.Av.218 .
Not included by Paul: -psal-ma , atos, to, A. tune played on a stringed instrument

Psalmus  i, m., = psalmos, i. q. psalma, I. a psalm (eccl. Lat.; cf.: “carmen, hymnus),” Tert. adv. Prax. 11; Lact. 4, 8, 14; 4, 12, 7; Vulg. Isa. 38, 20.—Esp., the Psalms of David, Vulg. Luc. 20, 42; id. Act. 13, 33 et saep.

carmen
I. a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation
Carmen ALWAYS INCLUDES an instrument when one INTENDS to list one.
A Tuba:  carmen tuba ista peregit ( = sonus),
A Guitar: “carmine vocali clarus citharāque USED OF APOLLO, ABADDON, APOLLYON  “per me (sc. Apollinem) concordant carmina nervis,
A Lyre : “lyrae carmen,”
A Flute:“harundineum

Isn't the use of just Psalloing IN the heart to deliberately sow massive discord and offend masses of godly people to make Paul lie the meaning of Blaspheming the Holy Spirit of Christ by saying He commanded something He DID NOT?

The NACC has picked off a few weak sisters who come to believe that they PERSONALLY reached the decision to use all of those RACA words on people who refuse to BEGIN doing something they have never done and RESIST the body snatches from the Qahal, Synagogue, Ekklesia or Church of Christ (the Rock) in the wilderness.