A.
Ralph Johnson in Instrumental Music, Sacred or Sinful.
1. Tom Burgess in Documents on Instrumental Music reviewed.
Psallo and Instrumental Music: Proofs do not prove anything but the
"music-homosexuality" connection.
See more
on Strabo's definition of the worship of Apollo or
Abaddon or Apollyon: his
MUSES are the locusts or musical performers in the book of
revelation.
2. Tom
Burgess More Review of Plutarch: if Psallo authorizes "church music" it authorizes a
homosexual gathering.
3. Tom Burgess on Moralia confirms the "Music-Heresy-Perversion" connection
which has no historical exception. 10/20/04
4. Tom Burgess on John Chrysostom: are the anti-instrumentalists ignorant rurals?
10/21/04 What about Paul and Martin Luther and John Calvin and
Zwingli and--everyone who believed the Bible as authority.
5. Tom Burgess on Kurfees versus Thayer and
Grimm: Quotes from: G. C. Brewer, A Medley on
the Music Question, Gospel Advocate, Nashville 1948. Burgess uses the
same Krewson arguments.
LATEST 11/08/05
Charles Daily Northwest
College of the Bible
Part One .....
Part One
A .....Part Two .... THRESKIA or CHARISMATIC
The Babylon Whore worship in
John's Revelation is the CHURCH or CIRCE patternism followed by most
end-time churches. Revelation 18 defines the end of a reign of terror
where carnal people USE believers for their own fun and profit. The
word HERESY does not mean that YOU have a choice. Rather, it means
that someone else LIFTS YOU up using music [without or without
machines] to CARRY YOU AWAY and for THEIR OWN USE. Music is not evil
but it has always been Satan's weapon to BLEED OFF worship due only
to God in Christ. That is why Tyre is called "the singing and harp
playing prostitute" and the literal Babylon's leaders went into Sheol
with his/her harps and harpists.
And this is where we are
fulfilling all of the end time prophecies where APOLLO who is Abaddon
or Apollyon has resurrected the LOCUSTS which in John's data bank
meant the MUSES. They MARK and hold in tribulation those who fall for
their "musical performance." MOST musical terms seem to connect to
the locusts famed for lulling you to sleep at high noon. The SHOOT
OUT has begun and the end is defined:
The
music of harpists and musicians, flute players and trumpeters, will
never be heard in you again. No workman of any trade will ever be
found in you again. The sound of a millstone will never be heard in
you again. Rev 18:22
The techne are the KORESH
in the Cain-Lamech family: they are primarily theater builders and
stage managers in the Greek theater. The word also identifies
rhetoricians, sOPHISts (serpents), singers and musicians. In Greek
literature these were all known as SORCERERS and therefore PARASITES.
A guitarIST or a psalmODIA is the meaning of a parasite.
ALL MUSICAL TERMS AND NAMES
OF INSTRUMENTS HAVE ROOTS IN SATAN'S WORK, WARFARE, THE WEAPON OF
PROSTITUTES AND OF SODOMITES.
"The
marzeah had an extremely long history extending
at least from the 14th century B.C. through the Roman period. In the
14th century B.C., it was prominently associated with the ancient
Canaanite city of Ugarit (modern Ras Shamra), on the coast of
Syria... The marzeah was a pagan
ritual that took the form of a social and religious association...
Some scholars regard the funerary marzeah as a feast for--and with--deceased ancestors (or Rephaim, a proper name in
the Bible for the inhabitants of Sheol)." (King, Biblical
Archaeological Review, Aug, 1988, p. 35, 35)
"These five elements are: (1)
reclining or relaxing, (2) eating a meat meal, (3) singing with harp
or other musical accompaniment, (4) drinking wine and (5) anointing
oneself with oil." (King, p. 37).
"With the wine-drinking (which
is the literal meaning of the Hebrew for feasting), went music
and dancing." (Heaton, E. W., Everyday Life in Old Testament times,
Scribners, p. 93)
"Worship was form more than
substance; consequently, conduct in the marketplace was totally
unaffected by worship in the holy place. Amos spoke from the
conviction that social
justice is an integral part of the Mosaic
covenant, which regulates relations not only between God and people,
but also among people." (King, p. 44).
"In pagan traditions, musical
instruments are invented by gods or
demi-gods, such as titans.
In the Bible, credit is assigned to antediluvian patriarchs, for
example, the descendants
of Cain in Genesis
4:21. There is no other
biblical tradition
about the invention of
musical instruments." (Freedman, David Noel, Bible Review, Summer
1985, p. 51)
"Slightly less familiar are the
Devil's musical
exploits. He not only
loves singing but is master of the violin, of which instrument of
evil he is reputedly the inventor. By the same token he can give
mastery of the violin, bartering infernal skill for the pupil's soul.
These legends are related to
the larger
belief in the
supernatural origin of
musical skill and
individual songs." (Botkin, B. A., A Treasury of American Folklore,
Crown Publishers, p. 718; Cf. The Devil and the Fiddle, Herbert
Halpert, Hoosier Folklore Bulletin, Vol II (Dec., 1943).
Slaughtering tens of thousands
of innocent animals as TYPES of Lord, Jesus Christ with loud NOISE to
serve the slaughtering priests is NOT a recommendation for your
church. Even then, a singer or musician who entered the Holy Places
would himself be slaughtered.
If you
feel smug that you have caused all of the "legalists" to run from
your presence so that the children can play, this too is the
prophecy. The locusts chase away and do not harm those marked with
the Word and A holy spirit at baptism as the SEAL. Because it is a
scientific fact--known by Nimrod--that music hurts before it feels
good, if you are PLEASURING one another be advised that the Locusts
take you captive and delude you until you can be
transported.
If this sounds STRANGE then
find yourself a Phd to find any thing but condemnation of USING
people for your own purposes by MUSIC as more effective in inducing
charismatic ecstasy than wine. It is also more addictive producing
the impulses of FIGHT, FLIGHT or SEXUALITY. That is why Paul outlawed
you from performing in non-sedentary "worship" beause the authority
is the Greek authentia which means both erotic and murderous. There is no
way to be USED as sister singers without being used as sex objects to
fill the collection plates. Male performers were universally seen as
effeminate or worse.
Victor Knowles,
Teacher at 60th Annual Pepperdine University Bible Lectures Malibu,
California May 1, 2003:
Dancing at Arm's Length. Ongoing "unity" forums with "Christian
churches" attempting to confiscate what they call a cappella churches of Christ. As usual, you don't have to know
much Bible or history to get on the LECTURE CIRCUIT of church
bashers.
Together for
Greater Ministry Impact '04
REVIEW:
Seeking to reunite or How to SELL OUT
your Church? Rick Atchley, Rubel
Shelly, Mike Cope and and Randy Harris
The word CHARISMATIC while worshiping Chara-the
Grace-only goddess, is most often attached to perverted
sexuality
Charismatic ecstasy is speaking as
"prophets." The only background for "threskia" form of ceremonial
worship was founded by Orpheus one of the
"fathers" of music and what Paul identified as MADNESS or speaking in
tongues in 1 Cor 14. Chara or GRACE was a
goddess. Charismatic connected directly to attempting to bind spirit and
flesh together in the "harmony" principle of Apollyon or Apollo:
"moving together" involved only two persons and was acted out in
homosexuality: usually in pederasty (sodomy) which was common in ALL
priesthoods or brotherhoods of religious performers
Commands Examples Inferences: Some hostile attack: blaming people for
obeying God Who is MUCH bigger than FALSE PREACHERS are allowed to
know. It is impossible to have ever read the Bible without grasping
that the central fallacy of the Pharisee is that he wants to ADD his
own rules of worship SPECIFICIALLY to silence God and eat up the
houses and church houses of widows and honest working people who
understand Paul's teaching.
John Mark Hicks, DLC,:
Come
to the Table. Ongoing Judaizing.
New "glasses" has given Rubel Shelly and John Mark Hicks a NEW VISION
for doing church and doing the Lord's Supper. While Paul defined the
destructive FESTIVE MEAL trying to BRING GOD TO THE TABLE at Mount
Sinai, he NEVER made it into a SACRIFICIAL MEAL where God EATS. The
RISING UP TO PLAY in musical idolatry should warn CORINTH that eating
and drinking while PRETENDING to remember the DEATH of Christ, that
their "meal" might be EATING with demons.
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These are personal research
notes and are not intended to be 'pop' meet-your-needs sermonettes.
We all love music and apple pie. The one makes you fat spiritually,
the other physically. This researcher doesn't get into what you are
allowed to eat or do or not do for that interlude on Sunday. However,
we do have some recommendations:
How To
Restore Biblical Music
The worst
kind of musical abuse is "Whistling Dixie" while pretending
that the New Testament (chapter two) can be even vaguely
understood without the Old Testament (chapter
one).
It is a fact that music as we
know it had no
role to play
in God's system of worship except educational. While many
groups are still faithful to the non-instrumental methods of
the early church, others -- often the most vocal and
judgmental -- are not shamed that they have no more
authority for singing sentimental poetry with methods of
harmony not older than the 17th to 19th century. The forms
are country-western (help me feel sorry for myself) and mild
Rock and Roll (Post-Modern Voodoo). We propose a new
"paradigm" to replace the "pattern" perverted in the
twentieth century and being overwhelmed with commercial musical worship
teams
performing as
idols for the
paying audience:
- The Bible
(Ephesians - Colossians) speaks of the pure Biblical text
as the resource to teach and admonish one another.
- This leaves no
room for self-invented music (See Amos 5; 6; 8)
or
instruments.
- Performance teams
are an obscene usurpation of the congregation's
Christ-given role.
- The Psalms are a
poetic form of Hebrew history in five books. "Psalms" are
made up of Psalms (praise), Hymns (prayers) and Spiritual
(supernaturally revealed) songs.
Only about 1/3 were considered valuable for
singing.
- Read or tell (not
preach) the story covered by a given Psalm or other
revealed passage.
- Always put it into
a chronological - historical context.
- Read the Psalm in
its versified form. Re-translate if necessary.
- Don't violate
God's mandate and mask the teaching value by the use of
instruments.
- Sing the Psalm
which has a limited tonal range and therefore is not
"melodious" or emotionally abrasive.
- As these Psalms
are repeated week by week the entire Bible is instilled
within the mind.
- The result is the
fulfilling of the only command to "sing in the heart" as
we teach one another with the Biblical text.
We recommend the
following site to learn the Psalms. We don't recommend the
piano and organ.
Introduction
The
Bay Psalm Book
Some
Psalms set to music for learning the tune
Total
Scottish Psalter, 1650
New
Version
Psalmody Only -
Musical Instruments - Presbyterians
Church Growth
Workshops can be replaced with feeding on the Inspired Words
of God.
|
Other On Line Music - Great Aid For Song Leaders. We
do not defend the use of music as worship in any form not intended to
"deliver the words of Christ as they have been delivered to you." We
all love music but it is like many good things; it can be used for
good or ill. It must never substitute for the Word of God or to AID
God's adequate plan. Many musical churches lament the fall into
celebrative worship which goes along with idol worship of men and
women -- "The idolatry of talent."
The Cyber Hymnal
over 1,500 hymns and Gospel songs - Lyrics, Sound, Background Information, Photos,
Links, MIDI, scores -3/8/99
OnLine
Music 200
Hymns at Wheaton-
Online
Hymns of Ter Steegen etc
OnLine Music
Table of Contents
Hymns, Folk Tunes etc. ****
New Articles on Music as
Worship. People of all persuasions worry about how to protect
themselves from church bullies using new-found psychological power
and obscene financial resources to force changes into church
"worship." This involves loud preaching, overpowering singing,
performance vocal and instrumental music and, yes, even dance teams.
One lady sees her team as a "platform upon which God lands" -- That was what they preached at the
Tower of Babel. The end-time commercial/religious institutions
perform to add force to the worship for the audience who must be paying but
passive. Others bait
and switch by promising to reverse the process and "lead you into the presence of
God." These are the
ascending - descending pagan rituals which work best in the churches
turned into temple-states to support the high priest.
Many wonder how to be
self-defensive without being labeled as shrill attackers of "God's
Annointed." These people increasingly sell their bodies by claiming to be apostles or prophets whom you
resist at your own peril. Therefore, what follows is a "Legal Defense Fund" of random information to help you
resist those who knowingly tokenize Scripture to bully you into following "God's Little Change Agents."
Jesus loves those who keep His commandments and you must not be
fearful of wolves waving sheep skins. All of these articles are
"files" into which I will post new information from time to
time.
Aristotle Politics Chapter
13 On Music and Drama as Worship - Effeminate and
Effeminates
6/5/99
Clement of
Alexandria - Exhortation to the Heathen - Singing, Drama and
Idolatry 6/3/99
Clement: Instrumental Music,
Dance and Drama Effeminate Worship Revised
6/3/99
Tertullian, The Shows, or De
Spectaculis, Modern Religious Drama and Music 6/4/99
Boethius -
Consolation of Philosophy 1 - Music or the Truth 4/24/99
Musical Worship - Taking the
Key to Knowledge - Jubal or Jubilee -12/5/98
Musical Heresy - Hippolytus
- Soothsaying
-9/17/98
Witchcraft - Women's
Culture - Change Agents
-9/16/98
Worship Drama - Change Agents
- Dionysus Theater
-9/13/98
Musical Paradigm - Covenant
of Grace - Law of Moses
-9/7/98
Woodmont Hills - Look to the
Hills - The Zoe Group - Human Potential -8/29/98
Origin of Instrumental Music
in Christian Worship M.C.Kurfees -8/28/98
Psalmody Only - Musical
Instruments - Presbyterians -8/27/98
Thomas Aquinas - Praise
Songs - Against Musical Instruments -8/27/98
Thomas Aquinas - God
Praised With Lips - Not Instructed -8/27/98
Musical Minister - Catholic
Precentor - Pagan Clergy -8/6/98
Musical Worship -
Congregational Singing - Catholic Encyclopedia -11/18/9 Rev 1/15/99
Prophesying Laughing and
Speaking in Tongues
-8/4/98
J. W.
McGarvey Musical Worship The Organ -8/15/98
INSTRUMENTS OF MUSIC IN THE
WORSHIP. -8/15/98
Amphion by
Tennyson 8/19/98
Music as magical
worship or just silly.
Hymns of
Ephraem -8/18/98
Musical Worship - Irenaeus
- Wine Women and Magic
-8/20/98
Worship Drama - POETICS
- Aristotle
-8/21/98
General Articles on Music as
Worship
Note: Personal names are used only in
reviewing published books or articles, or in connection with public
lectures. We don't discuss personalities or judge character or
motives, but beliefs which are taught in an attempt to radically
change the musical and worship styles to fit the modern commercial
Seeker model.
Summary Outline of Music in
Worship
History of Instrumental Music
Introduction
Against Musical Instruments in
Worship - Presbyterian R. Dabney
Arnobius on Instrumental
Music-
Alfred
Edersheim Instrumental
Music in the Jerusalem Temple
The
Meaning of Hallel
Instrumental And Musical
Worship Teams For Brainwashing
Thought Control in the Church
With Music
The
Emperor Has No Clothes Part 1:
The
Emperor Has No Clothes Part 2:
The
Emperor Has No Clothes Part 3:
Musical Instruments in
Worship Catholic
Encyclopedia
Complex Harmony In Church
Music
Clement of
Alexandria Against
Instrumental Music
Musical Worship - Review-
Edward Fudge
Gregorian
Chants.
Islam - Koran - Instrumental
Music
Musical Worship
- Odes of Solomon
Northwest College of the
Bible A Review
-7/27/98
Odes
of Solomon Speaks to Jubilee 98 and Wine Skins
Movements
Rubel Shelly - Faith Matters -
Song of Moses
Musical Worship
Clergy - First
Heresy
Musical Worship Minister,
Enchanter, or Soothsayer
Is
There a Musical Conspiracy among the Scholars
Musical Worship
Chronologically ordered.
Note: These are primarily a
collection of Scripture and literary quotations to show that music
was the device Satan always used to pull people away from honoring
God's Word. According to the roots of words and contemporary
writings, this began in the garden of Eden with Satan (Lucifer, etc)
representing Babylonian, Tyrian and other self-ordained kings using
music to bleed away worship owed only to God. Didn't Jesus say that
He spoke in parables to hide the truth from those who do not love the
truth; and this began "from the foundation of the world."
God's true
Jubilee was to take the
collected property away from the huge land-owners (denominations) and
restore them to the local tribes (congregations). But then don't we,
according to prophecy, turn the Word upside down?
"Unlike the
pagan
deities, Yahweh was not
in any of the forces
of nature but in a real
apart. He is experienced in the
scarcely
perceptible timbre of a
tiny
breeze in the paradox
of a voiced
silence." (Armstrong,
Karen, A History of
God, p. 27)
Musical Worship Teams
Introduction
Musical Worship Teams a
Definition
Lilith The Mother of Musical
Worship
Lamech, Jubal and Babylonian
Music
Jubal - Genun - Musical
Worship
Musical Worship - Jubilee 98
- Aztec Paradigm
Babylonian Musical Worship
Teams
Dionysus - Effeminate Wine -
Music Worship
Priests - Soothsayers -
Musicians
Musical Worship Teams and
Ancient Prostitution
Musical Pomp of Lucifer
means to triumph over
Miriam Prophetess or
Usurper
Instrumental Music for
Praise Forbidden
Musical Prophesying by Saul as sign of
madness
Musical Worship
Teams Added
by David
Psalm 149, Psalm 150,
Musical Praise added
2/15/99
Trumpet Playing Watchmen At the
High Places
Lamenting for Tammuz in
Ezekiel
Ezekiel 13 - Women in Ministry
- Rubel Shelly
Feminine Musical Worship
Teams Watch Persons on the Wall
Jubilee 98 - Habakkuk -
Seekers
Women and Children Become
Elders when Men Fail
Musical Worship Teams
Outlawed and Restored
The
Nature of First Century Jewish Music
Jesus Took the Musical
Worship Teams Off our Backs
Background to Corinth's
Musical Ecstasy
Why
Women Worship Leaders Were Silenced in Corinth
Arians Changing the Law With
Musical Worship Teams
Musical Worship Teams
are Musical Shepherds
Musical Worship Teams are the
Overseers
Musical Worship Teams are
Preachers
Musical Worship Teams And the
Jubilee Restructure
Music as the Ultimate Change
Agent
James Kendrick - Jubilee 98 -
Music in Time
6/25/98
See
our more complete Index Here
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